**Title: Braids of Life**
**Description:**
"Braids of Life" is an evocative drama that explores the intricate connections between family, culture, and identity. The film follows Maya, a talented young hair stylist, who uses her craft to connect with her clients and uncover their stories. As she navigates her own challenges, including a strained relationship with her mother and the pressures of her community, Maya learns that each braid she weaves is a metaphor for the bonds that tie people together. Set against a vibrant backdrop, the film celebrates heritage, resilience, and the transformative power of art.
**Key Themes:**
- Family Dynamics
- Cultural Heritage
- Self-Discovery
- Empowerment through Art
**Visual Style:**
The cinematography captures the rich textures of hair and the vibrant colors of the community, immersing viewers in a world where every hairstyle tells a story.
**Target Audience:**
Fans of heartfelt dramas, cultural narratives, and stories about personal growth will resonate deeply with "Braids of Life."
**Hashtags:**
#BraidsOfLife #FamilyDrama #CulturalHeritage #Empowerment #Artistry #SelfDiscovery #FilmFestival #IndieFilm #HeartfeltStories #CommunityConnections #Resilience #HairStyling #Storytelling #LifeJourneys #CinematicExperience
**Description:**
"Braids of Life" is an evocative drama that explores the intricate connections between family, culture, and identity. The film follows Maya, a talented young hair stylist, who uses her craft to connect with her clients and uncover their stories. As she navigates her own challenges, including a strained relationship with her mother and the pressures of her community, Maya learns that each braid she weaves is a metaphor for the bonds that tie people together. Set against a vibrant backdrop, the film celebrates heritage, resilience, and the transformative power of art.
**Key Themes:**
- Family Dynamics
- Cultural Heritage
- Self-Discovery
- Empowerment through Art
**Visual Style:**
The cinematography captures the rich textures of hair and the vibrant colors of the community, immersing viewers in a world where every hairstyle tells a story.
**Target Audience:**
Fans of heartfelt dramas, cultural narratives, and stories about personal growth will resonate deeply with "Braids of Life."
**Hashtags:**
#BraidsOfLife #FamilyDrama #CulturalHeritage #Empowerment #Artistry #SelfDiscovery #FilmFestival #IndieFilm #HeartfeltStories #CommunityConnections #Resilience #HairStyling #Storytelling #LifeJourneys #CinematicExperience
Category
🎥
Short filmTranscript
00:00:01Next day
00:00:19Aphida!
00:00:20I'm coming!
00:00:22Afida, you're going to be late!
00:00:30I'm going to be late.
00:00:36Have a good day, my love.
00:00:38Thank you, you too.
00:00:52I'm going to be late.
00:01:01Lisa!
00:01:06What are you doing here?
00:01:08I just...
00:01:09No, I mean in Belgium. You're not supposed to be in Spain.
00:01:12Oh yeah, I'm back in Brussels.
00:01:15Did something happen there?
00:01:17No, not at all. It was cool, but I'm back for a business.
00:01:21Okay, yeah, I didn't know.
00:01:23Are we going to have a drink?
00:01:25Well... I have to go.
00:01:27No, but Lisa, it's 8am. I'm going to work.
00:01:30I mean, one of those four.
00:01:32Yeah, yeah, totally.
00:01:34Could you not tell Paul, please, because the distributor over there is HS.
00:01:37Yeah, of course.
00:01:39Here.
00:01:40Thank you, you're a sweetheart.
00:01:42Listen, I'll call you when we meet again.
00:01:44Yeah, okay.
00:01:45I'll keep you posted.
00:01:46Yeah, no problem.
00:01:47Bye.
00:01:48Bye.
00:01:51Bye.
00:02:04Take care of Paul.
00:02:21Bye.
00:02:51Hello?
00:03:15Hello?
00:03:17Yeah, I...
00:03:19Wait a second.
00:03:21I can't hear you.
00:03:25Yeah, wait.
00:03:29There.
00:03:30Hello.
00:03:32How are you, my dear?
00:03:36Everything...
00:03:38Everything good over there in Spain?
00:03:42Oh yeah?
00:03:44Okay.
00:03:46Yeah, yeah, yeah.
00:03:48Of course, yeah.
00:03:51Yeah, just not too early.
00:03:54Yeah.
00:03:55I was going to take a nap.
00:03:58Okay.
00:04:00Yeah, we'll do that.
00:04:02It's okay.
00:04:04You'll tell me, yeah.
00:04:06Muchos besos.
00:04:08Yo, yo.
00:04:15Yo, yo.
00:04:22I thought about you all day.
00:04:24Yeah?
00:04:26And I thought about me.
00:04:28About what you're doing now.
00:04:30But lots of other things.
00:04:34Two minutes, baby.
00:04:35Oh no.
00:04:36No!
00:04:37Oh, it's my mom.
00:04:38Who could it be at a time like this?
00:04:42Fuck, two seconds, please.
00:04:46Yeah, Mom?
00:04:48Oh, that's nice.
00:04:50Yeah, yeah, I'm fine, I'm fine.
00:04:52And you, how are you?
00:04:54No, no, not at all, not at all, I'm fine.
00:04:58Mom?
00:05:01Yeah.
00:05:04Wait, Mom, wait two seconds.
00:05:06Yeah.
00:05:07Baby.
00:05:09Baby.
00:05:10Baby, what are you doing?
00:05:12Can't you see?
00:05:13Can't you see?
00:05:14I told you, two minutes.
00:05:17Val!
00:05:18Val!
00:05:20Yeah, Mom?
00:05:22No, no, there's no problem.
00:05:24Everything's fine, tell me.
00:05:26Go on, tell me.
00:05:43Hey.
00:06:11Hey.
00:06:13What's up?
00:06:14What's up?
00:06:15How's my back?
00:06:16Good, just like at home.
00:06:17And then you tell me everything about Spain.
00:06:19No, no, no, pretend I wasn't there.
00:06:21Take your time and I'll sit in front of the TV.
00:06:23No, the TV is dead, actually.
00:06:25I had an accident.
00:06:27Anyway, forget it.
00:06:28Do you want a drink?
00:06:29No, no, go to the bathroom, go on.
00:06:31Okay.
00:06:32Yeah, good idea, yeah.
00:06:33I'm coming.
00:06:34Okay.
00:06:43Okay.
00:06:57Madam!
00:07:03What's that?
00:07:04Sorry, it's handball.
00:07:06Do you want to see?
00:07:09Lisa, how are you?
00:07:10Are you sure you're okay?
00:07:12Yeah.
00:07:13It's France and Spain.
00:07:14Two for now.
00:07:16Okay.
00:07:17What, are you for Spain?
00:07:18Did you meet a sexy ballerina?
00:07:20Not even.
00:07:21I bet 10 bucks on France.
00:07:23I didn't think you'd bet 8 on handball.
00:07:25Some people bet on everything, that's what's good.
00:07:27Come on.
00:07:32No, no, no.
00:07:33Baby!
00:07:34No, no, no!
00:07:35No!
00:07:36Fuck!
00:07:38Yeah, handball is 30 minutes, half-time.
00:07:40How long have you been betting on this?
00:07:44Just like that, sometimes.
00:07:48Okay, come on.
00:07:49Let's go out.
00:07:50A little drink will cheer you up.
00:07:51No, I can't.
00:07:52What, you can't?
00:07:53You don't drink alcohol anymore, do you?
00:07:55I can offer you a tea, you know.
00:07:58No, that's not it.
00:07:59It's the game.
00:08:02Fuck!
00:08:05It was my last 10 bucks.
00:08:07Besides, I'm on the street.
00:08:08That's why I'm squatting.
00:08:10Really?
00:08:12What happened?
00:08:13Nothing, don't worry.
00:08:14It's just that...
00:08:15My apartment is still under rent for two weeks,
00:08:17since I came home earlier.
00:08:18So I have to wait until Monday to rent it.
00:08:22It's okay, I'll survive.
00:08:25You scared me.
00:08:27Come on, move a little.
00:08:28I'm sponsoring you.
00:08:29No, you're already giving me enough.
00:08:31Come on!
00:08:32I planned to go out tonight.
00:08:33I'm not working tonight.
00:08:35No, you know, it's cool.
00:08:36I'm not going to move.
00:08:37And then I'm screwed.
00:08:42In the morning, I like to listen to the radio,
00:08:46debate shows,
00:08:49or information mainly,
00:08:52because the voices of the speakers accompany me,
00:08:57make me feel surrounded as soon as I get up,
00:09:01and it plunges me directly into a living social environment,
00:09:08which I find ideal to wake up gently.
00:09:14Because on the one hand, it wakes me up,
00:09:18but on the other hand,
00:09:20I'm not already forced to interact.
00:09:25It's like a progressive adaptation
00:09:30to the day that is coming.
00:09:32And in the morning, I like to make super long sentences.
00:09:39I didn't hear you come home last night.
00:09:43Oh, listen, my love.
00:09:45I'm really sorry, okay?
00:09:49Val, please.
00:09:51It's okay, it's nothing.
00:09:55Well, I'm calling now.
00:09:57I'm going to be late.
00:09:59But tonight, I'm throwing you a party.
00:10:02Do you remember when we met?
00:10:04Yeah, we were leaving.
00:10:07Well, today, I'm taking the afternoon off.
00:10:10And when you come back from work, I'll make you a good meal.
00:10:13And after that, I'll take you to your room.
00:10:17What do you say?
00:10:21Come on, get out.
00:10:28Okay.
00:10:46Too bad.
00:10:47If I had known, I would have known that I had no chance.
00:10:53I don't know.
00:10:54You say she likes you.
00:10:56So there's a way, right?
00:10:58No, it's dead.
00:10:59I'm way too naive.
00:11:00Oh, Darl.
00:11:01Fuck.
00:11:02I don't understand.
00:11:03Usually, with guys, you're too chatty.
00:11:06You're super classy, confident.
00:11:08And now, you're flirting with a girl, and nothing's going right.
00:11:12But what's so special about Leila?
00:11:15Huh?
00:11:19You say you have a good feeling with her.
00:11:21Well, yeah.
00:11:22Well, call her.
00:11:23Invite her to a drink.
00:11:24Basic, you see?
00:11:25The more, the better.
00:11:27What if she doesn't want to?
00:11:29Well, if she doesn't want to, well...
00:11:31Too bad.
00:11:33But if you don't do anything,
00:11:34you might miss the most beautiful love story of all time.
00:11:38Come on.
00:11:41You're right.
00:11:42I'm too stupid.
00:11:48Hey, Adam.
00:11:51You're going to sleep first.
00:11:52If you call her in this state,
00:11:53I'm not sure you'll put all the chances on your side.
00:11:59It's been 11 hours.
00:12:00It's time to go to bed, isn't it?
