• 5 months ago
Lud, zbunjen, normalan - 180. epizoda (S7E12): https://dai.ly/x91ju4k (Sledeca epizoda)
Lud, zbunjen, normalan - 178. epizoda (S7E10): https://dai.ly/x91jtjo (Prethodna epizoda)
Transcript
00:00The following is the story of a young woman who was sexually harassed by her husband.
00:11Radojka, my dear.
00:15It's not Radojka, it's Radojka.
00:18Radojka is my name.
00:20I said Radojka more like your personality.
00:26Have you ever heard of sexual harassment?
00:30I've experienced it.
00:33I was thinking about sexual harassment that can be solved in court.
00:37I've never been to court.
00:40I've been to the airport, to the sea, but I've never been to court.
00:46You know what?
00:48I'm not going to suffer this because of 200 marks.
00:51Because it's a lot, it's a lot.
00:53If it's a lot, I can pay less.
00:57Goodbye.
00:58And stop!
01:00Excellent.
01:02This double is performed according to Hollywood standards.
01:06Radojka, you were a member of the Hollywood Board of Directors.
01:09Izet, you were a member of the Balkan Board of Directors.
01:12So the director got that contrast.
01:14Fufe, was the tone good?
01:16Fufe!
01:18Are you sleeping?
01:20It's great for me.
01:22Are you listening to me?
01:24Is the tone good?
01:25It's great, it's great for me.
01:27It's correct.
01:29I mean, it's good, but it's good.
01:31Fufe, check that tone.
01:33Don't let anything go wrong.
01:35I'm dreaming of you.
01:37Well, your acting is done with my directing.
01:40I was happy.
01:42Me too.
01:44I'm glad we managed to film everything.
01:46Because I have to go, so I have to film.
01:48What are you in a hurry for?
01:50I'm going to the plane, I'm going to America.
01:53To America?
01:55I have three months to get used to Hollywood.
01:58You'll make it, for sure.
02:00Hollywood is for you.
02:02Your face, that figure.
02:04I have a friend in Hollywood.
02:06His name is Chombe.
02:08Please, if you meet him, say hello to him from Faruk.
02:11I've never heard of him, I'm sorry.
02:13You will.
02:15Hollywood is small enough for you to hear about Chombe.
02:18Please, when you meet him,
02:20tell him to stay there,
02:21so we don't have a crisis without him.
02:27Okay, I will.
02:29Bye.
02:31Bye.
02:33After my hands, she has to work with Spielberg.
02:38Say hello to Spielberg.
02:40Motherfucker, this is not good.
02:43Your hand.
02:45What happened?
02:47I think we have a little problem in the last scenes.
02:49There is no tone.
03:09As far as I understand in medicine,
03:13we have a severe depression.
03:16It doesn't go well with women.
03:21Yes, it's like someone put a syringe on us.
03:24You know what?
03:26For all of us, it's better that you're not with a woman,
03:29than with the one you were with last time.
03:31With whom?
03:33You know who I'm talking about.
03:35I'm talking about Barbara's mother.
03:37How did you get into us?
03:39I can't even talk to her.
03:41I wouldn't touch her with my muscles.
03:43It's better for you.
03:45You and Barbara's mother,
03:47that would be a disaster for me.
03:49What?
03:51She hurt me the most.
03:55Look at this board with the name of the street.
03:58I can't believe that in Sarajevo,
04:01the main street is called
04:03by the idiot and criminal Josip Broz.
04:05What?
04:07What did I say wrong?
04:09When I didn't kill her,
04:10I probably won't ever kill anyone.
04:13It looks like I don't have that
04:16murderous rage in me.
04:18You're well-known as a peaceful
04:20and composed person.
04:22Come on, Bolan, you were once on a leash.
04:24A few days later, you let her go again.
04:27You told me to apologize,
04:29and she kept eating shit.
04:31I had to.
04:33I'm sorry.
04:35This didn't sound sincere to me.
04:37Get out.
04:38What do you mean, get out?
04:40I apologized.
04:42You can do it better.
04:44It sounded sincere and from the bottom of my heart.
04:47There you go.
04:49Everything is fine now, Mom.
