مسلسل القضاء الحلقة 92 مترجم

Helen Vera

مسلسل القضاء الحلقة 92 مترجم مسلسل القضاء الحلقة 93 مترجم مسلسل القضاء الحلقة 92 مترجم

Transcript

00:00:00Thank you so much for joining us, and we'll see you next time.

00:00:30Thank you.

00:01:00Thank you.

00:01:30Thank you.

00:01:33Thank you.

00:02:00Like migratory birds, I was too late.

00:02:04How many years have passed in faded pictures?

00:02:09It still looks beautiful.

00:02:11I used to believe so much when I was little.

00:02:14If you want love so much, everything is possible.

00:02:18It's not hard to believe.

00:02:20My story would start with you.

00:02:23If you loved me so much.

00:02:25What's going on?

00:02:28What are you doing?

00:02:30Come in.

00:02:56Come in.

00:02:59Brother.

00:03:01Don't go with such blood money.

00:03:03While I was investigating Yeliz,

00:03:06I saw the files of the police station that day.

00:03:12The files that are out of date.

00:03:14Yeliz's name is mentioned in a murder file there.

00:03:17As a suspect of murder.

00:03:19But it hasn't been proven.

00:03:21So if we can't catch him there, we'll catch him here.

00:03:25Exactly.

00:03:27But we have a little problem.

00:03:29These are files that are about to expire.

00:03:31So we have a week.

00:03:42Are you sure?

00:03:44Is he the teacher of Nuray?

00:03:46Yes, of course.

00:03:48He came to me and looked into my eyes.

00:03:50I didn't know what to do.

00:03:52Then he walked away.

00:03:54He just walked away.

00:03:56Anyway, it's okay.

00:03:59Wait a minute. What is this about teaching Nuray?

00:04:02I was a lawyer of a group of parents.

00:04:04I told you that the children were getting sick.

00:04:07Our suspect was the teacher of Nuray.

00:04:09Okay, but how did this happen?

00:04:11Why don't I know anything?

00:04:13I thought it was a classic student-teacher case.

00:04:16So it wasn't.

00:04:17It wasn't.

00:04:19I saw him.

00:04:21It's like you're Azal's enemy.

00:04:23You're the teacher.

00:04:25I want to know what I need to know about this case.

00:04:28Let me take you to my room.

00:04:30Please, Ms. Ceylin.

00:04:44Rafet, where are you?

00:04:47What's going on?

00:04:49Why did you come in?

00:04:51If you do such a lame job, you'll be in trouble.

00:04:54You're just pretending to be a teacher.

00:04:56What are you talking about?

00:04:58Don't be ridiculous.

00:05:00I'm an ex-chief.

00:05:02I can do it, but I can't do it well.

00:05:04I can see that.

00:05:06You ruined everything.

00:05:08What's going on?

00:05:10Tell me.

00:05:12It's all your fault.

00:05:14He found out your name and everything.

00:05:16He found out that you're the one who reported the man he hid on the terrace.

00:05:20He found out everything.

00:05:23What do you mean?

00:05:25It's not possible.

00:05:27He texted me on the phone.

00:05:29He sent me a picture like a pumpkin.

00:05:31He sent me a picture like a pumpkin.

00:05:36How did he find me?

00:05:38Get out of here.

00:05:40Hide somewhere.

00:05:42Don't let anyone catch you.

00:05:44Don't let anyone catch you.

00:05:46Hurry up.

00:05:58Rafet.

00:06:00Go straight to the plant.

00:06:02Go straight to the plant.

00:06:04You were looking for me.

00:06:06Don't bother.

00:06:08I'm here.

00:06:10What am I going to do?

00:06:12I'm not going to run away.

00:06:14I'm not going to get on the subway.

00:06:16I'm not going to get on the taxi.

00:06:18I'm not going to share my intelligence.

00:06:20I'm not going to share my intelligence.

00:06:22It's a waste of time.

00:06:24Get that red car.

00:06:30I'm afraid of you.

00:06:32I'm afraid of you.

00:06:34You're a bastard.

00:06:36You're a bastard.

00:06:38Go.

00:06:42Where am I going to hide?

00:06:44Where am I going to hide?

00:06:46Think about it.

00:06:48Think about it.

00:07:00When I heard from the kids...

00:07:02...that you were oppressing and violent...

00:07:04...the prosecutor called me.

00:07:06The police are looking for you.

00:07:08I think the woman ran away.

00:07:10And she's brave enough to threaten you.

00:07:14I'll ask the police...

00:07:16...if they found anything.

00:07:18Mr. Efes, come in.

00:07:22There are a few complaints...

00:07:24...that have been made before...

00:07:26...but have always resulted in ignorance.

00:07:28What are these complaints?

00:07:30Someone went to a cafe...

00:07:32...with a suitcase.

00:07:34He said that...

00:07:36...the woman was harassed...

00:07:38...while he was going to work.

00:07:40That's the claim.

00:07:42He couldn't prove it.

00:07:44Another one is...

00:07:46...a person who was beaten...

00:07:48...claimed that...

00:07:50...he was harassing the teacher again.

00:07:52He made him do it.

00:07:54He couldn't prove it.

00:07:56Great.

00:07:58We have a patient like Nurtopu...

00:08:00...and he came and found me.

00:08:02We'll spend some time together.

00:08:04You'll stay with me...

00:08:06...until I find this teacher.

00:08:08As you wish.

00:08:10But I have to go to the office first.

00:08:14I'll check if there's any footage of the accident.

00:08:16Because the person didn't have a car.

00:08:18If we can find where he got the car from...

00:08:20...we'll catch him.

00:08:22Mr. Efes, should we make a search warrant for his house?

00:08:24Maybe we'll get some useful information.

00:08:26Okay, Mr. Sabri.

00:08:28I hope the woman is found as soon as possible.

00:08:30She is. Don't worry.

00:08:32Mr. Efes took the file.

00:08:34Wow.

00:08:36These sentences used to be made for me.

00:08:38Queen, would I run away from you?

00:08:40Shame on you.

00:08:42You're my queen again.

00:08:44But I'm not saying anything that's not true.

00:08:46He's getting better day by day, Mr. Sabri.

00:08:48That's right. He's getting better day by day, Mr. Efes.

00:08:50What are you doing day by day?

00:08:52What's going on here?

00:08:54Surgery has started, files have been opened.

00:08:56I was just telling Mr. Sabri...

00:08:58...that he's getting better day by day.

00:09:00I hope we don't do this here.

00:09:02Okay.

00:09:04What's going on?

00:09:06I'll tell you. It's a long story.

00:09:08Eren.

00:09:10Take these.

00:09:12It's not safe here. We'll draw Kubilay's attention.

00:09:14We need a quiet place to work.

00:09:16Let's go home.

00:09:18We can spread out to our balcony or garden.

00:09:20We can work comfortably.

00:09:22Tell me.

00:09:24What's going on? Why are you hiding?

00:09:26Chief Prosecutor shouldn't know.

00:09:28The case I'm investigating...

00:09:30...the suspect is a woman.

00:09:32She complained about me to the Chief Prosecutor.

00:09:34It looks like I've got her now.

00:09:36I'll go to the station and get the footage.

00:09:38See you later.

00:09:40At least you should have a summary.

00:09:42There was a worker who rolled down the stairs and lost his life.

00:09:46Then the boss paid for the blood.

00:09:48He said I'm innocent.

00:09:50Okay. It's a different way of saying I did it.

00:09:52Okay.

00:09:54Let's go.

00:09:56Okay. You take the files.

00:09:58These are mine.

00:10:00See you at home.

00:10:02I don't know about these.

00:10:04We need to talk more often.

00:10:06What are we going to do with my car?

00:10:08We'll call the service.

00:10:10They'll take it.

00:10:18Yes.

00:10:20If it wasn't for Şınar's case...

00:10:22I'm sorry, Chief Prosecutor.

00:10:24I'll be right back.

00:10:30I live in Istanbul.

00:10:32I know the way to Istanbul.

00:10:34It's all a lie.

00:10:36You're right.

00:10:38You can't fly without seeing a bird.

00:10:40It's just luck.

00:10:42Not everyone can fly.

00:10:46What's the latest situation?

00:10:48You've only seen Istanbul.

00:10:50Thank you, Yeşim.

00:10:52The girls are great.

00:10:54You're both here.

00:10:56Is there a problem?

00:10:58We need to find Dilan.

00:11:00She's a murderer.

00:11:02Exactly.

00:11:04We need to find her urgently.

00:11:06She's missing.

00:11:08Unfortunately, yes.

00:11:10But Şınar's imprisonment

00:11:12depends on her statement.

00:11:14We need to find her

00:11:16and get her out of there.

00:11:18We need to prove that

00:11:20Şınar has nothing to do with this.

00:11:22She's not a member of the organization.

00:11:24We need to prove that

00:11:26her organization uses her.

00:11:28How are we going to find her?

00:11:30By all means.

00:11:32After all, this girl had a problem

00:11:34and went to this association.

00:11:36The association helped her.

00:11:38She was trying to pay off her debt.

00:11:40Exactly.

00:11:42She killed Mustafa on the train.

00:11:44If we find out the reason

00:11:46why she killed Mustafa,

00:11:48we'll find a clue.

00:11:50And this clue will lead us to Dilan.

00:11:52Do you understand?

00:11:54Great. We don't have time.

00:11:56We have a meeting on Friday.

00:11:58I need to go.

00:12:00Let's go and investigate.

00:12:02Guys, this place is more expensive

00:12:04than you and me.

00:12:06So be careful.

00:12:08Look at the nylons.

00:12:10There are too many of them.

00:12:12Don't worry.

00:12:14Don't worry.

00:12:16Motivation is very important.

00:12:18The color of the bedroom

00:12:20and the entrance

00:12:22will be the same.