00:12:01Yeah.
00:12:02Come on, I'm going out on the terrace.
00:12:03I'll see you there.
00:12:04No, no, no.
00:12:05Come on.
00:12:06Come on, guys.
00:12:07Shit.
00:12:09Are you ready?
00:12:10Oh, fuck.
00:12:12Fuck.
00:12:22Fuck.
00:12:30Hello?
00:12:32Who?
00:12:34Nouméa?
00:12:35No way!
00:12:37You're back?
00:12:39That's crazy!
00:12:41Already?
00:12:43In three weeks?
00:12:45No way, we're going to see each other!
00:12:47No, it's impossible tonight.
00:12:49No way.
00:12:50But tomorrow we can go for a drink, yeah.
00:12:53With pleasure.
00:12:55I'm so happy to hear you.
00:12:56You have so much to tell me.
00:12:57I'm so happy.
00:13:00Yeah, I know.
00:13:01But I'm so happy you're thinking about your old friend.
00:13:04Yeah.
00:13:06Totally.
00:13:08Yeah, OK.
00:13:09See you tomorrow.
00:13:10It works.
00:13:11Yeah, me too.
00:13:12I'd love to.
00:13:13It smells so good.
00:13:15Surprise!
00:13:18What is it?
00:13:19You'll see.
00:13:21In the meantime...
00:13:22Cheers.
00:13:28And now...
00:13:30A little seat.
00:13:35We're going to take a shower.
00:13:50I love you.
00:14:02Here you go.
00:14:05Be careful.
00:14:07We're going to make some salt.
00:14:16What?
00:14:20OK, Mum, don't move.
00:14:21I'll be right there.
00:14:22OK.
00:14:25My love, I'm sorry.
00:14:26It's my mother.
00:14:27Afida, I don't care.
00:14:28It's our night.
00:14:29No, no, no, listen.
00:14:30She fell.
00:14:31What?
00:14:32She fell from where?
00:14:33I don't know.
00:14:34She slipped.
00:14:35I think she hurt herself.
00:14:36It's OK.
00:14:37She's 60, Afida.
00:14:38She'll get better.
00:14:39Are you kidding me?
00:14:40It's serious.
00:14:41I have to go.
00:14:42Yeah, go ahead.
00:14:43That's it.
00:14:44Val, please.
00:14:45Listen to me.
00:14:46I told her she couldn't call me
00:14:47unless it was an emergency.
00:14:48Because she knew it was our night?
00:14:50Yes, exactly.
00:14:51Why would she call me
00:14:52without telling me?
00:14:53So she knew.
00:14:54And she's calling you
00:14:55so you can get out of here.
00:14:56You're not going to see her.
00:14:57As usual.
00:14:59Your mother is a fucking
00:15:00emotional vampire, Afida.
00:15:02She'll never let you live your life.
00:15:03And mine neither, by the way.
00:15:05I'm warning you, Afida.
00:15:07If you leave now,
00:15:08you don't have to come back.
00:15:10Are you asking me to choose
00:15:11between you and my mother?
00:15:13Fuck, Val, on top of that,
00:15:14you know very well
00:15:15that since she stopped talking
00:15:16to my brothers,
00:15:17she's been on my nerves.
00:15:24You're basically
00:15:25dumping me right now.
00:15:28Val, fuck.
00:15:29It's my mother.
00:15:30It's not against you.
00:15:33Shit.
00:15:34You're a pain in the ass.
00:15:36I have some business to take care of.
00:15:48Afida.
00:15:50Listen, I may have
00:15:51exaggerated a little bit.
00:15:52I'm sorry, but
00:15:53if your mother really
00:15:54had a serious problem,
00:15:55well...
00:15:56What do you mean,
00:15:57a serious problem?
00:15:58Val, what's your problem?
00:16:00You've been here
00:16:01talking shit about my mother
00:16:02for a while now,
00:16:03and now what?
00:16:04You're a fabulous actress?
00:16:05Of course it's serious.
00:16:06Otherwise, I wouldn't go.
00:16:11You really don't have a heart,
00:16:12do you?
00:16:17Fuck!
00:16:44Fuck!
00:16:47Sorry.
00:16:49How are you?
00:16:51I see you've been
00:16:52meditating for hours.
00:16:55I'm Lucia.
00:16:57No, I'm fine.
00:16:58I was just thinking about...
00:17:02Anyway.
00:17:04I'm Valérie.
00:17:05Val, basically.
00:17:07You don't come here often?
00:17:09Yes, yes,
00:17:10but not for a long time.
00:17:12Since yesterday?
00:17:14You were here yesterday,
00:17:15I saw you.
00:17:16Ah, yes, but
00:17:18normally I don't come
00:17:19often.
00:17:20Before, I came after
00:17:21my classes.
00:17:22And what kind of classes
00:17:23do you do?
00:17:24You're so cute.
00:17:26No, I give classes.
00:17:27I'm a French teacher
00:17:28in high school.
00:17:31Ah, that's why.
00:17:32The book in the middle
00:17:33of the shorts,
00:17:34in the bag.
00:17:35Ah, this?
00:17:36Yeah, it's true
00:17:37that I find books
00:17:38in my things.
00:17:39They're books I like to read.
00:17:40And what's this one?
00:17:42Stone Butch Boy.
00:17:43Yeah, that's an old one.
00:17:44When I say that
00:17:45it's been a long time...
00:17:46Do you know what it's about?
00:17:48Well...
00:17:49Come and take it,
00:17:50you'll see.
00:17:51OK, thanks.
00:17:52So, I'll give it back to you
00:17:53as soon as...
00:17:54No, no, you can leave it
00:17:55at the reception,
00:17:56because I'm going to
00:17:57come at a different time.
00:17:58Well, yes,
00:17:59since you were here.
00:18:00Yes, but no.
00:18:02I'll come earlier,
00:18:03after my classes.
00:18:04OK.
00:18:05And now, after?
00:18:06I mean, tonight,
00:18:07do you have anything planned?
00:18:09Go home,
00:18:10collapse and sleep.
00:18:12Well,
00:18:13I'm looking forward
00:18:14to getting to know you.
00:18:15Yeah, me too.
00:18:16Bye, Lucia.
00:18:22Hi, princess.
00:18:24Thanks for last night.
00:18:25I had a great time.
00:18:28What time is it?
00:18:29It's time for me to go to work.
00:18:31Honestly, you're doing
00:18:32just like at home.
00:18:33As long as you slam the door
00:18:34when you leave.
00:18:36Thanks, but...
00:18:38Oh yeah, sorry.
00:18:39I hope you have a place
00:18:40to sleep tonight.
00:18:41A priori,
00:18:42I'm not going home alone.
00:18:43Leila?
00:18:44Oh yeah,
00:18:45I have to call her too.
00:18:46I don't understand.
00:18:48No, it's just that,
00:18:49sometimes after work,
00:18:50it happens to me
00:18:51to bring someone home,
00:18:52but it's just like that,
00:18:53it doesn't mean anything.
00:18:54Leila is different.
00:18:55You do what you want,
00:18:56my boy.
00:18:57Don't worry about me,
00:18:58I'll take care of it.
00:18:59OK, great.
00:19:01OK, see you.
00:19:02See you.
00:19:12Hi my rainbows!
00:19:13Today, we're going to talk
00:19:14about the Dickinson series.
00:19:15As usual,
00:19:16we're going to start
00:19:17with a little lesbo-critical analysis,
00:19:19then we're going to talk
00:19:20about the actresses
00:19:21and a little bit about the gossips.
00:19:22And stay until the end
00:19:23of the video
00:19:24because I have a very
00:19:25personal surprise for you.
00:19:26And Ella Hunt,
00:19:27who we'll find
00:19:28in a new costume fiction,
00:19:29since it will be
00:19:30the new movie adaptation
00:19:31of Lady Chatterley's
00:19:32Lament.
00:19:34And now,
00:19:35for the surprise
00:19:36I told you about
00:19:37at the beginning of the video,
00:19:38since we're talking about
00:19:39poetry with Emily Dickinson,
00:19:40imagine that me too
00:19:41in another life,
00:19:42well, not in this life,
00:19:43but me too,
00:19:44when I was a teenager,
00:19:45I was writing poems.
00:19:48I was 14 years old
00:19:49and I was in love with Cindy.
00:19:50Watch out, here we go.
00:19:53My hands in your hair
00:19:54Lying on the roof
00:19:56In the night
00:19:57And naked
00:19:58We contemplate the stars
00:20:00Each glow,
00:20:01each glow
00:20:02Reminds me of the fire
00:20:03of our kisses
00:20:05And I stop here.
00:20:06That's all for today
00:20:07my rainbows.
00:20:08If you too
00:20:09have already written poems,
00:20:10throw them in the comments,
00:20:11I will read them with pleasure.
00:20:13And in the next episode,
00:20:14flashback episode,
00:20:15since we will talk about
00:20:16Wachowski sisters' bounds
00:20:17and more generally
00:20:18about the black neon genre.
00:20:19Ciao my rainbows.
00:20:21Cut.
00:20:22Stella,
00:20:23you can repeat the last sentence,
00:20:24but you pronounce
00:20:25black neon
00:20:26in French,
00:20:27otherwise people will not understand.
00:20:29And in addition,
00:20:30it's a bit of a mess.
00:20:32Ready?
00:20:34Action.
00:20:35And in the next episode,
00:20:36flashback episode,
00:20:37since we will talk about
00:20:38Wachowski sisters' bounds
00:20:39and more generally
00:20:40about the black neon genre.
00:20:41Ciao my rainbows.
00:20:42And cut.
00:20:49It was not bad.
00:20:50Well,
00:20:51I still have to do a little editing
00:20:52to dynamize all this.
00:20:53I found you a little soft this time.
00:20:55Oh yeah?
00:20:56Well, I didn't have the impression.
00:20:57And it's you who wrote this shit.
00:20:59In the night
00:21:00and naked
00:21:01we contemplate the stars.
00:21:02You really make me feel
00:21:03like a moron.
00:21:04No, no, it's very good.
00:21:05Something about your adolescence
00:21:06is perfect.
00:21:07It connects people
00:21:08to your intimacy
00:21:09and then increases commitment.
00:21:10Yeah.
00:21:11Otherwise, I was wondering
00:21:12if I wouldn't do an episode
00:21:13on Pabst's Loulou.
00:21:14The silent film?
00:21:15Yeah.
00:21:16But you're going to lose
00:21:17all your subscribers there.
00:21:18But no,
00:21:19but it's the first film
00:21:20with an openly lesbian character
00:21:21in 1929.
00:21:22Well, that's perfect.
00:21:23So you mention that
00:21:24in the end of an episode.