04:51It could have been even more sincere,
04:53but I accept your apology for the sake of peace in the house.
04:56Great, let's finish this.
04:58Can I go now?
05:00You can, you're free.
05:02Goodbye.
05:04I just don't know why he made such a fuss
05:06about that Broz.
05:09Those two cases are the proof
05:12that I'm a good guy.
05:14If I were him,
05:16I'd kill her and kill everyone else.
05:18And you just made a fool of yourself.
05:20That's the least I could do.
05:22Thank God you two stayed in touch.
05:25Especially in this situation,
05:27when Barbara and I are no longer together.
05:29What do you mean, Bolan?
05:31I hate her.
05:33I hate both Frank Mussolini and Hitler.
05:36Who's bothering me now?
05:38She's here.
05:40She's here.
05:42We're going to fix her and his problems together.
05:45Mom, you open the door.
05:47I can't see her.
05:49I'm sick of her.
05:51This kid is making me so relaxed.
05:54There's no more depression.
06:02You?
06:04I brought the kid.
06:06Barbara has some errands to run.
06:08Let's go.
06:10Dad, look what I brought.
06:12Let's put it in front of Grandpa.
06:14I think we agreed
06:16that you're not coming to this house anymore.
06:18I didn't mean to.
06:20I had to.
06:22I don't care if you had to or not.
06:24I'm happy to be with you
06:26at my warm, cozy doorstep.
06:28I don't want to be with you.
06:30You remind me of terrible things.
06:32I hope I remind you
06:34of those
06:36most terrible
06:38things
06:40you and I
06:42have done.
06:44And even worse.
06:46I'm going to beat you up
06:48with the keys
06:50from the doorstep.
06:53Where are you?
06:55Where are you?
06:57You haven't seen me for so long.
06:59Come here.
07:05Come here.
07:09Get out!
07:11Get out!
07:13Where did she go?
07:15Son,
07:17what do you think we're doing
07:19until Grandpa comes back?
07:21You're an imbecile!
07:23You're an imbecile!
07:25You're a retard!
07:27Don't call me that.
07:29It's a work-make-mistake.
07:31I mean, whoever does it, makes a mistake.
07:33Tell me, what's Tonka's job?
07:35Tonka's job
07:36is to...
07:38record the tone.
07:40Does Tonka have any other job
07:42besides recording the tone?
07:44She does.
07:46Sometimes she comes to lunch break
07:48and there's nothing else to do.
07:50Lunch break?
07:52Why didn't you record the tone?
07:54The cable was unplugged.
07:56Get that cable back
07:58where you unplugged it!
08:00You had headphones on your ears!
08:02Are you deaf?
08:03That's it.
08:05I'm going to eliminate you.
08:07I'm going to put you in prison for 20 years.
08:10I'm begging you.
08:12Let's record the episode again.
08:14Again?
08:16When Lada went to America for a walk?
08:18Yes, yes.
08:20Listen,
08:22you're the only one
08:24who has to act
08:26the way you know and can.
08:29We're going to catch the actor.
08:31Catch him?
08:33Yes.
08:35Then catch the actress
08:37and fuck Lada.
08:39Do it yourself
08:41and I want it done by tomorrow.
08:43Deal?
08:45Deal.
08:47It has to be done by tomorrow.
08:49Deal?
08:51Deal.
08:53You're so lazy.
08:55Oh, my God.
08:57What am I going to do?
09:03Hey, mentors!
09:05What's up?
09:07Are you in Pristina?
09:09I heard you went to Kosovo to visit your family.
09:12Are you in Pristina?
09:14Listen, I have a question.
09:16Tell me, what does it mean
09:18on this actor?
09:22Oh, wait.
09:24It means
09:26to put the voice of one actor
09:28on the voice of another actor.
09:30Thank you, mentors.
09:31Oh, my God.
09:33I'm going to have to go to prison.
09:37This shouldn't have happened.
09:39I agree.
09:41I don't know,
09:43where was my mind?
09:45What are you going to do
09:47when we still have
09:49that youth, that madness?
09:51My God, Damir is going to kill me.
09:53And me, Barbara.
09:55We're screwed.
09:57Let's forget about it.