00:12:24Be careful.

00:12:26I'll mix it from the front.

00:12:28You'll continue from here.

00:12:30You're a master.

00:12:32Let's continue.

00:12:34Take this.

00:12:36Let's start slowly.

00:12:38Come on.

00:12:40It's very important.

00:12:42Let it dry and bend.

00:12:44Okay?

00:12:50Come on.

00:12:52Well done.

00:12:54Very good.

00:12:56Fill the gaps.

00:12:58Fill the gaps.

00:13:00I need to plan

00:13:02slowly.

00:13:04I'll help you.

00:13:06May God help us all.

00:13:08I'll be right back.

00:13:10I have a few plans.

00:13:12I'll look at the plans.

00:13:18Look at me.

00:13:20I'm doing shows for you.

00:13:22Do you see?

00:13:24I've been watching videos all morning.

00:13:26How am I?

00:13:28I think you enjoy

00:13:30being someone else.

00:13:34Don't throw your costume away.

00:13:36I'll want you to wear it in the future.

00:13:38Do you understand?

00:13:44Where am I going to save myself?

00:13:48There's a painter

00:13:50in front of me

00:13:52who paints.

00:13:54It's like that's his job.

00:13:56I think so.

00:13:58Don't do it.

00:14:00I can't do that.

00:14:02I just came home.

00:14:04I'll get some sleep.

00:14:06I'll look around.

00:14:08I'll warm up first.

00:14:10Then I'll make a few plans.

00:14:12I have to get into the role.

00:14:14Okay?

00:14:18So you haven't made a plan yet.

00:14:22I understand you.

00:14:24Why did I choose this path with you?

00:14:26No.

00:14:28You won't be able to do it.

00:14:30Wait a minute.

00:14:32Do you have a plan?

00:14:36I'm going to poison.

00:14:38But without leaving a trace.

00:14:40How is that going to happen?

00:14:44There are a lot of pills

00:14:46in this treatment.

00:14:48I'm going to change places.

00:14:50The medicine is poison.

00:14:52The nurse will give the medicine as a medicine.

00:14:54Without leaving a trace.

00:14:56That's it.

00:14:58If you're going to deal with painting,

00:15:00you should go home.

00:15:02The sooner you hurry, the better.

00:15:04Let me tell you.

00:15:14Actually, he wants to get out.

00:15:16Look, you can be proud of your brother here.

00:15:18He said I don't lie.

00:15:20Then he said,

00:15:22how can I look at my brother's face?

00:15:24In short, he wants to get out with his rights.

00:15:26But it's hard.

00:15:28It's hard, but it's impossible.

00:15:30No, of course not.

00:15:34I can't tell Mr. Prosecutor now,

00:15:36but I can tell

00:15:38brother Ilgaz.

00:15:40We have something in mind.

00:15:42If that happens,

00:15:44there may be a ray of hope for Çınar.

00:15:46What is that?

00:15:50Brother Ilgaz loves you very much.

00:15:52You can't say that my lawyers

00:15:54divide my money.

00:15:58Come on, son-in-law.

00:16:00Good news.

00:16:02Yes, Mr. Prosecutor.

00:16:04Mr. Prosecutor.

00:16:06I decided to call the teacher's house.

00:16:08I said I'd go with you.

00:16:10Now we're at the teacher's house.

00:16:12Good job, Mr. Prosecutor.

00:16:14Is there anything?

00:16:18Mr. Prosecutor.

00:16:20No, no.

00:16:22You can't believe what you see.

00:16:24For example,

00:16:26various

00:16:28photos taken in

00:16:30disguise,

00:16:32other names,

00:16:34fake identities,

00:16:36passports,

00:16:40glasses, wigs,

00:16:42and a gun.

00:16:44I mean,

00:16:46she's either a psychopath

00:16:48or a crime machine.

00:16:52Mr. Prosecutor,

00:16:54it's going to be your turn tomorrow.

00:16:56Absolutely, Mr. Prosecutor.

00:16:58Mr. Prosecutor, are you available?

00:17:00One second, Mr. Prosecutor.

00:17:02I'm listening.

00:17:04Mr. Prosecutor, the car that hit Mrs. Ceylin

00:17:06belongs to Nuri Hoca's sister.

00:17:08We've also identified the address.

00:17:10Okay. Send a team to the address.

00:17:12Roger that, Mr. Prosecutor.

00:17:14Mr. Prosecutor, I guess you heard.

00:17:16Come in.

00:17:18Mr. Prosecutor, we need to talk urgently.

00:17:20If you don't mind, of course.

00:17:22I don't mind.

00:17:28May I sit down?

00:17:30Yes.

00:17:36Blanche Kısmetoğlu,

00:17:38you are the only person

00:17:40who can trust the person

00:17:42who reported you.

00:17:44The person who reported you

00:17:46found out that it was Rafet.

00:17:48It was bad.

00:17:50What are we going to do now, Ms. Sancı?

00:17:52The man found out

00:17:54that he was wanted at the border.

00:17:56Now this is it.

00:17:58It's your problem.

00:18:00There's nothing I can do.

00:18:02At the very beginning,

00:18:04I told you I wasn't there

00:18:06if you could get the collar.

00:18:08You came here and joked

00:18:10that I'd do it.

00:18:12I thought you'd be able to do it.

00:18:14Am I wrong?

00:18:18Of course, Ms. Prosecutor.

00:18:20It's not in my book

00:18:22to give up.

00:18:24But

00:18:26we're trying for a common goal.

00:18:28I thought

00:18:30you might need a little help.

00:18:34What kind of help?

00:18:36While I'm at it,

00:18:38why don't you find out

00:18:40who's whispering in your ear?

00:18:42I think you can do this much.

00:18:52In the end,

00:18:54you have to catch your father's killer

00:18:56and punish him.

00:18:58At the end of the road.

00:19:02Anyway, I won't keep you

00:19:04from your work any longer.

00:19:06Good luck.

00:19:10Come in.

00:19:32Come in.

00:19:34Come in.

00:19:38Good luck, Ms. Prosecutor.

00:19:40The man we took from Bülent Kısmetoğlu

00:19:42has regained consciousness, Ms. Prosecutor.

00:19:44I wanted to come and let you know.

00:19:46Is that so?

00:19:48Yes, he's about to be discharged.

00:19:50We can take his statement.

00:19:52Good.

00:19:54Take him to the station right away.

00:19:56Bülent Kısmetoğlu,

00:19:58get him ready for diagnosis and statement.

00:20:00Yes, Ms. Prosecutor.

00:20:02Get him ready.

00:20:04Yes, Ms. Prosecutor.

00:20:08I'm going out.

00:20:12Here are the keys.

00:20:14The tea is here.

00:20:16Wow, look at my queen.

00:20:18How does she know

00:20:20how to work with her friend's gas?

00:20:22I got it, I got it.

00:20:24Would you like some snacks?

00:20:26No, no, no need.

00:20:28We have a lot of things to do.

00:20:30I'm going to ask you something.

00:20:32How could we not think of this place?

00:20:34The weather is just warming up.

00:20:36What can we do?

00:20:38Yes, are you going to tell me now

00:20:40or should I strangle you?

00:20:42Yes, young people, if we're ready,

00:20:44we're starting.

00:20:46I'm taking you 20 years ago.

00:20:48These are Yeliz's family.

00:20:50Her mother, father, brother and sister-in-law.

00:20:52Her father was a manufacturer.

00:20:54He decided to leave the job to Yeliz.

00:20:56But of course, this also caused

00:20:58a lot of trouble for Yeliz.

00:21:00But thank God, Yeliz was right.

00:21:02She was educated at a very good university.

00:21:04She was a very successful person.

00:21:06But her brother was greedy.

00:21:08He knew what he was doing.

00:21:10He revealed Yeliz's relationship with a married man

00:21:12and served them to the news channels.

00:21:14Of course, her father was very angry about this.

00:21:16He said he would leave the job to his son.

00:21:18But before he could declare this,

00:21:20for some reason,

00:21:22her brother and sister-in-law were killed.

00:21:24How did this happen?

00:21:26At home.

00:21:28I mean, it happened in the house of her brother and sister-in-law.

00:21:30Both were killed with a knife.

00:21:32This is probably a bread knife.

00:21:34Here you go.

00:21:42Her brother was stabbed twice on the back.

00:21:48Kenan?

00:21:50There was no sign of a fight.

00:21:52There was no murder weapon.

00:21:54By the way,

00:21:56the bedroom of the house was always scattered.

00:21:58All valuable things were taken.

00:22:00Gold, silver, jewels,

00:22:02almost all jewels were lost.

00:22:04But coincidentally,

00:22:06there were no thieves.

00:22:08Is there no image or sight witness?

00:22:10There was no camera at home.

00:22:12They just moved in.

00:22:14It was a new site where they moved in.

00:22:16There were a lot of empty apartments there.

00:22:18There was only one statement.

00:22:20In that statement, someone said,

00:22:22Sir, I was very drunk.

00:22:24I'm not sure.

00:22:26He changed his statement.

00:22:28Well,

00:22:30was it during the day?

00:22:32During the day?

00:22:34Yes, in the evening.

00:22:38Isn't it an interesting time

00:22:40to commit theft?

00:22:42I mean, it's interesting,

00:22:44but it depends on where the house is.

00:22:46After all, it looks like there's no one around the house.

00:22:48Besides,

00:22:50there was no camera at home.

00:22:52Who are the suspects?

00:22:54Of course, our hero Yeliz is our main suspect.

00:22:56Why?

00:22:58Because she has a reason.

00:23:00By the way,

00:23:02Yeliz said in her first statement,

00:23:04I'm alone at home.

00:23:06But then,

00:23:08a witness suddenly appeared.

00:23:10Who?