00:21:25Or even better,
00:21:26you ask the question
00:21:27what was the first film
00:21:28nya nya,
00:21:29people answer comment
00:21:30and then you throw the answer
00:21:31in the next episode.
00:21:32But an entire episode
00:21:33on an old,
00:21:34rotten film
00:21:35that no one saw,
00:21:36it's perfect.
00:21:37No, but you're super annoying.
00:21:38It's still a thing, isn't it?
00:21:39Yeah, but if you can live from it,
00:21:40it's thanks to me.
00:21:41And if you want to keep living from it,
00:21:42you do as I say
00:21:43and not otherwise.
00:22:06Hey.
00:23:07Well, okay.
00:23:08Bye.
00:23:11Is everything okay?
00:23:12Yes, yes, it's Afida.
00:23:13She forgot something for work
00:23:14that she wants me to prepare.
00:23:15She's like that.
00:23:32You see, love
00:23:34is being insensitive.
00:23:36It's being able
00:23:37to drive miles to say
00:23:38I love you to someone.
00:23:39It's...
00:23:40It's eating the things
00:23:41you've never seen in your life
00:23:42just because it's the person
00:23:43you love who cooked them.
00:23:44It's...
00:23:45a bit extraordinary
00:23:46in everyday life.
00:23:47And cleaning life?
00:23:48Cleaning life is not the same.
00:23:50Cleaning life is...
00:23:51Why did you put your toothpaste
00:23:52on the right?
00:23:53You know very well
00:23:54I put it on the left
00:23:55because there was
00:23:56your fucking stupid hair
00:23:57and I didn't know where to put it!
00:23:58Oh, Val, wait.
00:23:59Seriously.
00:24:00If you prefer,
00:24:01I'll sleep elsewhere tonight.
00:24:02It's not a problem.
00:24:03No, excuse me.
00:24:04It's just that it's Afida
00:24:05so she...
00:24:06She'd like to
00:24:07look for herself.
00:24:09So, are you hungry?
00:24:10Yes.
00:24:11I'll show you
00:24:12that I can save.
00:24:24Shhh.
00:24:25What's going on?
00:24:26Am I still in my apartment?
00:24:27Afida, shhh.
00:24:29No, that's not true.
00:24:30Did you bring someone back?
00:24:32Oh, fuck.
00:24:33Are you okay?
00:24:34Do I have to continue
00:24:35with this stupid excuse
00:24:36to see you,
00:24:37to talk to you,
00:24:38to explain to you?
00:24:39No.
00:24:40Afida.
00:24:52Val,
00:24:53are you sure you're okay?
00:24:55Yes, yes, don't worry.
00:24:56It's just a little
00:24:57argument between a couple.
00:24:58It happens.
00:24:59Yeah, but it's tough,
00:25:00isn't it?
00:25:01No, not at all.
00:25:02She's going to spend
00:25:03the night at her mother's
00:25:04and then she'll come back.
00:25:05Don't worry, no problem.
00:25:06And on top of that,
00:25:07it gives you time
00:25:08to sleep here.
00:25:09Well,
00:25:10I'm going to go have a drink
00:25:11with an old friend
00:25:12after work
00:25:13at Brigitte's bar.
00:25:14You're welcome.
00:25:16Do you think
00:25:17you're still single?
00:25:19Oh yes,
00:25:20and I'll also leave you
00:25:21some money,
00:25:22your tenant.
00:25:23No, no, seriously,
00:25:24Val, it's not necessary.
00:25:25Okay, fine.
00:25:26Well,
00:25:27I'll put it here.
00:25:28You take it, you don't take it,
00:25:29you know,
00:25:30it's the same for me.
00:25:33You know, Lisa,
00:25:34sometimes you have to accept
00:25:35to be helped.
00:26:03Hello?
00:26:04Hi Val,
00:26:05it's Lucia.
00:26:06But how did you get my...
00:26:07Well,
00:26:08I asked at the reception.
00:26:09I said you'd forgotten
00:26:10your coat
00:26:11and I had to call you.
00:26:12Oh yeah,
00:26:13okay,
00:26:14not bad.
00:26:15But,
00:26:16you know,
00:26:17if you wanted my number,
00:26:18I would have given it to you.
00:26:19So,
00:26:20listen,
00:26:21I read your book.
00:26:22I read it
00:26:23one line
00:26:24all night
00:26:25and then afterwards
00:26:26I went to Wikipedia
00:26:27for all the historical context
00:26:28and I found
00:26:29that it was
00:26:30really interesting.
00:26:31So,
00:26:32it's when you want
00:26:33so we can see each other
00:26:34so I can give it to you.
00:26:35Oh no,
00:26:36but I told you,
00:26:37actually,
00:26:38leave it at the reception
00:26:39of Yoga,
00:26:40it will be easier
00:26:41for me to get it back.
00:26:42No,
00:26:43but if you really want
00:26:44to see each other,
00:26:45I'll give it to you
00:26:46in my own hands.
00:26:47Are you doing something
00:26:48right now?
00:26:49Ah yes,
00:26:50now,
00:26:51well,
00:26:52I'm walking down the street
00:26:53but not for long
00:26:54because I'm going to
00:26:55meet up with my friends.
00:26:56Leave the book
00:26:57at the reception.
00:26:58Okay,
00:26:59it's okay.
00:27:00Okay,
00:27:01in any case,
00:27:02thank you for the reading
00:27:03and don't hesitate
00:27:04to call me
00:27:05the day you're not
00:27:06walking down the street.
00:27:07You have my number,
00:27:08right?
00:27:09Okay,
00:27:10it works.
00:27:11Yeah,
00:27:12bye.
00:27:13Bye.
00:27:20Can I have
00:27:21another tea,
00:27:22please?
00:27:23Another tea, please.
00:27:24Just another tea.
00:27:25No, no,
00:27:26I'm saying
00:27:27please,
00:27:28not please.
00:27:29And please,
00:27:31it's your second tea,
00:27:32so you can have it.
00:27:38Hello.
00:27:41I just wanted to tell you
00:27:42that I think
00:27:43your podcasts
00:27:44are really great.
00:27:48I listened to them a lot
00:27:49abroad
00:27:50and I really found
00:27:51the mix between
00:27:52the analysis of the movies
00:27:53and the personal anecdotes
00:27:54to be really well managed.
00:27:55I mean,
00:27:56I had the impression
00:27:57of being a bit like
00:27:58the life in Brussels,
00:27:59sorry,
00:28:00I'm being my fangirl here.
00:28:01No, no, don't worry.
00:28:02Thank you very much.
00:28:05And,
00:28:07can I ask you
00:28:08how it ended
00:28:09with the neighbor?
00:28:10My neighbor?
00:28:11Your neighbor.
00:28:13We talked about it
00:28:14in the episode,
00:28:15you know,
00:28:16season 2 of L Word,
00:28:17where you had to hide
00:28:18your neighbor
00:28:19and take her apartment
00:28:20to make her believe
00:28:21that you were living
00:28:22in her place
00:28:23so that her boyfriend
00:28:24thinks she left Brussels.
00:28:25I mean,
00:28:26that story was crazy,
00:28:27I remember.
00:28:29Okay.
00:28:30Sorry,
00:28:31I didn't mean to leave you.
00:28:32I'm going back to my books.
00:28:33It's just that
00:28:34this story
00:28:35had me so...
00:28:39And it lasted a long time.
00:28:40Listen,
00:28:41I really have to go
00:28:42and I'll tell you
00:28:43another time, okay?
00:28:44Okay.
00:28:47Well,
00:28:48I'm really happy
00:28:49that we met,
00:28:50anyway.
00:28:51Thanks for following me.
00:28:53Bye.
00:28:58Ah, Stella.
00:28:59So, are you leaving
00:29:00when I get back?
00:29:01No, no, that's not it.
00:29:02I mean, I have to go.
00:29:03But I'll see you at 24.
00:29:04Yeah, that works.
00:29:05Bye.
00:29:06Bye, my chick.
00:29:07Bye, Brigitte.
00:29:09Ah!
00:29:10I'm so happy!
00:29:13Me too.
00:29:14I'm so happy!
00:29:15Come on, let's go.
00:29:16You haven't seen Lisa?
00:29:17No.
00:29:18Oh, no, I'm stupid,
00:29:19you don't know her.
00:29:20Do you want a beer?
00:29:21I'm already served.
00:29:22Go ahead, make yourself at home.
00:29:25Can I have a beer,
00:29:26please, Brigitte?
00:29:27Well, two, actually.
00:29:28No, Val,
00:29:29I'm sorry,
00:29:30but I can't pay for it.
00:29:31And for the 50 euros...
00:29:32Oh, no,
00:29:33you left them at the apartment.
00:29:34I told you to take them, Lisa!
00:29:35No, no, that's not it at all.
00:29:36I took them,
00:29:37but I had to go shopping
00:29:38this afternoon
00:29:39and then
00:29:40for my apartment
00:29:41because the shower is broken,
00:29:42you see,
00:29:43so I had to replace it
00:29:44and with the people
00:29:45under there that you...
00:29:46Yeah,
00:29:47don't worry, my chick.
00:29:48Hey, but I'll pay you back
00:29:49on Monday, no problem.
00:29:50Mm-hmm.
00:29:51Come on,
00:29:52I'll introduce you to Numea.
00:29:54Wait, my beer!
00:29:57You're hurting me.
00:29:58Stop it, please.
00:30:03Hi.
00:30:05Hi.
00:30:07Do you want to put things...
00:30:08Just my things,
00:30:09I'll take them.
00:30:10Yeah, it's okay.
00:30:11Okay, so here on my right
00:30:12there's Numea.
00:30:13So Numea,
00:30:14who has about the same background
00:30:15as me in terms of studies.
00:30:17We met a few years ago
00:30:18when she was an observer
00:30:19in my class.
00:30:20What she saw there
00:30:21was so disgusting
00:30:22that she preferred to go abroad
00:30:23to teach French.
00:30:24So she first went to Spain
00:30:26where she taught at the beach
00:30:27where it was very beautiful.
00:30:29She also taught in Australia
00:30:31where it was beautiful
00:30:32for a few years.
00:30:33And then there
00:30:34she resumed her studies
00:30:37in parallel with her seminars.
00:30:38Yeah, I didn't quite get it.
00:30:40So basically,
00:30:41you go to Scotland,
00:30:42always at the beach
00:30:43even if it's a little less beautiful
00:30:44and she leaves again in three weeks.
00:30:45But she didn't forget
00:30:46to come and say hello
00:30:47to her friends in Brussels.
00:30:50Oh, you're leaving again
00:30:51in three weeks?
00:30:52Three weeks is not bad
00:30:53for a stopover.