09:59Let's pretend
10:01it never happened.
10:03It would be best
10:05if we repeat the event
10:07so that we forget
10:09both events at once.
10:11What do I know
10:13if we're going to forget
10:15one event,
10:17I don't see why
10:19we wouldn't forget the other.
10:21Let's repeat the event.
10:23Wait, I'm turning it off.
10:26Son,
10:28I can't figure out where this is going.
10:29I can't believe
10:31I'm in this mess.
10:33Where is he?
10:35Probably in the bathroom.
10:37You know what he's like.
10:39It's hard to find him
10:41when he's sleeping.
10:43You want us to find him?
10:45Let's go.
10:50I'm such an idiot.
10:52How could I
10:54have thought
10:56that this idiot
10:57would be in the bathroom?
11:02Do you know where they are?
11:04I do.
11:06Grandpa is in the closet.
11:08Let's go to the bathroom.
11:10Grandpa, you're here.
11:12You're here.
11:14Son,
11:16do you know how some people
11:18hold the Bible
11:20next to their bed?
11:22Your grandpa holds it
11:24like this.
11:25The other way around.
11:27I read it correctly last time.
11:29Now I take it
11:31and listen to it the other way around.
11:33I'm here, Grandpa.
11:35Grandpa?
11:37Hello, Grandpa.
11:42Come out.
11:47What now?
11:49If the kid asks,
11:51tell him we played hide and seek.
11:55Do you know where he is?
11:57Let's go.
12:00Listen, horse,
12:02horse,
12:04I don't want to hear
12:06about the hide and seek.
12:08Who? Me?
12:10Me?
12:12Take that phone
12:14and call him
12:16and tell him
12:18to hide it.
12:20Did you hear me?
12:22Horse,
12:23horse,
12:25horse...
12:27Oh, kid!
12:29You're putting it together.
12:31Do you need help?
12:33Dad doesn't need to put it together.
12:35Son,
12:37I have a toothache.
12:39Your Grandpa, Uncle Morse,
12:41has to brush his teeth.
12:43I have an itch.
12:45When you have an itch,
12:47you have an itch,
12:49Uncle Engels wrote it.
12:51You can't do it.
12:53It's so dry.
12:59Cheers, Grandpa.
13:03Hey, son, I really like this idea.
13:05I have to see something.
13:07You're getting married, aren't you?
13:09Well, you're getting married to a three-year-old.
13:11Shame on you.
13:12I'm going to see the billiards.
13:14There are finals, the South Cup, the Dakotas.
13:17A really strong party.
13:20Here it is.
13:21Teleportation.
13:22What's teleportation?
13:24Teleportation.
13:25When a kid goes into a closet
13:27and switches to another place.
13:29Yes, that's teleportation.
13:31I think Grandma knows how to teleport.
13:34Grandma knows how to teleport.
13:36Yes, I saw her in Grandpa's closet
13:38and then she teleported into the closet.
13:41Grandma Ruza, in Grandpa's closet.
13:43Wait, son.
13:44Who brought you here?
13:46Mom or Grandma?
13:47Grandma.
13:49Finally, no one.
14:05No one.
14:07Come here.
14:08Son.
14:09These are serious things to mess with.
14:12But Dad, you don't understand.
14:14Grandma teleported.
14:17Come on.
14:18Hurry.
14:19This has never happened to me.
14:21Never? I forgot.
14:23I forgot. What now?
14:25Run, Mom.
14:28Hey, son.
14:29Good day.
14:30Good day.
14:31Have you seen Faruk?
14:33I don't know.
14:36I don't know where he is all day.
14:39I'm so tired.
14:41I just came out of the bakery.
14:43He's not there.
14:44Okay.
14:46I'll go change.
14:47You go change.
14:49Let me go.
14:50I don't want to.
14:51Damn it.
14:52Now or never.
14:53He's in the closet.
14:54That's where he teleported.
14:55But don't mess with me.
14:57I'm not crazy.
14:58I saw her in the closet.
14:59Let's see.
15:01There.
15:02You see there's no one.
15:03Son.
15:04Dad knows you have a big head.
15:06But you can't mess with things like this.
15:08But Dad, I saw her...