00:23:12The driver.

00:23:14We were together at the hotel.

00:23:16We had a relationship.

00:23:18Whose hotel?

00:23:20Of course, Yeliz's close friend.

00:23:22Well,

00:23:24who's the driver?

00:23:26Oktay.

00:23:28Congratulations, Mr. Prosecutor.

00:23:30I'll take care of the tea services from now on.

00:23:32Who was Oktay?

00:23:34Yeliz's wife.

00:23:36She also has a relationship with Serapli,

00:23:38who fell down the stairs from this house.

00:23:40Although she is suspected of Yeliz,

00:23:42it has not been proven.

00:23:44It's like the medical situation we're in right now.

00:23:46They asked what they caught.

00:23:48Of course, there are a lot of inconsistent statements.

00:23:50But an interesting piece of information.

00:23:52Kenan is no less.

00:23:54He has a lot of enemies, by the way.

00:23:56So what happened next?

00:23:58Yeliz took over the company.

00:24:00She married her driver.

00:24:02She climbed the steps of Oktay's career one by one.

00:24:04And she became the general manager of the company.

00:24:08I see a pretty good deal here.

00:24:12Who's the killer?

00:24:14Oktay or Yeliz?

00:24:16I think the other question to be asked is

00:24:18whether Serapli, who fell down the stairs,

00:24:20is also suspected of death.

00:24:22If it's a murder,

00:24:24who's the killer?

00:24:26Yeliz or Oktay?

00:24:32Maybe the killer 20 years ago

00:24:34and the killer now are the same.

00:24:36So there are a lot of questions.

00:24:38Let's start reviewing right away, guys.

00:24:40Let's start from here.

00:24:44Should I bring a teapot?

00:24:46A small one.

00:24:48Bring it, bring it.

00:24:50It's in the closet next to the wall.

00:24:52Mercu has a firecracker.

00:24:54Firecracker?

00:24:56I can't stand it.

00:24:58I'll blow it up.

00:25:00Blow it up.

00:25:06Where's Yeliz?

00:25:08In the living room, Mr. Oktay.

00:25:10Leave us alone for two minutes.

00:25:14Yeliz.

00:25:20Five million was withdrawn from the account.

00:25:22Hmm.

00:25:24Can I ask why?

00:25:26And where did this money go?

00:25:28I gave it to Serap's husband.

00:25:30Yılmaz.

00:25:36Why?

00:25:38What do you mean why?

00:25:40To close the subject.

00:25:42Subject?

00:25:44What do you mean?

00:25:46Investigation, Oktay.

00:25:48I mean, okay, the girl fell and died because of stupidity,

00:25:52but the possibility of murder still continues,

00:25:54the investigation.

00:25:56I wanted the case to be closed.

00:25:58Like blood money?

00:26:02Is that so?

00:26:04Is that the name? Blood money?

00:26:06Yes, if so, blood money.

00:26:08Ha.

00:26:10Blood money

00:26:12is really paid when you cause death.

00:26:16Not to withdraw the complaint.

00:26:18Whatever.

00:26:22Did you do it?

00:26:26I don't understand.

00:26:28Did you push Serap to fall and die?

00:26:38Ha.

00:26:52Oktay.

00:26:54Oktay, look, he really knows.

00:26:56You didn't see his eyes.

00:26:58I swear to you, he knows.

00:27:00I will go.

00:27:02I will go.

00:27:04I won't let you go.

00:27:06Can you go?

00:27:08I said no.

00:27:10Enough, let me go.

00:27:16Am I stupid?

00:27:18I'm telling you, he knows.

00:27:20Let's not push him anymore.

00:27:22Please, Oktay, it's over.

00:27:24I'm leaving here today.

00:27:26I don't accept, okay?

00:27:28I don't accept.

00:27:30I'm telling you, it's over.

00:27:32I never accept.

00:27:34I never accept.

00:28:00What happened? Are you okay?

00:28:02He fell.

00:28:06Serap.

00:28:12Serap.

00:28:16What happened to you?

00:28:18Call an ambulance.

00:28:20Call an ambulance.

00:28:22Is Bez here?

00:28:24Serap.

00:28:26Wake up.

00:28:28The ambulance is coming.

00:28:30Serap.

00:28:36Why?

00:28:38Why would I do such a thing?

00:28:40Don't be ridiculous.

00:28:42Besides, I screamed with you.

00:28:44What nonsense is this?

00:28:46No.

00:28:48I screamed when I heard the scream.

00:28:50If you had heard the scream and come out,

00:28:52we would have been there with you at the same time.

00:28:54But when I came, unfortunately, you were there.

00:28:56Then they think we did it.

00:28:58It's over.

00:29:12What does she put in it?

00:29:14Towel.

00:29:16I gave him a towel.

00:29:18I have to stop the bleeding.

00:29:20What are you doing?

00:29:22What do you mean, what are you doing?

00:29:24The woman fell and probably died.

00:29:26What does it have to do with anything? It was an accident.

00:29:28Why shouldn't they believe it? Besides, Serap didn't die.

00:29:31What do you mean, what does it have to do with anything?

00:29:33Look, I don't want anything to happen to us.

00:29:35The woman fell while cleaning. That's all.

00:29:37Stop this nonsense. Bring a towel or something.

00:29:39We need to stop bleeding.

00:29:57Serap. Serap.

00:30:01Look at me.

00:30:02Did the ambulance come?

00:30:04What happened to the ambulance?

00:30:05It's coming.

00:30:06Mr. Oktay, the ambulance is here.

00:30:07Let them come.

00:30:08He lost a lot of blood.

00:30:26You insist on making an accident.

00:30:42I can't do this without asking myself.

00:30:46Did you do it?

00:30:51Why?

00:30:53Why should I do something like this?

00:30:55What kind of question is this?

00:30:56Why should I push a servant who works for me down the stairs?

00:31:01Why should I?

00:31:03Why should I?

00:31:08That's what I thought.

00:31:10There's no reason for me to kill him.

00:31:22Why should I kill him?

00:31:24Why should I kill him?

00:31:50Didn't your parents testify?

00:31:52Didn't they testify?

00:31:54They were in the hospital during the incident.

00:31:56They didn't want to testify afterwards.

00:32:05All witnesses need to testify again.

00:32:09How are you going to do that?

00:32:11They didn't talk then.

00:32:12It's been 20 years.

00:32:13Do you think they'll testify now?

00:32:15People's relationships, conditions, relationships,

00:32:19and understanding of loyalty change over time.

00:32:21They didn't talk then, but they can talk now.

00:32:24Yes, that's true.

00:32:26Also, the silence of that time seems to be correcting our current situation.

00:32:31They had two children.

00:32:33One is gone.

00:32:34One is left.

00:32:35Aren't you hungry?

00:32:36Oh, my God.

00:32:38Gülanne.

00:32:39Gülanne, come and eat.

00:32:40Oh, my God.

00:32:41Open it.

00:32:42Open, open, open.

00:32:43My mother's poison opens the mind, guys.

00:32:45That's why.

00:32:46Here you go.

00:32:48Oh, my God.

00:32:49What did you do, Gülanne?

00:32:50Do you have ayran?

00:32:51Yes, yes, yes.

00:32:52I'll bring it right away.

00:32:53Come on.

00:32:54Wow.

00:32:55Hurry up, queen.

00:32:56Hurry up.

00:32:57Don't make a mess.

00:32:58We'll make a lot.

00:32:59We'll take care of it.

00:33:00Wow, wow, wow, wow.

00:33:01My mother's poison has come.

00:33:02Wow, wow.

00:33:04Give it to me.

00:33:05What do you mean, give it to me?

00:33:06You gave all the herbs to your son, Gülanne.

00:33:08Take it.

00:33:09Of course I'll take it.

00:33:12If I knew you were so hungry, I would have brought it earlier, son.

00:33:16Well, we're dead, you know?

00:33:17Wow, don't worry about your hands, Gülannem.

00:33:20Enjoy your meal.

00:33:21Get well soon.

00:33:24Mr. Bülent is here, Mr. Yekta.

00:33:25It's urgent.

00:33:27Mr. Yekta.

00:33:29If you have anything to do, leave it if you don't mind.

00:33:35We have a big problem.

00:33:38Please sit down.

00:33:39What's the problem?

00:33:40Ms. Prosecutor Icra is calling me to testify again.

00:33:43And this time, she's going to try really hard with me.

00:33:48Then we'll have to participate.

00:33:50After all, the prosecutor is the one calling.

00:33:53We'll make her do it.

00:33:55There's no problem with that, Mr. Yekta.

00:33:57The thing is, will we be able to get out of there as we got in?

00:34:00You tell me that.

00:34:02Of course you will.

00:34:03These are routine procedures.

00:34:05They call ten times, ten times, they ask the same question.

00:34:07We go, we give our statement, we get out.

00:34:10Don't worry.

00:34:11Okay then, let's not keep the prosecutor waiting.

00:34:22Mr. Murafet Gün.

00:34:24He used to be the chief of police at the murder bureau.

00:34:28Now it's happened.

00:34:29When you sent the message, I couldn't figure out who it was.

00:34:32I couldn't figure it out.

00:34:33But he bit my eye somewhere.

00:34:34So it's from there.

00:34:35Your job is done, Mr. Lawyer.

00:34:37Is that all the evidence you have?

00:34:39Until he bit my eye, huh?

00:34:41Oh, Mr. Bülent.

00:34:43Now you appreciate that I've been in this profession for 40 years.

00:34:47I know so many people from the police.

00:34:49Here are the chiefs, chief constables.

00:34:52In fact, I even worked with their directors.

00:34:54So you appreciate that there are so many...

00:34:57I mean constables.

00:35:10Yes.

00:35:13The list of stolen items.

00:35:19These are very valuable items.