00:30:54And so here we have Lisa
00:30:55who is a little...
00:30:56No, no, no.
00:30:57I don't prefer it.
00:30:58I don't need a biographer.
00:31:00OK.
00:31:01But it's not bad.
00:31:02A little bit of mystery.
00:31:03I love it.
00:31:04Well, you both have
00:31:05one thing in common.
00:31:06You are both travellers.
00:31:07Lisa is a globetrotter
00:31:08except she doesn't go
00:31:09to Australia
00:31:10and she comes back
00:31:11a little more often.
00:31:12But where have you been in Spain?
00:31:14I started by going
00:31:15to Barcelona
00:31:16and then Malaga
00:31:17and then I spent
00:31:18a lot of time in Grenada.
00:31:19You see?
00:31:20Have you been there?
00:31:21No, but I'd like to.
00:31:23No, I come back from Madrid
00:31:24Oh yeah? Was it good?
00:31:26Yeah.
00:31:27Not as I thought.
00:31:28Well, I'll explain.
00:31:29But do you want
00:31:30to drink something?
00:31:31No, it's fine.
00:31:32It's for me, Lisa.
00:31:33Don't worry.
00:31:35OK.
00:31:36Well, I'd like
00:31:37a glass of wine.
00:31:38Red.
00:31:39OK.
00:31:40So you were in Spain?
00:31:41Yeah, I just did Madrid.
00:31:43Can I have a red wine,
00:31:44please, Brigitte?
00:31:48Oh la la.
00:31:49There's a lot of
00:31:50heads in the air.
00:31:52Excuse me,
00:31:53I was thinking...
00:31:59What's the problem?
00:32:01You know you can
00:32:02always blame me.
00:32:03It's nothing, don't worry.
00:32:04OK.
00:32:05That's how you feel.
00:32:06Brigitte,
00:32:07can you get me
00:32:08a white wine, please?
00:32:09I'll be there
00:32:10in two minutes.
00:32:11Val,
00:32:12I know you
00:32:13and I know
00:32:14you won't tell me anything.
00:32:15So I'll give you
00:32:16a general advice.
00:32:17Listen to yourself.
00:32:18That's the priority.
00:32:19You can't work
00:32:20with others
00:32:21if you're not
00:32:22yourself.
00:32:23It's logical.
00:32:25I see your two friends
00:32:26over there
00:32:27who have the maxi-banana.
00:32:28And you,
00:32:29you have all the weight
00:32:30in the world on your shoulders.
00:32:31But they just met
00:32:32and it's easier.
00:32:33But if your look changes,
00:32:34even the person
00:32:35you know
00:32:36can be like
00:32:37if you met them
00:32:38again.
00:32:40Yeah.
00:32:42You're right, Brigitte.
00:32:53Lucia?
00:32:55Yeah?
00:33:04Girls, I have to go.
00:33:05I have an emergency.
00:33:06It's nothing serious
00:33:07but it'll be fine without me.
00:33:08Yeah?
00:33:10Bye, Brigitte.
00:33:22Bye.
00:33:52Bye.
00:34:09My train in real time
00:34:10leaves in two minutes.
00:34:13We'll have to hurry
00:34:14to say goodbye.
00:34:15But two minutes,
00:34:16two minutes
00:34:17is all the time in the world.
00:34:18Two minutes,
00:34:19it's...
00:34:20it's a lot of seconds
00:34:21and all I can say
00:34:22in two minutes
00:34:24is nothing.
00:34:25He won't wait for you.
00:34:26Well,
00:34:27I wanted to say thank you.
00:34:29Thank you for today,
00:34:30for the discussion,
00:34:32for the book.
00:34:33It was really great.
00:34:36I have to go
00:34:37but I really want to
00:34:38go to the doctor next time
00:34:39so if you're leaving,
00:34:40when do you think
00:34:41we could...
00:34:42First,
00:34:43I'm going to start
00:34:44coming back
00:34:45at the same time as you.
00:34:46For my sticky ass.
00:34:48Exactly.
00:34:50Tuesday?
00:34:51Okay.
00:34:56Two minutes.
00:34:58Two minutes!
00:35:13Val?
00:35:14What are you doing here?
00:35:15I saw this morning
00:35:16with Afida
00:35:17that the room was a problem.
00:35:18No,
00:35:19I don't think so.
00:35:20And the sofa
00:35:21isn't comfortable at all.
00:35:22Come on.
00:35:23Come on.
00:35:31Okay,
00:35:32stop hiding.
00:35:33Tell me everything.
00:35:37Come on,
00:35:38I can't take it anymore.
00:35:39What happened with Nouméa?
00:35:40Oh,
00:35:41nothing.
00:35:42Nothing at all.
00:35:44But...
00:35:45You've known her for a long time?
00:35:46Well,
00:35:47I told you,
00:35:48she was an observer
00:35:49in my class
00:35:50so it's been...
00:35:51No,
00:35:52I mean,
00:35:53you know her well,
00:35:54like really well.
00:35:55Well,
00:35:56I don't know her predecessors
00:35:57but yeah,
00:35:58for me,
00:35:59she's the best.
00:36:00If you want my advice,
00:36:01go for it.
00:36:02No,
00:36:03that's not at all
00:36:04why I asked the question.
00:36:05Yes,
00:36:06yes,
00:36:07of course,
00:36:08that's it,
00:36:09I'll do it.
00:36:10Yeah.
00:36:11She's leaving
00:36:12in three weeks.
00:36:13Well,
00:36:14it's to get to know her,
00:36:15isn't it?
00:36:17I don't know.
00:36:20And,
00:36:21I'm tired of stories
00:36:22that don't make sense.
00:36:26What are you doing tomorrow?
00:36:28Uh,
00:36:29tomorrow,
00:36:30I'm going to my place at 2 p.m.
00:36:31My tenants
00:36:32agreed to pay
00:36:33a day earlier
00:36:34so I could get paid.
00:36:38Why?
00:36:39What are you proposing?
00:36:41No,
00:36:42nothing,
00:36:43we'll see tomorrow.
00:36:45Good night.
00:36:47Good night.
00:37:01Numea?
00:37:02What are you doing here?
00:37:03Me?
00:37:04I was just walking around,
00:37:06and you came out.
00:37:10You're well dressed.
00:37:11On a Sunday
00:37:12and all,
00:37:13are you going to mass or what?
00:37:14Yeah, that's it.
00:37:15No,
00:37:16it's because
00:37:17I don't have anything clean anymore
00:37:18and I told you the story
00:37:19about my apartment.
00:37:20Well,
00:37:21I took the opportunity
00:37:22to come by
00:37:23to take this.
00:37:24Not very practical.
00:37:26I was thinking,
00:37:28you're here,
00:37:29I'm here,
00:37:31I'm not doing anything this afternoon,
00:37:32do you want to do something together?
00:37:33Uh,
00:37:34yeah,
00:37:35that could be nice,
00:37:36but now it's stupid,
00:37:37I have something to do.
00:37:38Yeah?
00:37:39Well,
00:37:40she told me you were free.
00:37:41Ah,
00:37:42by chance.
00:37:43No, but I'll do it quickly,
00:37:44okay?
00:37:45I'll go with you.
00:37:46No, no, no,
00:37:47I'd rather not,
00:37:48I don't know
00:37:49how long it's going to take me
00:37:50and,
00:37:51you know what,
00:37:52you have to wait for me somewhere.
00:37:53Or you do a movie
00:37:54and I'll join you later,
00:37:55okay?
00:37:56Oh no,
00:37:57but I know where I'm going,
00:37:58it's okay.
00:37:59Okay.
00:38:00Go ahead,
00:38:01and call me when you're done.
00:38:02Okay, it works.
00:38:03Bye.
00:38:04Bye.
00:38:12So,
00:38:13did you lose your keys?
00:38:14What?
00:38:15No, it's Nouméa.
00:38:16What?
00:38:17Oh shit!
00:38:33I'm sorry Noumé,
00:38:34but you won't be able to stay,
00:38:35Fida just landed,
00:38:36well,
00:38:37she's not super punctual,
00:38:38but it happens to her,
00:38:39and since we're going to discuss
00:38:40this later,
00:38:41I won't tell you the details.
00:38:42Well,
00:38:43aren't you with Lisa?
00:38:44No,
00:38:45she had something planned.
00:38:46That's weird,
00:38:47she said the opposite to me yesterday.
00:38:48Really?
00:38:49Well,
00:38:50she didn't tell me that.
00:38:52Well,
00:38:53I'll leave you to it then.
00:38:55Yeah,
00:38:56thanks,
00:38:57see you soon,
00:38:58anyway.
00:38:59Shit.
00:39:00Yes, what?
00:39:01Shit.
00:39:02Well,
00:39:03I'm really sorry
00:39:04you can't stay,
00:39:05but I'll see you soon,
00:39:06okay?
00:39:07Kisses.
00:39:08No.
00:39:09Bye.
00:39:18You don't have your keys anymore?
00:39:19Yes,
00:39:20but well,
00:39:21I'd rather ring
00:39:22when you're busy.
00:39:26Well,
00:39:27welcome home.
00:39:32How are you?
00:39:34I'm fine.
00:39:36You?
00:39:38I'm fine.
00:39:42Can I have a cup of tea?
00:39:43Are you okay?
00:39:45Are you laughing or what, baby?
00:39:46You're asking me permission
00:39:47to make you a cup of tea at your place?
00:39:48Fuck, go ahead.
00:39:50I can't do that.
00:39:55But baby, what's that?
00:39:57It's that,
00:39:58like that,
00:39:59I'm not at home anymore.
00:40:00But why?
00:40:01Why?
00:40:03Are you laughing or what?
00:40:04Do you remember that you left me a bit, didn't you?
00:40:06But no,
00:40:07I thought you just needed some...
00:40:08Anyway, you insulted my mother.
00:40:10And you wanted to stop me from seeing her.
00:40:12But your mother had nothing.
00:40:14Okay, you're right.
00:40:15She had nothing.
00:40:17But that's not the problem.
00:40:18The problem
00:40:19is that you didn't trust me.
00:40:21I refuse to be in a relationship like that.
00:40:24Excuse me, baby,
00:40:25but I had the impression
00:40:26that it seemed obvious to you too.
00:40:28It is.
00:40:29I'm leaving my mother too.
00:40:31There was a place
00:40:32in the Lille agency
00:40:33and I asked for my transfer.
00:40:34I'm starting tomorrow.
00:40:36That way,
00:40:37I'll cut ties with everyone.
00:40:42Can't you stay here
00:40:43to make the trips?
00:40:44No,
00:40:45I'm fed up.
00:40:46I'm going to load my car to death
00:40:47and I'll pick up
00:40:48the rest of my stuff another day.