15:10Shh.
15:11Not a word.
15:12I won't listen to you anymore.
15:13Let's go outside.
15:16It's not fair.
15:17It's not fair at all.
15:18Listen, kid.
15:19If you keep this up, I'll really get mad at you.
15:30There you are, little honey.
15:34Look at you.
15:36You should have a place for Mario on that couch.
15:40Faruk, I broke down today.
15:43There.
15:45Can you hear the silence in the apartment?
15:48God, it's so nice when nothing happens.
15:52This has never happened to me.
15:54Never.
15:55If anyone asks, I haven't seen you in months.
15:58You know what?
15:59Maybe we could...
16:00See each other tomorrow and forget about it.
16:05What's wrong with you, wife?
16:08Oh, my people.
16:10We made a deal not to come to this house anymore.
16:14So what?
16:15We are or we are not.
16:16See, now he's quiet.
16:18Come on, son.
16:19Damir, see what he wants.
16:20I don't like it when I talk to him.
16:22Bye.
16:26I came to get my wallet.
16:27Did I hurt you?
16:29One more round and my heart would beat fast.
16:34My rose, my rose.
16:37I cried tears of joy for you.
16:43My rose, my rose.
16:45You're in a good mood, grandpa.
16:48Why are you laughing?
16:49He's dancing, singing.
16:51What's the reason?
16:52Nothing.
16:53I'm just happy to be alive.
16:55Just that?
16:56Nothing in between?
16:57A romance?
16:58Something like that?
16:59My dear son,
17:01you're not my father.
17:03I have to go to production.
17:05That idiot, Fufa, is calling me.
17:08Why did Fufa call you?
17:10He doesn't like me.
17:12I have to hide everything.
17:13Where's my phone?
17:14Here it is.
17:15Bye.
17:17You ask stupid questions.
17:20Why did he get so mad?
17:22I doubt it.
17:24It's about six euros.
17:26Is this his perfume?
17:28Yes.
17:29It's the worst.
17:30Pornography?
17:31Yes.
17:32He wants alcohol,
17:33a bad life,
17:34women.
17:35What pornography?
17:36We'll talk about it later.
17:38I'm afraid they're together again.
17:40With a girl?
17:41What girl?
17:42Rose.
17:43Rose?
17:44The barbarian?
17:45Yes, her.
17:46I'm afraid of a disaster.
17:48Did you see or hear anything?
17:49I caught them together at the front door.
17:52What? They're fighting?
17:53No, they're fighting.
17:55She came in through the window,
17:56and he jumped on her.
17:57What's the problem?
17:59They're fighting.
18:01It's their normal relationship.
18:03That's just the way it is.
18:05There's something fishy.
18:06Something's not right.
18:08But don't worry.
18:10Damir will find out what's going on.
18:12Wait, wait.
18:13You're asking for 200 marks,
18:14and we just need to record your voice?
18:16200 marks is the minimum.
18:18I'm a professional actress.
18:20Come on,
18:21what do I know.
18:22Let's fight.
18:23What do you offer?
18:24Five marks.
18:25Okay, here.
18:26Six.
18:27When you get 200 marks,
18:29I'll call you.
18:31Oh, my dear actresses.
18:35They're not normal.
18:37You give them a job,
18:38and they want to be paid.
18:40You're making no sense.
18:42Fuck me.
18:43Oh, Jesus.
18:44Okay.
18:45This is a mess.
18:46Get out.
18:48What's wrong with the intellectuals?
18:50What's wrong?
18:51Oh, my God.
18:52We have a problem.
18:53We have a burning problem.
18:56Actually, we have two burning problems.
19:00You know,
19:01but they came out of each other.
19:03Actually,
19:04they came out of the same mystical tone
19:06that happened during the recording.
19:09You didn't record the tone with the salad.
19:13It's true.
19:14And now you want to fuck her and me?
19:17It's also true.
19:19They'll kill me if I don't solve this problem tonight.
19:23I don't count.
19:24Find my mobile.
19:26Find my mobile.
19:27That's the name of the app.
19:29With that app,
19:30I know where this phone is.
19:32If I know where this phone is,
19:34then I know where it is.