00:35:21Jewels and stuff.

00:35:24Okay, but these are already very recorded.

00:35:26When it was sold, or I don't know, was it never noticed?

00:35:30If that was a real theft, it would be valid.

00:35:33Well, if it was a theft, it wouldn't have been sold.

00:35:35What do you think?

00:35:36What do you think happened in that house?

00:35:38It caused the death of Yeliz's brother and his sister-in-law.

00:35:42So you're saying he killed her.

00:35:44Why wouldn't he?

00:35:45Of course, then he made a deal with Oktay.

00:35:47He covered up the incident.

00:35:49They covered up this secret with their marriage.

00:35:53Where were the stolen goods then?

00:35:54In that woman.

00:35:57I mean, it's obvious that Yeliz didn't take it out of her hands because she didn't need the money.

00:36:01Exactly.

00:36:03I've never seen anything like that in my life.

00:36:06Yes, we haven't seen it, but our focus wasn't there.

00:36:10That's right.

00:36:11There are photos of the houses.

00:36:13Goksular took photos of every place.

00:36:15In this case, I would run to the police.

00:36:17Let me go and look at those photos.

00:36:21Brother, what did they do to your brother's house?

00:36:23Was it sold? Was it rented?

00:36:25Give me some information about him.

00:36:27Okay, Mr. Prosecutor.

00:36:29I'm taking this spare file with me.

00:36:32You can also thank my mother-in-law.

00:36:34Take care of yourself.

00:36:35Don't get up, I'll go by myself.

00:36:36See you.

00:36:37Thank you, see you.

00:36:40Look, he's a good man.

00:36:42He's looking for his father-in-law.

00:36:44He's a good son-in-law.

00:36:45He's a joker.

00:36:47Brother Efes?

00:36:48We were lucky.

00:36:50We found your teacher, Nura, hiding in your sister's house.

00:37:01We're taking him to the station now.

00:37:02To get his permission.

00:37:03Great, that's great news.

00:37:06Actually...

00:37:09...he was fired from a previous school because of similar complaints.

00:37:12How? How did we get past this?

00:37:14Because he got divorced...

00:37:16...he started using the word girl.

00:37:17That's why we missed him.

00:37:19Anyway, we have him now.

00:37:20The woman is a total narcissist.

00:37:22She's really a narcissist.

00:37:24She calls herself an angel teacher...

00:37:26...and a teacher of love to her students.

00:37:28It's obvious that this woman wasn't loved when she was little.

00:37:30She was excluded by her friends.

00:37:32Her parents didn't like her either.

00:37:34And she created a perfect life story for herself.

00:37:37How nice.

00:37:38But luckily, we found him.

00:37:39He's really relaxed.

00:37:41The kids got rid of the maniac.

00:37:43Also, thank you so much...

00:37:45...for catching this psychopath with your own hands.

00:37:48What do you mean?

00:37:49It's my job.

00:37:50I'll pass on your heroism to Tugce.

00:37:52Don't worry.

00:37:53I'll get a few extra points.

00:37:56Good luck.

00:37:57Great, see you.

00:37:58Good luck.

00:38:00It took you a while, huh?

00:38:02You can still stay close to me, of course.

00:38:05You think so?

00:38:06Of course.

00:38:07I'm Ceylin.

00:38:08If I run into a maniac again...

00:38:10...or a psychopath...

00:38:11...something might happen.

00:38:13How close can I keep you?

00:38:15Not a bad distance, for example.

00:38:17What if I get this close to you?

00:38:23We're on the balcony.

00:38:26Let me see.

00:38:27Yavuz.

00:38:28Come here.

00:38:35Don't be nervous, Mr. Bülent.

00:38:37Calm down.

00:38:38It's a classic tactic.

00:38:39They do it to irritate you.

00:38:41That's their goal.

00:38:43I don't need a tactic.

00:38:45Don't worry.

00:38:58Let's see, Mr. Ahmet.

00:39:00Is this the man who beat you up...

00:39:03...or ordered you to be beaten up?

00:39:08No, I've never seen this man.

00:39:10How come you haven't?

00:39:12Are you sure? Take a good look.

00:39:17No, prosecutor.

00:39:18I've never seen him.

00:39:19I don't know who he is.

00:39:20He's on the balcony.

00:39:21I don't know who he is.

00:39:22I've never seen him.

00:39:23I don't know who he is.

00:39:24I've never seen him.

00:39:25I don't know who he is.

00:39:26He hasn't come to the balcony either, has he?

00:39:29No, prosecutor.

00:39:32Did he tell you to shut up?

00:39:35Didn't he tell you not to talk?

00:39:38This man wanted to enter the tender you run, Mr. Ahmet.

00:39:42There was a disagreement between you.

00:39:44They put you on the balcony.

00:39:46They beat you up.

00:39:47You're still protecting him.

00:39:50No, prosecutor.

00:39:51I'm just protecting myself, not anyone else.

00:39:57You can take him out.

00:40:11What are we going to do now, prosecutor?

00:40:15What's in this room stays in this room, chief.

00:40:20We're not the only ones who know the man hasn't been identified.

00:40:25So, are we going to say he identified you, Mr. Bülent?

00:40:29Exactly.

00:40:50Yes, Mr. Bülent.

00:40:51We talked to Mr. Ahmet, who we found beaten up on the news.

00:40:56He identified you.

00:41:00Lie.

00:41:02I don't know anyone named Ahmet.

00:41:05Are you sure?

00:41:07Because he's the head of the commission of the tender you want to participate in.

00:41:14What did he not accept when you asked?

00:41:16Huh?

00:41:18What happened to the man you punished?

00:41:20You beat him to death. Tell me.

00:41:26There's a misunderstanding, Ms. Prosecutor.

00:41:29I didn't hurt anyone.

00:41:32I didn't do anything to anyone.

00:41:35This is a big lie.

00:41:47It's nice to work from home. Let's do this in the meantime.

00:41:51Yes, I think so. You're right on time.

00:41:54No one comes, no one goes, no one asks questions.

00:41:57If you say home food service, there is.

00:41:59As you can see, we didn't even pass the plates through the water.

00:42:02We were going to put a piece of bread in it, anyway.

00:42:07Where would you hide if you were me?

00:42:11The stolen goods?

00:42:13Hmm.

00:42:14Hmm.

00:42:16I mean...

00:42:18I guess they hid it in the most unsearchable place.

00:42:21So?

00:42:23I mean, I don't think he'd hide it in his own house.

00:42:26Because it's like a body sample. Like, come and find it.

00:42:29Let Eren take a look, but I don't think it's there either.

00:42:33What about you? Where would you hide it?

00:42:36What if they didn't take it out of the house?

00:42:38What do you mean?

00:42:39Oh, in the house where the man was killed.

00:42:42Are you talking about your brother's house?

00:42:45I mean, is it illogical?

00:42:47It's logical. I think it could be.

00:42:53Oops.

00:42:55I'm sorry. I didn't know you were going to put your hand there.

00:42:59I wonder if my watch is still working.

00:43:02I'll give you a watch, then.

00:43:04Yes.

00:43:10Chief Inspector, you wanted to see me?

00:43:13Come, come, come.

00:43:15Come, brother. Come here.

00:43:18Now, these photos...

00:43:22...are from the house where Serap died.

00:43:24I mean, the photos from Mrs. Yeliz's house.

00:43:27Okay, dear?

00:43:29Yes.

00:43:31Now, I'm asking you.

00:43:33Did you see anything valuable, antique, or worth preserving in any of these?

00:43:35No.

00:43:37Are you sure?

00:43:40I don't see any in the photos, though.

00:43:42I'm just asking you to be sure.

00:43:45Okay, dear?

00:43:47Now, let's come to these photos.

00:43:50These are the things claimed to have been stolen...

00:43:53...from Mrs. Yeliz's brother's house years ago.

00:43:57Did you see any of these in the house?

00:44:00There are jewels, too.

00:44:04I mean, not necessarily in the places where the incident took place.

00:44:06I mean, not necessarily in the places where the incident took place.

00:44:08Could you have seen them in the places where you didn't take the photos?

00:44:11Chief Inspector, we checked every corner of the house.

00:44:14I would have remembered if I had seen them.

00:44:17None of these were in the house.

00:44:19Maybe the jewels...

00:44:22...were in a safe or something.

00:44:27Okay, dear.

00:44:29Thank you. I've exhausted you so far.

00:44:31Don't mention it, Chief Inspector.

00:44:33You're welcome. I always come running.

00:44:34Thank you, dear. Have a good day.

00:44:36Thank you.

00:44:51What if we can't find anything?

00:44:53No, we don't have much time.

00:44:55The woman is going to tear up from this murder.

00:44:58She's going to kill three people, shake their hands and arms...

00:45:01...and walk around outside. It's great.

00:45:02It's possible.

00:45:04But we're trying our luck.

00:45:06We have to find something.

00:45:08She's sick.

00:45:10And she complained about you to Chief Inspector.

00:45:14Eren.

00:45:16Get the operators. You're going to ask them what he said.

00:45:19Yes, brother.

00:45:21Brother, we checked with Goksu Can. There are no antiques here.

00:45:23If there were, we would have seen them, too.

00:45:25Okay, as we expected.

00:45:27It was obvious that they wouldn't do anything blind.

00:45:29It's okay, brother.

00:45:31It's good to be sure.

00:45:33Exactly, my queen.

00:45:35By the way, this is Yeliz's brother, Kenan's house.

00:45:37It's empty. It's never been used.

00:45:39It's not even rented. You should know that.

00:45:41Okay, brother. Thank you.

00:45:43See you. I'm hanging up.

00:45:45I'm ready.

00:45:49Let's take a break, I think.

00:45:51You should think about it.

00:45:53Get your mind together.

00:45:56Maybe you'll remember.