00:40:50And while I'm at it,
00:40:52you can go for a walk if you want.
00:40:55No, no,
00:40:56I'm going to help you.
00:41:02Val.
00:41:04Come on,
00:41:06we would have had good times.
00:41:08Yes, exactly,
00:41:09it's stupid.
00:41:10No,
00:41:11it's better this way.
00:41:13Come on, let's get to work.
00:41:15But where are you going to live?
00:41:16You know,
00:41:17you can stay here
00:41:18until you find an apartment
00:41:19and be able to make the trips.
00:41:20Val,
00:41:21you're stupid, aren't you?
00:41:22I'm telling you
00:41:23that finding a place
00:41:24is literally my job.
00:41:26Well, yes.
00:41:28Come on.
00:41:35Come on.
00:41:55Hey,
00:41:56go ahead and move it.
00:41:58At this rate,
00:41:59you're not going to make a long fire.
00:42:01Yeah,
00:42:02what's the problem?
00:42:06Oh, it's the famous...
00:42:11I don't know, Brigitte,
00:42:12I'm paralyzed.
00:42:14It's been a long time
00:42:15since someone did this to me.
00:42:16What, you've already caused it?
00:42:17Yes, many times.
00:42:18That's why I don't understand that...
00:42:20But usually it's easy,
00:42:21you see.
00:42:22If I feel like
00:42:23I'm wriggling
00:42:24or that I don't know what to say,
00:42:25I always have a table to get rid of
00:42:26or a client to serve.
00:42:27And behind my bar,
00:42:28I'm a little protected.
00:42:31Listen to me carefully.
00:42:32What are you going to do?
00:42:33You're going to find her,
00:42:34and you're going to make her look like you.
00:42:35As simple as that.
00:42:49Hi.
00:42:52You work here too?
00:42:54It's crazy, you're everywhere.
00:42:55Everywhere,
00:42:56you need to drink a cocktail.
00:42:58No, I'm kidding.
00:42:59I'm replacing Brigitte
00:43:00in five minutes.
00:43:01But after that, I'm free.
00:43:02And you?
00:43:05I just discovered this bar
00:43:06that opens on Sundays.
00:43:07And I tried to bring back some friends,
00:43:09but I think it's dead.
00:43:10Okay.
00:43:13That said,
00:43:15I'm waiting for the end of your shift.
00:43:17Yeah?
00:43:18Well, I hope you're not sure then.
00:43:34Hi.
00:43:50Oui?
00:43:51Non, merde.
00:44:05Come on.
00:44:08Come on.
00:44:16I was already here,
00:44:17but I preferred to ask.
00:44:19Well, how are you?
00:44:23Did something happen?
00:44:26The feed is gone.
00:44:27Oh, yeah, you just texted me.
00:44:30Well...
00:44:32Parti, parti.
00:44:33Oui, elle m'a largué.
00:44:35Enfin...
00:44:36On s'est séparés, quoi.
00:44:37C'est compliqué.
00:44:41Ça faisait longtemps?
00:44:42Un peu plus de deux ans.
00:44:44Donc...
00:44:45Je devrais survivre.
00:44:50Mais attends, tu parles de ma tronche.
00:44:52Mais t'as vu ta gueule?
00:44:54Moi, ça fait même pas deux jours
00:44:55et je comprends pas pourquoi
00:44:56je me mets dans cet état.
00:44:57Je t'assure.
00:44:58Je l'ai attendue toute la journée.
00:45:00Rien.
00:45:01Je lui ai envoyé un message.
00:45:02J'ai essayé de l'appeler.
00:45:04Je lui ai même envoyé,
00:45:05mais comme une conne,
00:45:06un message, mais...
00:45:08Un message d'amour.
00:45:09Je lui ai supplié de venir me rejoindre.
00:45:11Et puis rien.
00:45:12Pas de réponse.
00:45:14Oui.
00:45:17Je sais ce qu'il nous faut.
00:45:22Ah, ouais, merci.
00:45:26Je sais qu'il y a demain
00:45:27je vais le regretter à l'école,
00:45:29mais c'est pas grave.
00:45:30Attends, je mets ça.
00:45:31Et tu crois que je me fais des films?
00:45:32Parce qu'elle m'a dit
00:45:33qu'elle en avait pas pour longtemps, mais...
00:45:35Merci.
00:45:38Non, je pense pas,
00:45:39mais je sais qu'elle flippe un peu
00:45:41parce que tu repars dans trois semaines.
00:45:43Mais après, c'est Lisa, quoi.
00:45:44Franchement, elle gosse tout le monde.
00:45:46Mais c'est quoi le rapport
00:45:47avec le fait que
00:45:48je pars dans trois semaines?
00:45:49Enfin, elle, j'ai l'impression,
00:45:50elle vit au moment présent, quoi.
00:45:52Ouais, c'est vrai, d'habitude,
00:45:53mais là , je sais pas,
00:45:54depuis qu'elle est rentrée d'Espagne,
00:45:56je sais pas.
00:45:58Ben...
00:46:00Trop bizarre.
00:46:01Ouais, elle est chelou.
00:46:02Elle veut rentrer au couvent, ou quoi?
00:46:04Non, ça, je pense pas, mais...
00:46:07Je sais pas, je la trouve...
00:46:09Tu vois, je la trouve
00:46:10un peu plus prudente, comme ça.
00:46:12Un peu plus...
00:46:14circonspecte.
00:46:15Genre...
00:46:17Ouais, je sais pas.
00:46:18En fait, je me base sur rien,
00:46:19tu vois, c'est juste une impression.
00:46:28Ben, Lisa, t'as pas croisé Alain?
00:46:30Il vient de partir.
00:46:32Il est pas seul.
00:46:33Je crois qu'il va rentrer avec sa Leila.
00:46:35Super.
00:46:38Mets-moi une bière un chaud de Jagger,
00:46:39s'il te plaît.
00:46:50Ouais, Lisa,
00:46:51t'as pas croisé Alain?
00:46:52Il vient de partir.
00:46:53Il est pas seul.
00:46:54Je crois qu'il va rentrer avec sa Leila.
00:46:56Ouais, Lisa,
00:46:57c'est quoi le délire, là ?
00:47:00Je suis dans la merde, Brigitte!
00:47:03Tu expliques?
00:47:05C'est pas la peine.
00:47:08Ben, dans ce cas, je peux pas t'aider.
00:47:14Tu vois,
00:47:15je peux même pas me le payer, alors...
00:47:17T'as des problèmes d'argent?
00:47:19Je le mets sous la note.
00:47:21Allez, raconte.
00:47:26Je peux pas t'aider.
00:47:27T'as des problèmes d'argent?
00:47:28Je peux même pas me le payer, alors...
00:47:29Allez, raconte.
00:47:30Tu vois, je peux même pas me le payer, alors...
00:47:31Allez, raconte.
00:47:32Je peux même pas me le payer, alors...
00:47:33Allez, raconte.
00:47:46J'ai gagné.
00:47:48J'ai gagné.
00:47:51J'ai gagné.
00:47:53J'ai gagné.
00:47:55I'm going to win!
00:48:20We're going to be beautiful tomorrow.
00:48:25I'm going home now, you know?
00:48:32I'm going home soon.
00:48:34No, but you can stay here.
00:48:36Yeah, Elisa usually sleeps here.
00:48:39Oh, you'll see her when you get home!
00:48:42I'm going to miss you.
00:48:55Fuck, she has to come!
00:48:57What?
00:48:58What? No, nothing.
00:49:02Yes, come, look.
00:49:05Oh, yeah.
00:49:07Here you are, obviously.
00:49:09But why didn't you go to join her?
00:49:12No, it's not that.
00:49:14Anyway, don't let this one slip, okay?
00:49:16Here.
00:49:20Lisa.
00:49:21It's in Spanish.
00:49:23Oh, sorry.
00:49:26Basically, it says,
00:49:28little bitch,
00:49:30little bitch,
00:49:32Basically, it says, little bitch,
00:49:34well, I spare you the insults because there are plenty of them,
00:49:37I learned that you were back in Brussels,
00:49:39I give you 15 days to pay me back my money,
00:49:41don't forget to come get it.
00:49:44Okay.
00:49:46How much do you owe him?
00:49:48I owe him 100,000.
00:49:50Oh, yeah?
00:49:52Oh, yeah, right.
00:49:53And you, how much do you have?
00:49:54But I have nothing, fuck!
00:49:56I still owe you 60, or...
00:49:58I don't know, 10,000.
00:49:59And you, your bitch!
00:50:02But you still have the week of rent, right?
00:50:06Lisa, it's not true, what did you do?
00:50:08But I wanted to win those 5,000, do you understand?
00:50:10There were too many means, usually in blackjack, it brings me luck.
00:50:13And I was at 2,000, you understand? I was at 2,000.
00:50:15And then I lose everything, but it doesn't matter.
00:50:17I was trying good waves, I tell myself I can do it again.
00:50:19So I throw the last euros,
00:50:21I play it safe, but it wasn't enough.
00:50:23And now I have nothing, I have nothing.
00:50:25It's over.
00:50:27I lost everything, that's it, I have nothing.
00:50:30But the 5,000, it's also a gambling debt, I guess.
00:50:35Come on, you need to sleep.
00:50:37You know what, I'll put you in the room upstairs,
00:50:39and I'll call you tomorrow.
00:50:41Hey, Brigitte, don't say anything to anyone.
00:50:43I'll find a solution.
00:50:45Okay, but you, tomorrow, you call Tanoumea, okay?
00:50:49Excuse me.
00:50:51But I had... I had heavy things on my mind.
00:50:56No, I don't want to talk about it, but it's over anyway.
00:50:59It will never happen again.
00:51:01Keep your secrets, be mysterious.
00:51:05What?
00:51:07Why are you looking at me like that?
00:51:09Nothing, I...
00:51:11Come on.
00:51:14We get along pretty well, you and me, right?
00:51:19It may seem a little fast, but...
00:51:24Would you like it if I came with you to Scotland?
00:51:28A week first, and then we'll see how it goes.
00:51:33Uh...
00:51:37I don't know what that would tell me.
00:51:39Uh...
00:51:42Uh...
00:51:44What I'm saying is...
00:51:49That's what I'm saying.
00:51:53So there you go.
00:51:54We're leaving in a maximum of ten days,
00:51:56so we have a little more than a week before your classes
00:51:58to go sightseeing, take a walk,
00:52:00have a little party by the fire.
00:52:02You know, classes, we don't care.
00:52:04I'm waiting three weeks because I'm stuck.
00:52:06I'm just stuck, it's just administrative paperwork.
00:52:09That's all, they have to close the papers,
00:52:11and then I have to go get them myself.
00:52:13Okay.
00:52:14It's okay.