19:35Do you count?
19:36I don't know.
19:37I think I heard you,
19:38but I didn't understand you.
19:40Maria gave me the idea.
19:41My Maria?
19:42Yes, your Maria.
19:43She's following you.
19:44Me?
19:45Yes, the bar girl.
19:46What's wrong with her?
19:47I don't know.
19:48She's following me.
19:49Like Izzet.
19:50You?
19:51When we're talking about Izzet,
19:52I, Krishom,
19:53take Izzet's phone
19:54and install this app
19:55in five minutes.
19:56Find my mobile.
19:57There it is.
19:58I just have to press yes.
20:00There it is.
20:01The Find My Mobile app
20:03is installed on Izzet's phone.
20:05Let's just see where it is.
20:08Rose,
20:09where are you,
20:10little rose?
20:12Oh,
20:13listen to him singing.
20:15Little rose,
20:17I'm so happy
20:19to be with you.
20:24You're in a good mood, Grandpa.
20:27Son,
20:28you're getting crazier and crazier.
20:30You're a serious man, doctor,
20:32but you're acting like a fool.
20:34Oh, man.
20:35You look like you can't see
20:36that black cloud
20:37that's hovering over us.
20:39I'll tell you again.
20:40Izzet and Rose.
20:41Okay, you're right.
20:42That would be a terrible combination.
20:44That's why I have to find out
20:45what's going on here.
20:46Okay,
20:47what does your app say now?
20:48Where is Izzet?
20:49Here, wait,
20:50let me see.
20:51Wait.
20:54Here he is in production.
20:55Just like he said
20:56he was going to be a fool.
20:57Can't you see he's not lying?
20:59Son,
21:00my dear mother,
21:01you're getting paranoid.
21:03No, no, no.
21:04It's a long day.
21:05And a long night.
21:07She got 200 marks
21:09for her bedroom
21:11and I even offered her
21:13to put her to sleep
21:15in my own bedroom.
21:17And she's still not happy.
21:20Excellent.
21:21The first part is excellent.
21:23Let's move on to the second part.
21:27Nothing.
21:28I'll have to find
21:29another maid.
21:31There's no one else.
21:34Oh, pussy smug.
21:36That was excellent.
21:38Excellent.
21:39Well, that's it.
21:40What do you mean?
21:41We said there were
21:42two problems
21:43and we solved only one.
21:45We filmed you.
21:46What's the other one?
21:47You have to pay me
21:48200 marks
21:49to pay for this actress
21:50so I can fuck this little slut.
21:52You idiot.
21:53I paid 200 marks
21:54for one actress
21:55and you don't want
21:56to pay for the other one?
21:57You have a payment.
21:59Pay.
22:00I didn't get
22:01the payment
22:02for the last six months.
22:04See?
22:05You didn't get it
22:06so I don't have money.
22:07Bye.
22:08I have to write.
22:12It makes sense
22:13what he's talking about.
22:16Hey, Sherlock.
22:18Where's the subject
22:19of your research?
22:20Let me see.
22:23It's still in production.
22:24See?
22:25A businessman
22:26is hurting
22:27a worker
22:28and you accuse him
22:29of having sex
22:30with that slut
22:31Rose.
22:33Son,
22:34you have paranoia.
22:35Leave that alone.
22:36If I had to,
22:37I'd follow him
22:38and fuck him
22:39all night.
22:40Paranoia
22:41has taken your soul.
22:42Leave it.
22:43It's not hard for me.
22:44I have to know.
22:46What are you counting?
22:47Players.
22:49Football.
22:50One horse.
22:5125 pieces.
23:05Horses
23:06that fight.
23:07Mother of God.
23:11When we're at the horses,
23:12let's see
23:13where my dog is.
23:17Unbelievable.
23:19It's still in production.
23:22I can't believe it.
23:24Ask her
23:25to work
23:26as a night watchman
23:27or to work
23:28all day.
23:29I think
23:30that would suit you.
23:31Me.
23:32Tell me
23:33what's up with Combat.
23:35He's collecting signatures.
23:36Wow.
23:37He wants to be
23:38a congressman
23:39of the State
23:40of America.
23:41You know what?