00:45:57Maybe it'll come back to you.

00:46:15He wouldn't talk.

00:46:18He wouldn't even say a word.

00:46:20Maybe he changed his mind until the last minute.

00:46:24He can't.

00:46:25He can't.

00:46:27He can't.

00:46:29I'm sure of that.

00:46:35Ms. Prosecutor is looking for us.

00:46:38You go and see if Ahmet said anything.

00:46:43Did he say anything or not?

00:46:45Ms. Prosecutor is telling the truth. She's lying. Let's be sure.

00:46:47Okay.

00:46:56I'm here.

00:46:58I'm here.

00:47:00You love these antiques, don't you?

00:47:02What's the big deal?

00:47:04I love curiosity. I love excitement.

00:47:06Because there's something extra.

00:47:08Do you understand?

00:47:10I feel safe.

00:47:12I'm not going to leave you here.

00:47:14You're thanking me, aren't you?

00:47:16What's the big deal?

00:47:18I'm very sincere in what I say.

00:47:20Besides, I think you have an adventurous soul.

00:47:22But you're a heavy-headed person.

00:47:23You don't show it.

00:47:25You actually love all of these.

00:47:27Come to the car before me.

00:47:29So let it go, let it go.

00:47:31Let go of your curious, adventurous soul.

00:47:33I want you to let it go.

00:47:35Let it go.

00:47:37They can't.

00:47:43Ms. Prosecutor,

00:47:45Bülent understood your trick.

00:47:47I'm sure Ahmet didn't identify himself.

00:47:49What trick? Maybe not.

00:47:50This is just a guess.

00:47:52Don't do it, Ms. Prosecutor.

00:47:54If you had evidence,

00:47:56we would have already been in prison.

00:47:58But he doesn't know that.

00:48:00I think you should release Bülent

00:48:02before he wakes up.

00:48:04You're giving yourself away.

00:48:06You're going to teach me my job.

00:48:08You're going to try to convince me.

00:48:10Go convince your client.

00:48:12Let him admit his crime.

00:48:14We're trying to catch him.

00:48:16It's a crime.

00:48:18It's a crime.

00:48:20It's a crime.

00:48:21It's a crime.

00:48:49Okay, I think we're here.

00:48:51It looks abandoned.

00:48:53That's it.

00:49:05Let's see if we can get in.

00:49:07We'll see.

00:49:12How do we get in?

00:49:14I have a number. I can show you.

00:49:16Go ahead.

00:49:18For example, look at this.

00:49:21Oh!

00:49:23Let's open it.

00:49:30Yes, it's really old.

00:49:39Oh, plum tree.

00:49:48Come on.

00:49:50Open this door, too.

00:50:05What are you doing?

00:50:07Think.

00:50:09You're killing your brother in there.

00:50:11And your sister-in-law.

00:50:14Then you're stealing.

00:50:15You're stealing.

00:50:17Everything is a risk.

00:50:19You have to get rid of it quickly.

00:50:21You have to get rid of it.

00:50:23Are you in the garden?

00:50:25The easiest way to get rid of it.

00:50:27It's unlikely that anyone will see it while hiding.

00:50:29Look, after the garden,

00:50:31it's obvious that there's a gardener.

00:50:33There's no guard in there.

00:50:35What are we going to do?

00:50:37Are we going to dig in the garden?

00:50:46What are you doing there?

00:50:48Hello.

00:50:50It's not hello.

00:50:52What are you doing?

00:50:54We were looking.

00:50:56Why?

00:50:58As if there's something.

00:51:00We're getting married.

00:51:02We saw the house from the outside.

00:51:04We liked it very much.

00:51:06We said let's take a look.

00:51:08Is it for sale?

00:51:10No, get out.

00:51:12Are you the owner?

00:51:13No.

00:51:15I'm sorry.

00:51:17We like old houses.

00:51:19If you have a key,

00:51:21we'd like to take a look inside.

00:51:23Are you stupid?

00:51:25It's not for sale, it's not for rent.

00:51:27I'm still dealing with you.

00:51:29Get out.

00:51:31Let's look elsewhere.

00:51:33Have a nice day.

00:51:36Come on.

00:51:43What happened?

00:51:45What did we just experience?

00:51:47He's a real example of buying a house from a neighbor.

00:51:52He's coming, he's coming.

00:51:57He's coming.

00:51:59He's here.

00:52:01He's not a statue, he's a neighbor.

00:52:14You're right, Mr. Bülent.

00:52:16As you said,

00:52:18Ahmet didn't talk.

00:52:20I told you,

00:52:22he wouldn't do it, he wouldn't sell me.

00:52:24Because he wouldn't eat me.

00:52:26The prosecutor is playing a game with us.

00:52:28But now we know, we're the strong ones.

00:52:30So what are we going to do now?

00:52:32We're going to apply the strongest defense tactic in the world of justice, Mr. Bülent.

00:52:37Until the end.

00:52:39Keep it up.

00:52:41All they have is the claim that you hit that man on the terrace.

00:52:46Let the prosecutor prove his claim.

00:52:52What does your father want?

00:52:55Tell me quickly.

00:52:57Well, dad, if nothing happens to me,

00:52:59we'll blow up a raw meatball.

00:53:01Wow, raw meatball.

00:53:03Girl, now that man is ruthless.

00:53:06I don't know, he doesn't look good for his mother.

00:53:08Of course not, dad.

00:53:10Okay, okay.

00:53:12I'll get some ayran and come to you in two hours.

00:53:15You're the king, but you don't have a kingdom.

00:53:17Girl, look at me, ginger.

00:53:19You've come to your senses, huh?

00:53:21You're my only kingdom, don't forget.

00:53:23Now we're going to pick up the underwears.

00:53:26Really?

00:53:28Well, come on, open your eyes.

00:53:30Most of all, your eyes are open.

00:53:32You're getting rid of your booger.

00:53:34Oh, shut up. I'm so used to it, I'm going to hide it under my pillow for the rest of my life.

00:53:36Okay, my beautiful girl, I kiss you.

00:53:38Get rid of those concrete, okay?

00:53:40Gayret will win.

00:53:42Gayret will win, dad. I kissed him, too.

00:53:44Come on, I kissed you. Come on, Furkan, come on.

00:53:49Chief Inspector, you said...

00:53:52What did I say?

00:53:54Is there a similar case to the case of the brothers who found their fathers at the door?

00:53:59Is there?

00:54:01I swear there is, Chief Inspector.

00:54:03Really?

00:54:06I found three similar cases.

00:54:10Are they all shrouded?

00:54:12Yes, except for one.

00:54:14In that jar.

00:54:16Where?

00:54:18In the jar.

00:54:20What jar, son, what are you talking about? Furkan, are you sleepless?

00:54:22No, Chief Inspector, you're wrong.

00:54:24The woman always wanted to be burned when she died.

00:54:26Stop, in that jar.

00:54:28They found the ashes of their mothers in front of the door.

00:54:30The other one is the son of the house.

00:54:32He was shot in the middle of the street in Beypazarı in Ankara.

00:54:34He's shrouded again.

00:54:36The last one died of doping due to sleeping pills.

00:54:38He's in Istanbul.

00:54:40They left him with the shroud at the door.

00:54:44Are they all handed over to the address?

00:54:46That's right, Chief Inspector.

00:54:49Then let's go to the police station.

00:54:51Let's see if Eren can issue a search warrant for the garden of the house.

00:54:54You don't have permission to give instructions, of course.

00:54:57It would be better if I didn't get involved until the file was reopened.

00:55:00You leave me to the police station, then you can take Mercan.

00:55:03Was it my turn?

00:55:05Yes, my dear.

00:55:07Okay, let's pick you up on the way back.

00:55:09Well, that would be great.

00:55:12Wouldn't we?

00:55:14I mean, my daughter's father would do anything for my husband.

00:55:21What happened? Is your makeup breaking?

00:55:23No, my red lipstick wouldn't break. I'm afraid.

00:55:27Chief Inspector, we've been waiting a long time.

00:55:30I don't think you have any concrete evidence.

00:55:32In this case, we would like your permission.

00:55:33Of course, Mr. Lawyer.

00:55:35You can go, but your client will stay here for a while.

00:55:38For what reason, Ms. Prosecutor?

00:55:40You can't keep me here.

00:55:42Let's take the citizen to the police station.

00:55:45Speak, lawyer. Say something.

00:55:47Prosecutor, why are you arresting my client?

00:55:50There is a statement, Mr. Lawyer.

00:55:52Mr. Ahmet identified your client.

00:55:55Unprofessional, false statement.

00:55:57Let's be sure of that, right?

00:55:59Let's investigate thoroughly.

00:56:00No lies, no truth.

00:56:02As a result, there is a murder attempt.

00:56:05You officially beat the man up and left him to die on the terrace.

00:56:09I wasn't there. I have witnesses.

00:56:12Sometimes there can be such witnesses, yes.

00:56:15Those who do the reminder, those who are mistaken, those who are surprised.

00:56:19That's why you won't go anywhere for a while.

00:56:23Until I'm sure.

00:56:25Take him.

00:56:31Let's go.

00:56:43Prosecutor.

00:56:45Is this how we agreed?

00:56:47You are acting with your feelings, not with logic.

00:56:50If the man had the chance, he would have run away.

00:56:52Weren't you the one who came running to me and said,

00:56:54do something, the man will go?

00:56:56It's under our control, he can't go anywhere.

00:56:58Bring me evidence to accuse him.

00:57:00Let's send him to the mental hospital from here.

00:57:02Let's close the case.

00:57:17Prosecutor.

00:57:19Mr. Prosecutor.

00:57:21Those brothers, the ones who found their fathers.

00:57:23Yes, the friends who carry the body to the station.

00:57:25Exactly, prosecutor.