00:52:16And it's Brexit, so your passport has to be up to date.
00:52:18Is that okay for you?
00:52:20Yeah. Yeah, I think so.
00:52:23Cool.
00:52:27Oh, shit.
00:52:29What is that?
00:52:31Aphida.
00:52:33No, she's not here anymore.
00:52:34There's no more Aphida.
00:52:36Aphida!
00:52:39Oh, shit.
00:52:48Fuck.
00:52:53Come on.
00:52:55Come on.
00:52:58Come on.
00:53:00Okay.
00:53:08Shit, shit, shit!
00:53:10Come on.
00:53:12Okay.
00:53:20Come on.
00:53:26Phew.
00:53:39Yeah, hi babe.
00:53:41I have an appointment tonight.
00:53:43I can't come to the yoga class.
00:53:46Yeah.
00:53:47Are you coming tomorrow?
00:53:49Okay.
00:53:51Wednesday?
00:53:53Okay.
00:53:55I'll see you on Thursday then.
00:53:57Kisses.
00:54:17Aphida?
00:54:19Yes, here she is, your Aphida.
00:54:24Thank you, Val, really.
00:54:27I didn't know when you were going to use this device.
00:54:32Are you okay?
00:54:33What's going on?
00:54:35Leila.
00:54:36Explain.
00:54:37It was rather planned.
00:54:39Yeah, I know, but it's still too late for your yoga class, isn't it?
00:54:42No, no, it's fine, but I have to go now.
00:54:44Does that bother you?
00:54:46No, there should be a way.
00:54:48Come on.
00:54:50Come on.
00:54:53Come on, come on.
00:54:57So, now you're going to explain to me why you're still so miserable.
00:55:02It's Leila.
00:55:04A girl I had a great feeling with.
00:55:06The one at the bar you work at?
00:55:08Yeah, you told me about it.
00:55:10Yeah, well, it's going really well, you know.
00:55:12I finally decide to move in with her,
00:55:14and frankly, I feel really open.
00:55:16So we have a perfect night,
00:55:18we drink cocktails,
00:55:20we chill, you know.
00:55:22We decide to go back to my place.
00:55:24And then it gets really hot,
00:55:26we start to get drunk and all that.
00:55:29Okay.
00:55:30And then I realize that, in fact,
00:55:32there's something wrong.
00:55:34You see, she's not really there, she's looking elsewhere and all.
00:55:36So I tell myself that I'm going too fast.
00:55:38I want to calm the game, you see,
00:55:40I offer her a drink, normal.
00:55:42And then I realize that, in fact,
00:55:44she's been taking pictures of me for a while.
00:55:46Pictures with Justin,
00:55:48Bram,
00:55:50Tommy, well, anyway.
00:55:52Some hot stuff, you know.
00:55:54So she asks me who it is.
00:55:56She doesn't get it, in fact.
00:55:58So I explain, you see, what it is,
00:56:00the porn-sexuality, all that.
00:56:02And then,
00:56:04you see, her head changes,
00:56:06but in a way, she's too disgusted.
00:56:08You see, almost contemptuous.
00:56:12And then she breaks up,
00:56:14shouting that it's against nature,
00:56:16and all that kind of bullshit.
00:56:20What?
00:56:30What?
00:56:32I'm thinking that
00:56:34I spent hours with her at Brigitte's, you see.
00:56:36And she never realized
00:56:38that she was surrounded by lesbians.
00:56:42Well,
00:56:44listen to me.
00:56:46We're going to go to your place to take two or three things, okay?
00:56:48And you're going to call work to say that you're taking a break.
00:56:50And after that,
00:56:52you're coming with me for a week to rest in line.
00:56:54It's going to disconnect you a bit.
00:56:56Well, and I'm warning you,
00:56:58your diet is flat.
00:57:00No. Yes, of course it is.
00:57:02Right now, the number of incomprehensible messages you're sending me,
00:57:04it's starting to worry me.
00:57:06Really? Yeah.
00:57:08And what do I say?
00:57:10Well, you tell me about your parties,
00:57:12and you ask me if I'm doing well.
00:57:14And most of the time, I don't get it at all.
00:57:16And you cry too.
00:57:20You know, I don't even remember those messages.
00:57:22See? You need a break, man.
00:57:26Yeah, you're right.
00:57:28Well,
00:57:30let's go.
00:57:32By car. Adam.
00:57:34I'm kidding. I'm kidding.
00:57:36Excusez-moi.
00:57:38Vous avez vu Lucien?
00:57:40Vous voyez qu'il ressemble?
00:57:42Non, désolé.
00:57:44Oui, oui, Lucien.
00:57:46Plutôt grand, mince, avec une frange.
00:57:48Elle vient jamais le lundi.
00:57:50C'est plutôt fin de semaine.
00:57:52Ah.
00:57:54OK.
00:57:56Merci.
00:58:06Mm-hmm.
00:58:36On a un appartement.
00:59:06When will you choke
00:59:08on your screaming?
00:59:10Why does this feeling
00:59:12never ever
00:59:14stop?
00:59:16Do I
00:59:18have choices?
00:59:20Talking
00:59:22with you but without
00:59:24voices, tearing up
00:59:26noises.
00:59:28But I'll never give up.
00:59:36Singing to myself but
00:59:38my heart is aching.
00:59:40It won't make it
00:59:42through.
00:59:44I will
00:59:46walk
00:59:48back.
00:59:50And I will
00:59:52make it
00:59:54to you.
00:59:56Sing once
00:59:58again
01:00:00to yourself.
01:00:02Peacfect.
01:00:04I don't know.
01:00:08What do you want to do?
01:00:11What?
01:00:12You want to do something today?
01:00:15A concert?
01:00:16I'd like to ride a horse.
01:00:21I don't know.
01:00:22There's a Folk Jazz band that's playing.
01:00:24It's a quartet, but I don't know why they're playing quintet.
01:00:27Yeah, yeah.
01:00:30And if you prefer, we can both stay at home.
01:00:33I don't think so.
01:00:34Okay.
01:00:35Can I go now?
01:00:39Lisa?
01:00:40Yeah?
01:00:42You've been gone for a while now.
01:00:44Yeah, yeah, don't worry.
01:00:57Oh yes! She did it!
01:00:59She did it!
01:01:03Oh, darling!
01:01:07I'm so happy you're here!
01:01:09And I think I'm lucky!
01:01:10What are you talking about?
01:01:12I'm so happy you're here!
01:01:14Come on, I'll pay you a visit at Brigitte's.
01:01:16No, I'll pay you a visit because you don't have an arrow anymore.
01:01:18Don't worry, I'll take care of it!
01:01:33I'm so happy you're here!
01:01:35I'm so happy you're here!
01:01:37I'm so happy you're here!
01:01:39I'm so happy you're here!
01:01:41I'm so happy you're here!
01:01:43I'm so happy you're here!
01:01:46So, what do you think of this rendezvous?
01:01:49Not bad.
01:01:51I noticed you dressed up.
01:01:54Is it new?
01:01:55Ah, this?
01:01:56No, not really.
01:01:58I wear it from time to time.
01:02:00Why? Do you like it?
01:02:02From time to time, but there's still the shop's label on it.
01:02:06Got it!
01:02:08Yeah, I like it a lot.
01:02:11Sexy.
01:02:12You're lucky I like you.
01:02:14What, you don't like me?
01:02:15No, that's not it.
01:02:16But after everything we said, everything we talked about,
01:02:19you're not going to tell me you don't like girls.
01:02:21Val,
01:02:23until now, it was the order of fantasy,
01:02:27of curiosity, in a way.
01:02:29But with you,
01:02:31there's more.
01:02:32But with you too, there's more.
01:02:34Come on.
01:02:35No, Val, wait.
01:02:36There are still girls who can come in here,
01:02:38and I prefer to be careful.
01:02:40Yeah, well, it's fine.
01:02:41We're in the 21st century, in a yoga class for babies.
01:02:44I don't think that...
01:02:45Yes, I have an ultra-catholic family,
01:02:47and they're not ready to learn that their daughter dresses up.
01:02:50And at work, it's a pretty macho environment,
01:02:52and I prefer not to give them anything about my private life.
01:02:55Okay, okay.
01:02:57I respect that, but...
01:02:58What I mean is that I absolutely don't want to be surprised.
01:03:01Okay?
01:03:02Okay.
01:03:04And speaking of surprises,
01:03:06get dressed.
01:03:13Hi!
01:03:15I'm warning you, I'm not late.
01:03:17So, what did she do again?
01:03:19Nothing.
01:03:20Well, I don't know, actually.
01:03:22Well, I don't know, maybe she's going to join us.
01:03:24Maybe we can talk to her about it, right?
01:03:25No, no.
01:03:26She told us not to wait for her.
01:03:28Well, what's the problem?
01:03:30I don't know.
01:03:32Have you noticed these mood swings already?
01:03:34Yeah, she seems like she's not doing so well.
01:03:37No, no.
01:03:38I'm really talking about the ultimate cycle.
01:03:41You see, these kind of breaks, switches.
01:03:43Sometimes we're together, everything's fine, it's love.
01:03:46And then, bam, I don't know what happens.
01:03:48It's like her eyes are leaving me.
01:03:50She goes into the recesses of her soul, I don't know, her brain.
01:03:53And then she comes back and everything's fine.
01:03:55It's so weird.
01:03:57That's not the Lisa I know.
01:03:59And honestly, I love her.
01:04:00But she just scares me.
01:04:03Yeah, but it's totally weird.
01:04:05But what could have happened to her?
01:04:08Do you know where she is?
01:04:09No, it's a secret.
01:04:11And you see, I respect that it's a secret.
01:04:13It's just that there's a moment when she knows she can make you laugh.
01:04:15We have to help her.
01:04:17Brigitte, what would you do?
01:04:19Yeah, a little bit of live coaching around here.
01:04:22So, how can I help you?
01:04:24Well, Lisa has problems and she doesn't want to talk about it.
01:04:26We don't know why.
01:04:28Lisa has serious problems.
01:04:30So you want to help her, she needs your help, but she won't let herself be helped.
01:04:33That's it.
01:04:34What do you advise us then?
01:04:35I advise you to help her anyway.
01:04:37What do you mean?
01:04:38I can't tell you anything else.
01:04:43Does she have money?
01:04:45I don't know.
01:04:46She told me she had sold something,
01:04:48that she was going to take the money this morning, but that's all.
01:04:50Yesterday, I had to pay the bills.
01:04:52In that case, there's a chance she'll call back tonight.
01:04:55She doesn't know I'm here.
01:04:56Exactly.
01:04:57Wait, what's going on here?
01:04:59If her day hasn't been good, she might end up here tonight.