23:42I think
23:43that would be
23:44right for him.
23:45How many signatures
23:46does he need?
23:475,000.
23:48How much did he collect?
23:50Two signatures
23:51for four months.
23:52Tell him
23:53not to be stubborn.
23:54Okay.
23:55Bye, bro.
23:56I'll hear you.
23:57If he sees me
23:58on the phone,
23:59I'll kill him.
24:00Bye.
24:02Good day.
24:03Did you fix
24:04the problem
24:05with fucking?
24:06Half of it.
24:07Half of it?
24:08I managed
24:09to fuck Izet
24:10but I'm not
24:11an actor.
24:12He won't
24:13give me
24:14less than 200 marks.
24:15Why didn't you ask
24:16Izet to give you
24:17200 marks?
24:18He won't.
24:19He says
24:20he has a spondylosis.
24:21Ah,
24:22that means
24:23he's sick
24:24because of you.
24:25Correctly.
24:26He says
24:27he doesn't have
24:28200 marks.
24:29Give me
24:30the list.
24:31I have to
24:32edit everything.
24:33Okay,
24:34Izet.
24:35I'll arrange
24:36for you
24:37to get 200 marks.
24:40Is this
24:41Izet's phone?
24:43I think
24:44it's Hala's.
24:45It's Izet
24:46in the closet.
24:47Wait,
24:48as far as I know,
24:49it's not.
24:51Izet!
24:53Izet,
24:54are you in?
24:59What's that sound?
25:00Huh?
25:01I'll find it.
25:02Huh?
25:03Wait,
25:04wait,
25:05here it is.
25:06Here it is.
25:07Look,
25:08where's my phone?
25:09I can hear it.
25:10Please.
25:11Ah,
25:12you see?
25:13You're playing
25:14without a limit.
25:15Sorry,
25:16please,
25:17state or
25:18entity limits.
25:20Here you go.
25:21Here you go.
25:22Here you go.
25:23Thank you.
25:24Thanks.
25:25Thank you.
25:26Thank you.
25:27Thank you.
25:28Thank you.
25:29Thank you.
25:33Oh!
25:34Oh!
25:36Ugh!
25:38I didn't sleep well.
25:43Oh!
25:45Let's see
25:46where our grandpa is.
25:48Hm?
25:52Oh!
25:54Still in production?
25:55What's he doing there?
25:58Oh,
25:59who would've thought.
26:00How are you so sure
26:01Damil won't catch us?
26:05She's nice,
26:06nice.
26:07It's not because
26:08I pulled
26:09some moves
26:10that will
26:11lead Damir's
26:12investigation
26:13in the wrong direction.
26:16Admit it,
26:17what did you do?
26:18Eh,
26:19today I heard
26:20Mario
26:21beating him
26:22with some tips.
26:23And
26:24right after
26:25that,
26:26I hear
26:27what they're saying.
26:29This is his phone.
26:30Yes.
26:31Here,
26:32I'm installing
26:33the Find Mobile app.
26:34You mean
26:35Find Mobile?
26:36Yes,
26:37that's what I said.
26:38It's on his phone
26:39and you can follow him.
26:40Oh,
26:41that's great!
26:42Then I can know
26:43where he is 24 hours a day.
26:44Oh,
26:45that's how I see
26:46my people.
26:47There he is,
26:48done.
26:49Why do you want to follow him?
26:50And as if by chance,
26:51I hear
26:52what they're saying.
26:53On the left,
26:54Max lives in a bottle
26:55and accidentally
26:56knocks on the door
26:57and hears
27:02Hey, son,
27:03what's up?
27:04Nothing,
27:05I'm watching
27:06this game
27:07and I'm trying to figure out
27:08why these 22 guys
27:09are chasing one ball.
27:11I'm also following him.
27:13And where did he go?
27:14You won't believe it,
27:15he's still
27:16in production.
27:18Fuck!
27:19He came home.
27:20He came home?
27:21Yes.
27:22Let me call him
27:23to see if he'll pick up.
27:25There's no need
27:26to call him
27:27when I say home.
27:28Never mind.
27:29Let me see
27:30if he'll pick up.
27:35Where's he calling from?