00:57:28Should we eat out tonight?

00:57:31It's okay, let's eat something dirty.

00:57:34Yes, let's eat something dirty.

00:57:36I'm right on the day of harmful things.

00:57:38I think we'll get you in an hour.

00:57:42Agreed.

00:57:44Agreed.

00:57:46The dead are not relatives.

00:57:48No, prosecutor, there is no relationship.

00:57:50You say the cities are different.

00:57:52So two bodies in Istanbul, but one in Anatolia, the other in Europe.

00:57:55Therefore, we can say in two separate cities.

00:57:57The only link is the forms of death?

00:58:00Not really.

00:58:02What do you mean?

00:58:04How did you link them to each other?

00:58:07Mr. Prosecutor.

00:58:09All three, including the father's body,

00:58:13were packaged and placed next to the bodies.

00:58:17The bodies were buried.

00:58:19Except for one.

00:58:21The one in the pickle jar.

00:58:23Although it was done according to the procedure.

00:58:26So, Mr. Prosecutor.

00:58:29We have a great serial killer.

00:58:34There must be a copy of these.

00:58:36Of course, prosecutor.

00:58:38Let me examine it.

00:58:40Please take a look.

00:58:42Yes, Mr. Prosecutor.

00:58:44You won't eat pickles for a while.

00:58:46Let's get up slowly now.

00:58:50Let's try to take a step with these.

00:58:56It was very good, Tugce.

00:58:58One more step.

00:59:00Is it too small for me?

00:59:02Is it too small for humanity?

00:59:04One more step.

00:59:06As far as you can throw.

00:59:08To cross your limits.

00:59:10And for us to understand.

00:59:14That's it.

00:59:16That's all I wanted.

00:59:18I'm here.

00:59:26I'm proud of you.

00:59:28The rest is physical therapy.

00:59:30You may not need to stay in the hospital anymore.

00:59:33Am I going to be a pickpocket?

00:59:35I mean, if you say I'll come and go, yes.

00:59:37But there should be no delay.

00:59:39The most important thing in physical therapy is continuity.

00:59:41We won't delay, sir.

00:59:43We won't delay.

00:59:45I will be a close follower of him anyway.

00:59:47And I will bring my beloved fiancée.

00:59:50With great pleasure.

00:59:52Well, then we have an agreement.

00:59:53We will also present it to a final approval tomorrow.

00:59:55Then Burcu.

01:00:03Shall we go?

01:00:05Let's go.

01:00:19Good luck.

01:00:21Welcome, Mr. Prosecutor.

01:00:23Well,

01:00:25I didn't know it would happen.

01:00:28It's like a serial killer case.

01:00:31Who?

01:00:33Prosecutor İclal.

01:00:35I wonder why he left.

01:00:37It would be a lie if I said I wasn't worried, brother.

01:00:41In short, we have a psychopath in front of us, Mr. Prosecutor.

01:00:44When we look at it briefly,

01:00:46he kills himself the way he wants to kill people.

01:00:50Interesting.

01:00:51Interesting, isn't it?

01:00:53Mothers and fathers raise their children.

01:00:55Sometimes I think,

01:00:57what did you live to become like this?

01:00:59Anyway.

01:01:01What did you do? Is there anything?

01:01:03Did you find anything?

01:01:05Now the question is,

01:01:07if theft is a decoration to cover murder,

01:01:09which I think it is,

01:01:11then where do you put the stuff you steal?

01:01:14Where do I put it?

01:01:16Not at home, we know that.

01:01:19What do I do?

01:01:21I'm a rich man.

01:01:24I don't need money, I don't sell.

01:01:26I don't give it to anyone.

01:01:29I keep it.

01:01:31If they rot, let them rot.

01:01:33You took it out of the house,

01:01:35but you're afraid of being caught.

01:01:37Did you go home?

01:01:39So let's say we took a look from afar.

01:01:41Well, let's take a look then.

01:01:43Kubin gave me this file anyway.

01:01:45He told me to examine it, so I examined it.

01:01:47There was a suspicious situation. He asked for a search warrant.

01:01:49Okay.

01:01:51Let's go.

01:01:55Cigar, tell us two teas.

01:01:57Ahmet.

01:01:59Did Chief Kubilay pass?

01:02:01He didn't, Chief Inspector.

01:02:03Okay, he'll give us a sign when he passes, okay?

01:02:05Thank you.

01:02:09Chief hasn't gone to his room yet, Prosecutor.

01:02:11At least we can drink our teas in the meantime.

01:02:13Agreed.

01:02:18Let's take care of the bathroom.

01:02:19Sadik is ready.

01:02:21He's waiting for you.

01:02:23Every day, every day.

01:02:25As if he knows everything.

01:02:28It's very important for your health.

01:02:30Your medicines taste in your digestion.

01:02:49Thank you.

01:03:19Thank you.

01:03:50Hello.

01:03:52Toilet, isn't there a toilet?

01:03:54There are toilets everywhere in this house.

01:03:56When I said everywhere, I said,

01:03:58I guess the nearest toilet is in this island.

01:04:00I don't think so.

01:04:02In the corridor, on the first floor.

01:04:04In the corridor.

01:04:11Good luck to you.

01:04:13It's very difficult.

01:04:15Very difficult job.

01:04:17I had a grandfather,

01:04:19and he had such a hard time.

01:04:21Can you believe it?

01:04:23The doctors said,

01:04:25everything is ready now.

01:04:27We went home,

01:04:29and he slept on the sofa for 12 years.

01:04:31Of course,

01:04:33technology is not the same as ours.

01:04:35Now, technology is not much.

01:04:37Well, maybe he's watching us from somewhere.

01:04:39Can I finish this paint job as soon as possible, Ulus?

01:04:41Of course.

01:04:43I'll be right back.

01:04:44Can I finish this paint job as soon as possible, Ulus?

01:04:46I mean, my brain doesn't work

01:04:48because of this smell anymore.

01:04:50I mean, you're used to it.

01:04:52Of course, we're used to it.

01:04:54We're used to it.

01:04:56I mean, can you believe it, ma'am?

01:04:58Sometimes I say,

01:05:00I wish I had a magic wand,

01:05:02I could touch it,

01:05:04I could paint the whole house,

01:05:06but...

01:05:08Is it left or right?

01:05:10Right.

01:05:12Thank you.

01:05:14How do I close the door?

01:05:16Close it.

01:05:18Thank you.

01:05:20Close it.

01:05:22Mommy!

01:05:24My love!

01:05:26My God!

01:05:28My beautiful girl!

01:05:30I've missed you so much!

01:05:32Me too.

01:05:33I miss you so much, I miss you too, are you hungry? Yes, now we're going to pick up your father and then we're going to eat outside

01:05:59Olay! Birthday party! Hurray! We're all going to celebrate!

01:06:04Yes! Birthday party! Come on, let's go!

01:06:09What are we going to eat? Pizza, hamburger, french fries?

01:06:13Hmm, I don't know. Let's see. Maybe we'll eat something else.

01:06:17Let's go, dear party.

01:06:22Come in.

01:06:23May I, chief?

01:06:25Oh, chief, come in. I've been waiting for you.

01:06:30Since you've been in charge, you know, a visit, an apology, I don't know, a reminder.

01:06:36Even if it's a lie, it's an embarrassment.

01:06:43I came to give information about someone from the files that were sent over time, chief.

01:06:49Is that so?

01:06:51It was not searched in the garden of the house where the incident took place, it was skipped, chief.

01:06:55Hmm, so?

01:06:57So, if you allow me, we have a week to close the file, that is, to pass the time. Maybe we can reopen the file, chief.

01:07:06Don't you have anything else to do, chief?

01:07:08You gave me this job, chief.

01:07:10It's been a month, chief. Did you see it in my dream?

01:07:14I'm trying to fulfill your order, chief. If you allow me, I'll...

01:07:19No, no.

01:07:21Look at the files in your hand first, chief.

01:07:24What was that?

01:07:25This is the shroud father. They said there were other similar cases.

01:07:38You know, the bottom of the chief, you know, the patient of the soul.

01:07:43He gave me the files himself.

01:07:45Look, what are you going to find? Now I'm saying, there's a suspicion, I need a search warrant.

01:07:49He says, don't you have anything else to do?

01:07:51And the gentleman says, I'm going to apologize to him.

01:07:55Brother, you were going to leave that day, I was going to straighten him out.

01:08:01What are we going to do?

01:08:03Don't worry, Kubilay. I'll take care of it.

01:08:06How are you going to do that?

01:08:10Ah, the queens are not to be kept waiting.

01:08:13Darling.

01:08:14We're here, let's go.

01:08:15Come on, dad, run.

01:08:16I'm running, I'm running, princess, I'm running.

01:08:19Stop, stop, where, where, how are you going to handle this?

01:08:23We're going to turn it into a game.

01:08:25Oh, for God's sake, don't get into those balls, brother. They're not for you.

01:08:28You two broke me up, too.

01:08:30Come on, see you.

01:08:31Oh, my God.

01:08:36You're a coward.

01:08:38Look at the state you're in.

01:08:43Come on.

01:08:51Why is that plate there?

01:08:53Give me some.

01:08:54Here you go.

01:08:56Yes, my beautiful princess.

01:08:58Let's see which sauces to put.

01:09:00Don't put that green one, dad.

01:09:02Why?

01:09:03Look, it's the same frog.

01:09:06Is it a frog?

01:09:08But it's not a frog, it's an avocado.

01:09:10It's very useful.

01:09:11You love it, too.

01:09:12Yes, my love, you always eat it at home.

01:09:15Put that white one and the ketchup one, too.

01:09:18Of course.

01:09:24Yes, here you go.

01:09:27It's beautiful.

01:09:31It's beautiful.

01:09:33Now let's wipe it off.