01:05:02And then, it might be the right time to confront her about this problem.
01:05:05Okay, do you know anything?
01:05:08I can't tell you, I promise.
01:05:11But if she's here, and she explains it to herself,
01:05:13and you're there to listen to her, that's it.
01:05:15That we're spying on her?
01:05:16No, but that's pretty cool.
01:05:18It's for her own good, believe me.
01:05:19She's really in deep shit right now.
01:05:21Okay, well, I can't stay.
01:05:23I have to get ready for the yoga class tomorrow,
01:05:25but let me know, okay?
01:05:26Bye.
01:05:35Fucking hell!
01:05:39What, this time?
01:05:41Almost, Brigitte, almost.
01:05:44Almost what?
01:05:46Like the last time.
01:05:49The last time.
01:05:51The last time.
01:06:09I thought you didn't have any money left.
01:06:11No, but I...
01:06:12I sold some stuff, you see.
01:06:14And then, I bet everything on a game.
01:06:16Fuck, Brigitte, you should have seen that.
01:06:18I had the exact score.
01:06:20I was in the lead.
01:06:22You know the rest.
01:06:24Fuck!
01:06:25I'll never get to 5,000. Never.
01:06:27It always fails a little before.
01:06:32Do you have any news from Spain?
01:06:33Every day, every day.
01:06:35She sends me messages.
01:06:36So, the last one,
01:06:38well, it's covered in usual insults.
01:06:40Then she says,
01:06:42you have ten days.
01:06:44Your days are numbered.
01:06:46You have ten days to give me the 5,000.
01:06:48Or else, I'll rip your eyes out, cut your nose,
01:06:50decapitate you,
01:06:51and your head will serve me as a bowling ball.
01:06:55Well, at least, she has pretty good language.
01:06:57Oh, but...
01:06:58It's not a joke, Brigitte.
01:07:00She's not kidding.
01:07:01Because, you see, this Nada,
01:07:02she's the leader of the most violent female gang in Madrid.
01:07:05Next to her, the Ansel Jolles,
01:07:07they're scumbags.
01:07:09Are you serious?
01:07:11Get up.
01:07:12Get up, I'm telling you.
01:07:13Look at me.
01:07:14Do you see what you're doing?
01:07:15Are you serious?
01:07:16Your life is at stake, and you do this?
01:07:18You spend all your money on shitty games.
01:07:19Look at me when I'm talking to you.
01:07:21What are we doing now?
01:07:22What are we doing?
01:07:23For ten days, we're in love.
01:07:24Look at me.
01:07:25It's beautiful, etc.
01:07:26And then, you get killed, and I go to Scotland.
01:07:28Yeah, great, great.
01:07:29But do you realize what you're doing?
01:07:31I don't understand.
01:07:32I didn't miss much today.
01:07:34But we don't win.
01:07:355,000 balls at stake, that doesn't exist.
01:07:38Yes, it can happen.
01:07:41But do you realize?
01:07:42Your life is at stake.
01:07:43Wait, please.
01:07:44Give me some money.
01:07:45I'm begging you.
01:07:46I have a strategy.
01:07:47I can do it again, it's easy.
01:07:48I'm begging you.
01:07:49I'm not giving you a single ball.
01:07:50Look at me.
01:07:51Look at me, I'm telling you.
01:07:53There's not a single ball that I'm going to get out of my pocket
01:07:55to give you, and you're going to spend it on games.
01:07:57Do you hear me?
01:07:59I'm telling you right now.
01:08:01In the next ten days,
01:08:03if you don't start getting treated,
01:08:05you can get out of my life.
01:08:06But I'm not sick!
01:08:08Of course you're sick.
01:08:10You're sick.
01:08:15You're sick.
01:08:17Being addicted to games, that's what they say.
01:08:19You're sick.
01:08:20And that's a pathology, it can be cured.
01:08:24I'm begging you, I swear.
01:08:28And what do we do for the 5,000 balls then?
01:08:30I don't know.
01:08:34But you're going to explain to me who this Madrilen is.
01:08:36Come on.
01:08:38And when I arrived in Madrid,
01:08:40we met.
01:08:41We fell in love, and we stayed together for a few months.
01:08:45You were with a gang leader?
01:08:47I really didn't know anything about it.
01:08:49I suspected that she was involved in some illegal gangs,
01:08:52but not that.
01:08:54And for the 5,000?
01:08:55She was broke.
01:08:57She gave me money every night
01:08:58so that I could have fun and do whatever I wanted with it.
01:09:00But if I wanted more,
01:09:02I had to borrow money.
01:09:03And I didn't have any interest in borrowing or paying back.
01:09:06No.
01:09:07In fact, she was controlling your expenses.
01:09:09And she was pushing your limits.
01:09:10That's what you should have done yourself.
01:09:12Yeah.
01:09:16That night, I felt really good, you know?
01:09:19So I borrowed 5,000 balls,
01:09:20telling myself that I had plenty
01:09:22to go back and dry the other players, you know?
01:09:25But, fuck, bad luck.
01:09:26End of the game.
01:09:28So I decided to take a break.
01:09:30It was morning.
01:09:31And there, in the parking lot,
01:09:32I saw two girls in leather,
01:09:34slaughtering a guy.
01:09:36And I thought,
01:09:37I'm going to tell him
01:09:38that Maria is giving him another week to bring the money
01:09:40and that if he doesn't do it, it will be worse.
01:09:42My Maria, then.
01:09:43But you didn't know anything.
01:09:46No, basically, I didn't know anything.
01:09:48So I decided to do some research,
01:09:50discreetly.
01:09:52And in fact,
01:09:53I found out that her gang
01:09:54is the armed arm of her father's mafia organization,
01:09:57which is the big boss of the Madrilen crime.
01:09:59Oh yeah, that's it.
01:10:01Yeah.
01:10:02So I freak out, you know?
01:10:04I'm scared.
01:10:05I don't dare tell her that we left a thousand bucks.
01:10:07And I know she's going to take it super fast.
01:10:09So I just have time to take a plane and go back to Brussels.
01:10:12And you thought that by disappearing like that,
01:10:14she would forget everything?
01:10:15I don't know.
01:10:16Yeah, I told her that for five thousand bucks,
01:10:17she would let go of the case.
01:10:19Well...
01:10:30What is it?
01:10:35What is it?
01:10:45Don't tell me you're leaving Brussels.
01:10:47They're watching you.
01:10:52Fuck.
01:11:05Fuck.
01:11:35I can't take it anymore.
01:11:37I want to kiss you.
01:11:38I want to feel your skin against my skin.
01:11:40I want to kiss you.
01:11:42Come on, I can't take it anymore.
01:11:43I really want to kiss you.
01:11:44Me too.
01:11:45But the story of your friends,
01:11:46it bored me.
01:11:47Are you sure I can't,
01:11:48I don't know, participate?
01:11:49There's a chance.
01:11:50No, but that's not true.
01:11:51I'm talking about kissing you.
01:11:52You think of Lisa.
01:11:53Val,
01:11:54how long have we known each other?
01:11:55A week?
01:11:56Yesterday, it was beautiful.
01:11:57But I haven't given up yet.
01:11:59It's going a little fast for me.
01:12:01Let's go eat, drink,
01:12:02have a good night.
01:12:03Okay, yeah.
01:12:04Thank you, Lucia.
01:12:05Kiss me, darling.
01:12:10And so, my rainbows,
01:12:11that's why it's very important.
01:12:13No one is perfect,
01:12:14but if we can't help each other in the community,
01:12:16it's really a shame.
01:12:17And don't forget,
01:12:18if you too have addiction problems,
01:12:20you can check the links in the description.
01:12:22For Lisa.
01:12:25And cut!
01:12:26Wow, that was perfect!
01:12:28Thanks to you for thinking of me, anyway.
01:12:30It's going to change from the crap I usually make.
01:12:32No, thanks to you and the subscribers.
01:12:34And if everyone gives 50 cents,
01:12:36I'm sure we can do it.
01:12:37Listen,
01:12:38I'll send it to Didou
01:12:39to make it a little tighter
01:12:40and she'll balance it.
01:12:41It's online tomorrow morning or later.
01:12:42It leaves us a big week,
01:12:43it should be fine.
01:12:44And for the girlfriends and people you see in real life,
01:12:46it's better if they give in cash.
01:12:48Online tickets take a percentage.
01:12:50And I'll put a reminder in the video on Wednesday,
01:12:52so those who haven't seen the special will be aware too.
01:12:55It works.
01:12:56Thank you, Stella.
01:12:57Bye.
01:12:58Bye.
01:13:02What do we do?
01:13:03I don't know.
01:13:04Fuck, what are they doing?
01:13:06We still have a week left, normally.
01:13:13Wait, I'll go talk to them, okay?
01:13:22Fuck, Adam, what are you doing?
01:13:24Hey.
01:13:25But you weren't supposed to be in Lille!
01:13:28I escaped.
01:13:29But why?
01:13:30Why?
01:13:31To drink.
01:13:32Oh, fuck, you're so annoying.
01:13:46I didn't want Afida to see me like this.
01:13:50She's really great with me.
01:13:53I don't deserve this.
01:13:54I can't do it.
01:13:55Yes, you can.
01:13:57You know what?
01:13:58I heard she wanted to help you.
01:14:00And in life,
01:14:01when there are people who want to help us,
01:14:03you have to let them do it.
01:14:04You can't resist.
01:14:05Yeah.
01:14:08If I were you,
01:14:09tomorrow morning, I'd call her.
01:14:10I'd reassure her.
01:14:12And I'd take the first train for money.
01:14:25You're welcome.
01:14:30Thank you, you're welcome.
01:14:47So?
01:14:48Good episode.
01:14:50We had a higher engagement rate than average.
01:14:55Views increased a bit less quickly.
01:14:58But don't forget it was beautiful last night.
01:15:01And now,
01:15:02it's going up again this morning with all the people at the office.
01:15:05Wait a second.
01:15:08Hello?
01:15:09Yeah, Stella.
01:15:11I watched yesterday's video
01:15:12and you forgot to call for the cagnotte.
01:15:14By the way, do you know how much it is?
01:15:16No, no, I didn't forget.
01:15:17It's towards the end,
01:15:18you know, when I talk about the links and everything.
01:15:20No, no, I watched it several times
01:15:22and I didn't hear anything.
01:15:24No, I assure you, I said it.
01:15:26Didou has a thousand links.
01:15:27No, no links in the description either, no.
01:15:29But do you know how many there are in the cagnotte?
01:15:31I don't know, Didou's in charge.
01:15:32Wait, I'll call you back.
01:15:33Okay.
01:15:39Where's the link for the cagnotte?
01:15:43And why did you cut it during editing?
01:15:46Fuck.