27:36Where's he calling from?
27:37Wait.
27:38Where's he calling from?
27:39Where's he calling from?
27:40Where's he calling from?
27:41Oh,
27:42my God,
27:43please.
27:44He's calling
27:45from my pocket.
27:47What's he going to do
27:48with that phone
27:49in my pocket?
27:53My dear
27:54Sherlock 007,
27:56you haven't even
27:57taken out
27:58the file.
27:59What?
28:00How?
28:01Fine.
28:02He left it
28:03in my pocket
28:04and he didn't even
28:05check it,
28:06or he'll know it.
28:07Alright,
28:08as long as you have
28:09a pair of stockings.
28:10Where did you get them
28:11and who did you get them from?
28:12Yeah,
28:15come on out.
28:17Sherlock.
28:18Sherlock.
28:20Come on out.
28:21I know you're in there
28:22and I know who you are.
28:23Come on in.
28:34Oh, it's not for you.
28:38Well, son, you didn't call me or did you?
28:48Oh, I'm hungry.
28:50Well, son, you didn't call me or did you?
28:57Well, son, you didn't call me or did you?
29:00Well, you don't have the money for which I would be with that Rose.
29:05I can't see her eyes.
29:07And the mobile phone?
29:08What is a mobile phone?
29:09Why did you leave the mobile phone in production?
29:11By accident, I forgot.
29:13On the washing machine?
29:14Well, who else keeps the mobile phone on the washing machine?
29:16Well, I keep it like this.
29:17Son, dear, the years go by.
29:20I'm weak.
29:22Damir, son, mother, I'm afraid that I'm old.
29:26You're old?
29:28Well, sooner we'll all get old than you.
29:30Don't say that, dear son.
29:32Don't sin, soul.
29:33You forget how old I am.
29:36But you know that people leave my years in...
29:40What's it called?
29:42In the oven.
29:44They leave it in the oven.
29:45They don't leave it on the TV.
29:47Dad, who left his shoes in the fridge?
29:50Oh, do you see that?
29:53My shoes, sunburned.
29:56I left my own shoes in this.
29:59Where did I leave them?
30:00In the fridge.
30:02What is this with me, dear son?
30:05I...
30:06My dear brother.
30:09I'm all swollen up.
30:12Let it be, grandpa.
30:13Calm down.
30:14Don't be like a kid.
30:15You know what?
30:16Tomorrow we'll talk.
30:17I know an excellent neurologist.
30:19Son, let's go.
30:20Let grandpa rest.
30:21Let's go out and eat.
30:24Where are you, my dear?
30:26Come on.
30:30Oh, my dear brother.
30:36Come in.
30:38Come in, madame.
30:40So, the whole apartment is just for us?
30:42Yes, everything is for us, madame.
30:45We don't need anything else but this bed.
30:48It's good that you left this in the fridge.
30:52Isn't it?
30:53You're a genius.
30:55What are you saying?
30:56You solved the problem without money and without dinars.
30:59Bravo, maestro!
31:00That's right, Ruhwas.
31:02I didn't even spend a penny.
31:04And you know how I am with this?
31:06Dark, dark.
31:07I've been working all night.
31:09Come on, let me see.
31:11You know what I think?
31:12That you'll be really, really satisfied.
31:16You know?
31:17Come on, look.
31:18Are you ready?
31:19Come on, let me see.
31:26Come in, my dear.
31:28Just come in.
31:29Thank you, Mr. Don Juan.
31:33So, you're the one who contacted me for a house maid, right?
31:39That's right.
31:40I'd do the cooking, the cleaning, the washing, everything.
31:43You wouldn't have to pay me in cash.
31:46Then the only problem is in nature.
31:48I'd actually do the bathroom and the shower.
31:51The bathroom is not a problem.
31:53As far as the shower is concerned, I can help.
31:56Phew!
31:58I'm going to be rich!
32:01I'm going to prepare you and put you in San Remo as a house maid.
32:08Don't be surprised at first sight.
32:12I can say you have all the qualities you need.
32:16Give it another try.
32:18Oh, you're a real Vragolan.
32:25Now I know why they call you Don Juan from the Alipasha field.
32:55THE END