01:09:36Then, my love, I want it, too.

01:09:39Just like the frog said, I want it all.

01:09:42I'll take care of it.

01:09:45Dad, do we have a summer house?

01:09:49No, my dear, why?

01:09:51Serin and Eylul will stay there in the summer.

01:09:54The clouds will go to them, too.

01:09:56Shall we go, too?

01:09:59We'll go on vacation in the summer, but not to your friends' house.

01:10:04Where are we going?

01:10:05Where are we going?

01:10:06We're going on vacation with our own house this summer.

01:10:09Dad, how will our house come with us?

01:10:12I'm not kidding, princess.

01:10:14We're going to travel in a caravan in our tiny house.

01:10:16A caravan?

01:10:20It's not a caravan, darling. It's a caravan.

01:10:22Caravan, dear.

01:10:24I said it wrong. Caravan.

01:10:25Caravan?

01:10:26Exactly. Think of it as a tourist house.

01:10:29We're going to have a kitchen and a bedroom inside.

01:10:32We're going to be in the back of the car.

01:10:35Like a wheelchair?

01:10:37Exactly.

01:10:38Are we going to go while I'm sleeping?

01:10:41Yes. You'll wake up in the morning and we'll be in a completely different place.

01:10:44Then we'll see a forest, for example.

01:10:46We'll say, let's stay here tonight. We'll stay there.

01:10:48We'll see the seaside. We'll want to stay there. We'll stay there.

01:10:51We'll go wherever we want. Isn't it nice?

01:10:54Nice.

01:10:56Our house is as big as a turtle.

01:10:59Our house is as big as a turtle.

01:11:02Come on, let's eat from that little turtle.

01:11:06Come on, let's go. Please, please.

01:11:08We'll eat first.

01:11:10And we need to fix the caravan a little bit.

01:11:13Let's fix them too. Then we'll go to very nice places.

01:11:18What did they want?

01:11:29What did they want?

01:11:48He's not answering.

01:11:50He's not answering.

01:11:58Cut it out, Letin.

01:12:00Are they giving you a heart attack or something?

01:12:04Welcome, boss.

01:12:06It's really nice.

01:12:09I was just about to throw it on the table.

01:12:11It's so nice.

01:12:13I'm doing this job.

01:12:15I swear, I'm doing it. This is my sport.

01:12:17I'm doing it.

01:12:18What are you doing here?

01:12:20What do you mean, what am I doing here?

01:12:21Didn't you tell me to hide?

01:12:23So I hid.

01:12:24In my house?

01:12:25Oh, my God.

01:12:27I turned on the piano.

01:12:30It made the most sense to come here.

01:12:32Why?

01:12:33Bülent doesn't look anywhere.

01:12:34Aren't you Bülent's man?

01:12:36You're Bülent's man.

01:12:37Of course, he doesn't look at his man's house.

01:12:41Oh.

01:12:43Oh.

01:12:44What are you saying?

01:12:46Look.

01:12:47Look.

01:12:48It's not good to be so angry at this age.

01:12:50Look, I made you a lot of food.

01:12:52Take whatever you have.

01:12:54The shepherd's way.

01:12:56Where can I find it?

01:12:57You Kodaman people don't know.

01:12:58You don't know the taste of your mouth, man.

01:13:01There's an eggplant next to this.

01:13:03Oh, my God.

01:13:05I'm going to bite you.

01:13:07Eggplant?

01:13:08Yes.

01:13:09Haven't you ever heard of it?

01:13:10It's like pomegranate and walnut.

01:13:13I bought it on my way here.

01:13:15Don't be afraid.

01:13:16Maybe it's not at home.

01:13:17But it really wasn't there.

01:13:19Look at this.

01:13:20Look at this.

01:13:21I'm going to torture you.

01:13:23Oh, my God.

01:13:24I bought a branch.

01:13:25I bought a lung.

01:13:26Wait a minute.

01:13:27Wait a minute.

01:13:28You're a single man.

01:13:29You're feeding like a bird.

01:13:30It's not going to happen today.

01:13:32It's not going to happen.

01:13:33Rafet is here.

01:13:34It's over.

01:13:35Your stomach will celebrate.

01:13:36How did you get in?

01:13:38What do you mean, how did you get in?

01:13:40You're a shame.

01:13:41You're a shame.

01:13:43Why are you underestimating me, boss?

01:13:47I'm the chief.

01:13:49How quickly did you forget?

01:13:50I'm the chief.

01:13:51If you leave me here,

01:13:53I'll swim out to Canakkale.

01:13:56I'm not blind.

01:13:59Actually,

01:14:00it wouldn't be like this.

01:14:02The weather would be nice.

01:14:03I was going to make a barbecue out there.

01:14:06I was going to see you.

01:14:08Before you came,

01:14:09I rolled up my eyebrows.

01:14:10I tasted it.

01:14:11It's beautiful.

01:14:12It's number ten.

01:14:13It's five stars.

01:14:15It's so delicious.

01:14:17I swear.

01:14:18Cut it out.

01:14:19Cut it out.

01:14:26Thank you.

01:14:27You're welcome.

01:14:28Here you go.

01:14:29Defne.

01:14:30I mean, I got it right, didn't I?

01:14:31I mean, just like you described it.

01:14:32I told the man.

01:14:33He gave it to me.

01:14:34You got it right.

01:14:35Now,

01:14:36we're going to put this camera phone in.

01:14:38But it's hard to program like this.

01:14:40I mean,

01:14:41we need to record it.

01:14:43And it has three lights.

01:14:44Hot, cold,

01:14:45and tricolor.

01:14:49You put it in the charger.

01:14:50You put it in the bottle.

01:14:51And you can run it.

01:14:52Look, there are on and off buttons here.

01:14:54It's so complicated.

01:14:55Hot, cold,

01:14:56you said a lot of things.

01:14:57Actually, it's very easy.

01:14:58I'll teach you.

01:15:00And we can put it on our feet.

01:15:03Look, Defne.

01:15:04What am I going to say?

01:15:05Do you want to make a living?

01:15:07I mean, yes.

01:15:09But what does it have to do with it?

01:15:10My daughter.

01:15:11Take your bread as soon as possible.

01:15:13Quickly.

01:15:14It's good.

01:15:15Come on.

01:15:16Look,

01:15:17if you shoot my videos,

01:15:18and I give you a living,

01:15:19how would it be?

01:15:21Aylin.

01:15:22For God's sake, my daughter.

01:15:24You're going to shoot a video.

01:15:25You're going to publish it.

01:15:26Someone's going to watch it.

01:15:27And you're going to make money.

01:15:29My daughter, you have a great job.

01:15:31Leave the antiques.

01:15:33You're busy with the kid for nothing.

01:15:36Why do you say that, Mom?

01:15:37A lot of people make money from this.

01:15:39There are people who rent out their houses.

01:15:40There are people who teach children.

01:15:41I mean, I have a little follower.

01:15:44I also got the cooperation.

01:15:46Ceylin also has news.

01:15:47Oh, you did well.

01:15:49No, I mean, do whatever you want, Aylin.

01:15:51Okay?

01:15:52I don't get these at all.

01:15:54My daughter,

01:15:55these young people don't get it.

01:15:57Let them do whatever they want.

01:15:59I mean, that's true, but this...

01:16:02If we wear this...

01:16:03How much did you pay for this?

01:16:04For God's sake, how much did you pay?

01:16:05Oh, not much.

01:16:07I'll drop it when I press this.

01:16:08I'll learn from you anyway.

01:16:10Come on, Merco, Merco.

01:16:13Run, run, run, run, run, run, run.

01:16:15Keep your hands on your hands.

01:16:19Okay, you eat it.

01:16:20Oh, there's something nice going on here.

01:16:23Are you a nice guy?

01:16:24Welcome.

01:16:26Welcome.

01:16:29Shall we make a cake from the ground, Merco?

01:16:31Okay.

01:16:32Oh, my daughter, look at the evening.

01:16:33You'll get dirty.

01:16:34What's going to happen?

01:16:35We'll wash it.

01:16:36Play.

01:16:39You're still standing.

01:16:40Sit down.

01:16:41There's tea, too.

01:16:42Yes, yes.

01:16:43You sit down.

01:16:44We already have a job with the manager.

01:16:45Some of our jobs.

01:16:46Okay.

01:16:48Son, will you have some tea?

01:16:49No, I can't.

01:16:50Well, I'll have some, too.

01:16:52What is the manager doing?

01:16:54He was going to shoot a video for me.

01:16:55He was going to publish it.

01:16:56He was going to make money.

01:16:57He was going to make money.

01:16:58Empty jobs.

01:17:01Grandpa.

01:17:02Yes, grandpa.

01:17:03I have a job for you.

01:17:04Order.

01:17:05We'll do whatever you want.

01:17:08I'll tell you.

01:17:09Okay.

01:17:17Look over there.

01:17:18How does it look from there?

01:17:20Okay, fine.

01:17:23Are you ready?

01:17:24Oh, wait a minute.

01:17:28Are you ready?

01:17:29Okay, I'm ready.

01:17:30Three, two, one.

01:17:33Record.

01:17:35If you have a color in my color tone,

01:17:38this style of blush will look very nice.

01:17:45What happened?

01:17:46Doesn't it look good?

01:17:47I mean, technically, we're good.

01:17:49Yes.

01:17:50But the content is a little rough.

01:17:51How rough?

01:17:53The same sister.

01:17:54A little boring, you know?

01:17:55I mean, it's already tightening.

01:17:57And the makeup is a long job.

01:17:59When you look at it straight,

01:18:00it's very attractive to the person.

01:18:02People make up in front of the mirror for hours.

01:18:05Well, people come and go.

01:18:08It's not like home.

01:18:10Direct next.

01:18:12I think you should tell something else while you're doing your makeup.

