SWAG is a Telugu romantic comedy entertainer movie directed by Hasith Goli. The movie casts Sree Vishnu, Ritu Varma, Meera Jasmine, and Daksha Nagarkar in the main lead roles
స్వాగ్ మూవీ హీరో శ్రీ విష్ణు తో స్పెషల్ ఇంటర్వ్యూ..
#swagmoviespecialinterview
#swag
#sreevishnu
#meerajasmine
#rituvarma
#daksha
#directorhashitgoli
#tollywood
~ED.234~PR.39~HT.286~
స్వాగ్ మూవీ హీరో శ్రీ విష్ణు తో స్పెషల్ ఇంటర్వ్యూ..
#swagmoviespecialinterview
#swag
#sreevishnu
#meerajasmine
#rituvarma
#daksha
#directorhashitgoli
#tollywood
~ED.234~PR.39~HT.286~
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NewsTranscript
00:00You look very shy when you are in front of the camera.
00:06Even when you talk to someone, you feel very shy.
00:13You can't even talk properly.
00:15What surprises me is that,
00:18after watching this trailer,
00:20Sri Vishnu Nai made this film.
00:23The body language has changed, the looks have changed,
00:26the behavior has changed.
00:27These are all the feelings that you get from a small point of view.
00:32What happens to your body when you are in front of the camera?
00:39The character gets influenced.
00:46I got used to going into the character.
00:53If you inspire the character so much,
00:55you can observe the small details.
00:59They do that in this film as well.
01:00In all the characters as well.
01:02They have done it with that in mind.
01:04You will definitely see a new type of acting.
01:08Out of these four characters, which one is your favorite?
01:13Which one is your favorite and which one is difficult?
01:16Actually, apart from the lion character,
01:19everything else is difficult.
01:21The character in the present generation is easy.
01:26This is very difficult.
01:28It takes time to make up,
01:30it takes time to speak the language.
01:32It is very difficult.
01:34This character is for seven to eight girls.
01:39It is a father's role.
01:41It is very heavy.
01:43We have to show what we don't know.
01:45We shouldn't be playful.
01:48Mentally, it is very challenging.
01:53But his story is very beautiful.
01:56It is a bonus.
01:58The film is like that.
02:00The stage changes once.
02:03It grows 10 feet in the same stretch.
02:07It is a character like that.
02:09We have done a deep involvement.
02:11All the actors in that story
02:14have done a great job.
02:19Everyone should watch it in theatres.
02:21Usually, for many heroes,
02:23the costume drama is rare.
02:29For a person like Chiranjeevi,
02:31after her male lead role,
02:33the costume drama came in her 4th or 5th film.
02:36She said she couldn't do it in her entire career.
02:40You had a chance to do it.
02:43How did you mould it as an artist?
02:49I got it.
02:51When I was hungry,
02:53I got a laddu.
02:55I didn't leave it.
02:58How was the preparation?
03:00I never did double action.
03:05Psychologically, I had to be strong.
03:09I had to be prepared.
03:11It is easy to go for a shoot
03:13and get ready with make-up.
03:17It took me 4-5 hours to get ready.
03:19I had to sit.
03:21Those 4-5 hours are very important to me.
03:24I had to think about the character.
03:26Once everything was ready,
03:28I would go there.
03:30Along with the additionals,
03:32I had to think about
03:35how to convey the dialogues
03:37as if it were his own body.
03:43I had to be strong.
03:47I am a bit mature.
03:49I look mature on the outside,
03:51but I have a lot of patience.
03:55I had to give a mid-take
03:57to what he had written.
03:59I didn't take a line
04:01as a light for this film.
04:04You can understand
04:06the hard work,
04:08the preparation,
04:10the joy and seriousness
04:12when you watch the film.
04:18The core point of this film
04:20is the father-son relationship.
04:24What do you believe in?
04:28In our nativity,
04:30we have to listen to our mother
04:33and our father.
04:35Even if we don't see our mother,
04:37it will be great.
04:43We have the name of our father's house.
04:45We don't have the name of our mother's house.
04:47In our nativity,
04:49we have the name of our mother's house.
04:51Even now,
04:53in some families in Kerala
04:55and Meghalaya,
04:57we have the name of our mother's house
04:59with female initials.
05:02So,
05:04that is our conflict
05:06in the film.
05:08It's not about
05:10whether to use female initials
05:12or male initials.
05:14It's about who has the authority
05:16and control.
05:18In our family,
05:20a lot of families
05:22have women's initials.
05:24Everyone can have it,
05:26except for one or two.
05:28The male has to take care of everything
05:31for the sake of the family.
05:33But,
05:35no matter who is upper
05:37or lower,
05:39they will obviously
05:41do what is best
05:43for the family.
05:45At the same time,
05:47we have to give respect
05:49to the women.
05:51They will obviously give it to us.
05:53In that way,
05:55they can be at the top
05:57and we can be at the bottom.
06:00If we guide this properly,
06:02we can be sure
06:04that the name of our mother's house
06:06will be remembered.
06:08It's easy in the city,
06:10but I don't know
06:12how it is in the village.
06:14When I was young,
06:16when I was in the village,
06:18I saw a lot of resemblance
06:20while making the film.