01:15:47But you didn't even publish the first video
01:15:48where I talk about the cagnotte, actually.
01:15:50Wait, you mean this amateur thing, unscripted,
01:15:53that was completely out of the editorial line
01:15:55and that you wanted to publish on an incongruous date?
01:15:58Of course I didn't publish it, what do you think?
01:16:00Who's on your channel on a Friday night?
01:16:03And then, I remind you that I'm your manager,
01:16:05so I decided not to publish it
01:16:07because it would confuse the subscribers, that's it.
01:16:10Wait, since when do you need to tell me
01:16:12Wait, since when do you need to tell me
01:16:14anything?
01:16:15But since there's a life at stake,
01:16:17you realize that, don't you?
01:16:19What a fucking drama, I swear to you.
01:16:22Listen, it's much better this way.
01:16:24I avoided the loss of thousands of subscribers.
01:16:27You're fired.
01:16:29But what are you going to do without me, my poor?
01:16:31But videos that fascinate me,
01:16:33things that make sense,
01:16:35and not shit prefabricated by pseudo-marketing trends.
01:16:39But come on, get out of here!
01:16:40No, you leave the laptop, I paid for it.
01:16:43It's not going to happen like that, believe me.
01:17:11How are you?
01:17:18What are you doing here?
01:17:19Well, you see, I have my sources too.
01:17:21I asked the yoga club, I wanted to surprise them.
01:17:23Well, you see, it works.
01:17:25But who is it?
01:17:27I don't know, it's someone who's asking for his way!
01:17:29Is everything okay?
01:17:30Yes, it's my husband.
01:17:31Since I got home this morning, he doesn't stop pissing me off.
01:17:33Wait, what?
01:17:34Yeah, just got home.
01:17:35You have a husband?
01:17:36You have a fucking husband?
01:17:37No, Val, wait.
01:17:41Val!
01:17:46Hey!
01:17:48Sorry I'm late.
01:17:50Val isn't here yet?
01:17:51No, she couldn't make it.
01:17:52And besides, she's giving us an appointment on Saturday.
01:17:54Well, that's good for you, because Marie-Ève gets here a day earlier.
01:17:57She comes here on Saturday during the day.
01:17:59Here, here?
01:18:00Well, yeah, I thought that in a public place, she wouldn't dare try anything, you see.
01:18:03Oh, but I don't care, I don't involve clients in this.
01:18:06So, I'm closing for the afternoon, and we'll settle this between us.
01:18:08Next time, you'll talk to me first, okay?
01:18:11Yeah, and also, Val's thing had a setback, so normally it's okay for Saturday morning.
01:18:16But we, so, we have to get by with all the money we've collected.
01:18:20Oh, well.
01:18:22Look, we already have this.
01:18:24What's that?
01:18:26Well, I've got all my rents.
01:18:27We're the two of us today.
01:18:29Okay.
01:18:30And the rent and everything else, are you sure you have enough?
01:18:33Yeah, yeah, I've got a budget.
01:18:34And I bought a ton of scratch tickets.
01:18:36I earned that on top of the monthly budget.
01:18:38Okay.
01:18:41But, wait!
01:18:42What's up?
01:18:44But, fuck, it's just scratch tickets!
01:18:46I need your help, seriously!
01:18:48What are you doing?
01:19:06Excuse me, have you seen Val?
01:19:18Have you seen Val?
01:19:43From my friends and followers.
01:19:46So, I don't believe it, but despite the sabotage,
01:19:49and despite the fact that the video was released at a time when no one usually watches Chanel,
01:19:53we still managed to collect 3,160 in the pot.
01:19:56Almost 1,000 in cash from friends,
01:19:58and with your 550 more, it's at least 1,696 in the envelope.
01:20:02In the meantime, apart from that, it's not that bad.
01:20:05After, choose your friends better.
01:20:06Take one of the less spoiled ones.
01:20:08I tried once.
01:20:09Now I'm going to kill myself.
01:20:10Don't worry, you see.
01:20:12Phew.
01:20:14Thank you, anyway.
01:20:15You just had to ask.
01:20:17Well, I'm going to get something to eat.
01:20:18How about that?
01:20:19No problem.
01:20:20Not me.
01:20:22I'm already calling Brigitte.
01:20:23Maria said to do it in the afternoon, but if he's there earlier, it's better that I'm here.
01:20:27Bye.
01:20:29In the meantime, I'm going to look at the details of the contributions, I'm curious.
01:20:32Yeah, good idea.
01:20:36Hey, tell me, what's going on this afternoon,
01:20:38and how much do I have to pay to get 327 hours?
01:20:40Wow.
01:20:41Wait a second, I have to look at this.
01:20:53You know you could sell drugs to get cash quickly,
01:20:56and it's less risky than I thought.
01:20:57If you're interested, I have friends.
01:20:59Yeah, maybe.
01:21:03Wait a second.
01:21:04Wait a second.
01:21:08Val?
01:21:09Is there a problem?
01:21:12What?
01:21:14But that's all his money for Scotland!
01:21:18Oh, fuck.
01:21:26How are you?
01:21:28Yeah, I'm fine.
01:21:29Give me two seconds, please.
01:21:31Take your time, I found everything you want.
01:21:40Is everything okay?
01:21:41Yeah, everything's fine.
01:21:43Hi, Brigitte.
01:21:44And for the followers?
01:21:45It's something, I swear.
01:21:47No, she was supposed to arrive before us, but I don't know what she's doing.
01:21:50Hi, Brigitte.
01:21:52Hi, Brigitte, how are you?
01:21:54Can you get us a glass of white wine?
01:21:56And for me, a double glass of water, please.
01:21:59Hi.
01:22:00Hi, how are you?
01:22:02It's nice to see you.
01:22:04Yeah, well, I know that Lisa is important to you and to Adam.
01:22:09And how's it going in Lille?
01:22:11Easy.
01:22:12We're back to old habits.
01:22:15Yeah.
01:22:17This is from Adam.
01:22:18Great.
01:22:19With this, we're almost there.
01:22:21Here, 200 more to put in the envelope.
01:22:24Yeah, but Lisa still has to show up.
01:22:26Yeah.
01:22:28Excuse me.
01:22:29You didn't see the door?
01:22:30It's private this afternoon.
01:22:31I really have to talk to you.
01:22:32Will you listen to me?
01:22:33No, please, go away.
01:22:34I didn't tell you everything.
01:22:35Okay, we'll talk, but not now.
01:22:37Not here, please.
01:22:38Lucia!
01:22:39Not now.
01:22:51I think it's private this afternoon.
01:22:52Surprise, we booked in advance.
01:22:56Come on!
01:22:57Everyone on the table!
01:22:58Everyone on the floor!
01:22:59Quick!
01:23:01Come on.
01:23:06Where's Lisa?
01:23:11Okay, where's Lisa?
01:23:13She should be here.
01:23:14With the money.
01:23:16Give me all the weapons you have behind you.
01:23:18What weapons?
01:23:19I don't know.
01:23:21Do you have a knife here or what?
01:23:24There you go.
01:23:28So we're here.
01:23:29I don't want to know.
01:23:30Listen to me.
01:23:31No, I listened to you when you told me you were gay.
01:23:33But you never told me you had a boyfriend.
01:23:35And who else? A husband.
01:23:37That's what I needed to hear.
01:23:39But we're divorced.
01:23:41Oh yeah?
01:23:42We're not divorced yet.
01:23:43And he still lives with me.
01:23:44But we're divorced.
01:23:45So why all this gossip about not kissing in public and all that?
01:23:48I told you.
01:23:49My parents are working.
01:23:51Oh yeah?
01:23:52That was true?
01:23:53What do you mean, that was true?
01:23:55Val, I never lied.
01:23:57I just didn't mention my husband because he doesn't have a place in my life anymore.
01:24:01Silence!
01:24:07So you have a crush on me, is that it?
01:24:09No, no.
01:24:11I did some research about you.
01:24:15You're going to leave Ecos, is that it?
01:24:18You want me to give you a little taste of Ecos?
01:24:22You want the smile of Glasgow?
01:24:25We're going from here to there.
01:24:28And on the other side, it's going to be the same.
01:24:32Don't come right away.
01:24:34I don't want the other one to miss this.
01:24:36Here.
01:24:37You smell it.
01:24:50It doesn't smell.
01:24:51It doesn't smell.
01:24:52He doesn't answer.
01:24:53It doesn't matter.
01:24:54I'm going to wait for him at the Tom's.
01:24:57Go on, serve me another whiskey.
01:25:02Anyway, he's not coming.
01:25:03He's your friend.
01:25:04He knows I'm here.
01:25:05Anita.
01:25:07If anything happens to us, I wanted to tell you that...
01:25:09No.
01:25:10Stop.
01:25:11He's going to respect you.
01:25:15And I...
01:25:17I think I know what you want to tell me.
01:25:20Do you call him from your side?
01:25:25No.
01:25:28That's it.
01:25:29No.
01:25:30It doesn't matter.
01:25:31It's much better.
01:25:34How are you going to believe me?
01:25:37By chance.
01:25:39You're going to go by chance.
01:25:41Lisa.
01:25:42I'm here for you.
01:25:44I'm coming.
01:25:54I'm coming.
01:26:02I don't have anything to do with the money anymore, okay?
01:26:05So this is for my body.
01:26:11I need $300.
01:26:12Are you crazy?
01:26:17I'll give you a week.
01:26:19To find this money.
01:26:21I'm going to the corner.
01:26:24I'm going to the corner.
01:26:29I'm going to the corner.
01:26:38It didn't go too bad, did it?
01:26:45It was Monday for the envelope.
01:26:46I'm missing $200.
01:26:47Are you serious?
01:26:48Are you kidding me?
01:26:49Do you know what we went through while you went to click all that?
01:26:52Do you know what?
01:26:53No, wait.
01:26:54I'm really sorry I'm late.
01:26:56Come on.
01:26:57But it wasn't easy for me, okay?
01:26:58And then for the $300, I'll find a solution.
01:27:00But I needed that for the bill.
01:27:03Here.
01:27:06Admission request at the game addiction center.
01:27:09Seriously?
01:27:10Freshly registered.
01:27:16Well, Val.
01:27:18You know my situation now.
01:27:21Do you forgive me?
01:27:24Can we make up?
01:27:27Will you come back to Vioga?
01:27:29You know, after everything that happened, the only thing I want is solitude, calm and serenity.
01:27:38And a lot of sex.
01:27:41Do you feel serenity, solitude and calm at the same time?
01:27:44And a lot of sex.
01:27:48Sorry, not in public.
01:27:49It's okay, I'm bothering them.
01:27:53Tournée Générale!
01:27:58C'est sec?
01:27:59Santé!