01:18:16I mean, talk about what you're going to advertise.

01:18:19I mean, I don't know.

01:18:21For example, Kerala.

01:18:23It's already tight there.

01:18:25You know, from the traffic,

01:18:26or from a woman in a sock you see on the road.

01:18:29I mean, the more gay you put forward, the better.

01:18:32Is that possible?

01:18:33Of course, a little makeup.

01:18:35And a little life lesson.

01:18:37Hmm.

01:18:38For example,

01:18:39ten men in a row who don't look behind us and have to run away.

01:18:43Ghosting.

01:18:44I don't know.

01:18:46The one who sends a message in the morning and agrees.

01:18:48I mean, he keeps such content a lot.

01:18:50He's being watched like a maniac.

01:18:53Oh, look at that.

01:18:54What does he know?

01:18:56We'll know, Aylin.

01:18:57Of course, if you see what's going on at school, you'll say, wow.

01:19:01Such things are being watched like a maniac.

01:19:03Hmm.

01:19:05Okay.

01:19:06Okay, I'll try it then.

01:19:09Okay.

01:19:10Are you ready?

01:19:13I'm ready.

01:19:14Don't count, three, two, one.

01:19:16Three, two, one.

01:19:18Record.

01:19:20Well,

01:19:21we're distributing our lipstick in a way.

01:19:27Oh, girls.

01:19:29By the way,

01:19:30I'll give you a couple of tips.

01:19:33I mean, we're dressing up like this.

01:19:37Why are we dressing up?

01:19:40For what?

01:19:42I mean,

01:19:43I think we should ask ourselves that first.

01:19:46Our husband,

01:19:47our friends,

01:19:49or our lover.

01:19:52Let's do this for ourselves first.

01:19:54Because the most important relationship of a person is with himself.

01:19:59I mean,

01:20:00everyone will pass away in your life.

01:20:02But,

01:20:03in the end, you'll be alone with yourself.

01:20:07So first, love yourself.

01:20:10You won't believe it, but

01:20:12I've just started

01:20:14doing this.

01:20:16You're the best.

01:20:17Yeah.

01:20:18But be a little more sincere.

01:20:20Yeah.

01:20:21I mean, when you put on make-up,

01:20:22don't go straight out of the concept.

01:20:24Okay.

01:20:25Oh,

01:20:26this is like therapy.

01:20:27I can talk like this until the morning.

01:20:29Thanks, girl.

01:20:30But,

01:20:31translate the English words you put in there for me.

01:20:33I mean, you really love such deliberate things.

01:20:35You'll get used to the new generation anyway.

01:20:37We're going to shoot a lot of videos.

01:20:39We'll edit them too.

01:20:40Oh, you do the editing.

01:20:41I don't understand at all.

01:20:42Okay, relax.

01:20:43We'll handle them.

01:20:45Let's shoot one more.

01:20:46Let's do something else.

01:20:47Yeah, I'll do this.

01:20:48Like this.

01:20:50I'll do that.

01:20:51Okay, let's start.

01:20:53I'm ready.

01:20:55Three,

01:20:56two,

01:20:57one,

01:20:58record.

01:21:00At the bottom,

01:21:02we'll apply this.

01:21:04Oh, it's nice.

01:21:05The pain is gone.

01:21:06It's perfect.

01:21:07It's nice, but I ate bulgur all day.

01:21:08I'm going to wander around like a balloon.

01:21:10What else did you eat?

01:21:11I ate pilaf.

01:21:12You never take care of yourself.

01:21:13We're going to get sick.

01:21:14But you had a very nice ayran with you.

01:21:19Anyway,

01:21:20I'll leave this subject open for discussion later.

01:21:23While we're hungry,

01:21:24I'll give you my good news.

01:21:26Oh, what is it?

01:21:29I can be a doctor tomorrow.

01:21:31Really?

01:21:32Yes.

01:21:33Dad, I'm so bored.

01:21:34Let me get out of here.

01:21:35I'm going to kill myself.

01:21:36Stop, stop, stop.

01:21:37What about the treatment?

01:21:38I'll come whenever they say physical therapy.

01:21:40Psychologist?

01:21:41I guess I'll come to him, too.

01:21:42I guess?

01:21:44Tulce,

01:21:46honey,

01:21:47you're so strong.

01:21:49You're smiling.

01:21:50We're all happy.

01:21:51We're proud of you being strong.

01:21:54Whether it's dad's concern

01:21:55or you're in a hurry, okay?

01:21:58Honey, look,

01:21:59you've never had an easy life.

01:22:02I know you've been through a lot.

01:22:04You're going to put it behind you

01:22:06and then you're going to have trouble again.

01:22:08Can you tell me what I mean, my beautiful girl?

01:22:10Dad,

01:22:15life wasn't easy before you.

01:22:19I remember very dark days.

01:22:22Everything I've been through with my mom,

01:22:24everything I've been through with my stepfather.

01:22:28Your face was about to fall.

01:22:31Did you know about me?

01:22:32I'm pleased with you, dad.

01:22:34I'm telling you something else.

01:22:37I called my mom twice.

01:22:41I begged her to come and see you.

01:22:43I begged her to see you in my brother.

01:22:45At the end of the day,

01:22:46I said, okay, I'm curious, I'll come.

01:22:47She didn't come.

01:22:50Never mind, my beautiful girl.

01:22:52That's her fault, too.

01:22:54I'm just saying that.

01:22:55What else can I do?

01:22:56Whether it's cooking,

01:22:58whether it's steeling,

01:23:00she taught me not to forget something,

01:23:02but to take care of it.

01:23:06I think that's the only difference between the two.

01:23:11Don't worry.

01:23:12I'm fine.

01:23:14No tricks,

01:23:15no games,

01:23:16no cheating.

01:23:21Besides, I promise you,

01:23:24I'll come to the psychologist.

01:23:28Not only will I heal the bones,

01:23:30I'll also heal my soul.

01:23:33I love you so much, you know?

01:23:35I love you so much, too.

01:23:41I'm hungry.

01:23:43Do you want some food?

01:23:45Yes, please.

01:23:47Come in, Merco.

01:23:50Give your father a hand.

01:23:52Come on.

01:23:53Merco, wash your hands.

01:23:54Put on your clothes.

01:23:56Okay.

01:23:58What were you whispering to Granddad Merdan?

01:24:01Don't worry, he'll be fine.

01:24:03Don't worry about anything.

01:24:04God bless you.

01:24:06Mom, I'm cold.

01:24:08Mom, I'm cold.

01:24:10Come on.

01:24:11Okay, honey, I'm coming.

01:24:12No problem.

01:24:13You'll tell him.

01:24:14Yes.

01:24:16Ms. Tugce, are you full?

01:24:18Yes, we are.

01:24:19Since it's our last night,

01:24:21let's make good use of it.

01:24:23Ms. Tugce.

01:24:24Let's clean this up nicely.

01:24:34What are these?

01:24:35Are they new?

01:24:36These are not for everyone.

01:24:41Is that so?

01:24:42Of course.

01:24:44It's a serial killer case.

01:24:46Really?

01:24:48Yes.

01:24:49But your high intelligence will decide.

01:24:51You'll find it.

01:24:52I think so.

01:24:53But, of course,

01:24:55we need to find the link between the victims.

01:24:57We need to find that relationship.

01:24:59I thought about it.

01:25:00I said, who would do this?

01:25:01I said, my beautiful daughter Tugce would do it.

01:25:04Are you crazy?

01:25:05I'm starting right now.

01:25:06Right now.

01:25:08Okay, I'll go then.

01:25:09Good night.

01:25:11How?

01:25:12Without a kiss?

01:25:16I hope so.

01:25:18Good luck.

01:25:19Do you have another request?

01:25:21No, no.

01:25:22Close the door.

01:25:23Okay, I'll close it.

01:25:34It's not that.

01:25:35It's the situation between the teeth.

01:25:38It's a beautiful thing.

01:25:40Between the teeth.

01:25:43Take it.

01:25:44Look.

01:25:45Look.

01:25:46What is it now?

01:25:48Oh my God.

01:25:50You're staying only tonight.

01:25:51Say goodbye early in the morning.

01:25:53Why?

01:25:54It's a big house.

01:25:55I don't think I have a boss here.

01:25:57No, sir.

01:25:58You don't have a house.

01:25:59You don't have a boss.

01:26:00You don't have a boss.

01:26:01You don't have a boss.

01:26:02You don't have a boss.

01:26:03No, I have no boss.

01:26:04No one can have a boss.

01:26:05Who will have a boss here?

01:26:06No.

01:26:07The guest will have a boss.

01:26:08You'll have a boss.

01:26:09You'll make everyone collapse.

01:26:11And the guest will leave even without you.

01:26:12Enough, Geyik.

01:26:13I am your boss now.

01:26:14You contact me as you wish in this house.

01:26:15That's enough for me.

01:26:16I can't stay here, bro.

01:26:17I came here because of you.

01:26:18What?

01:26:19Why are you standing there?

01:26:20Iiseng I started earlier.

01:26:21You should come and help me out.

01:26:22Stop arguing with me.

01:26:23This is not about me.

01:26:24It's not about me.

01:26:25It is not your fault.

01:26:26Now you've caused all the trouble because of you.

01:26:27You're all crazy, aren't you?

01:26:28Come, you come too.

01:26:30You can't get rid of the prosecutor,

01:26:32but you can get rid of me, right?

01:26:34We are poor people,

01:26:36we have become arrogant.

01:26:38Anyway, what can I say, my old friend.

01:26:40God bless you.

01:26:42If you get rid of me, I won't get rid of you.

01:26:44If you get rid of me, I won't get rid of you.

01:26:46Why? Because my team is weak.

01:26:48I'm going to bed now.

01:26:50And if possible, I don't want to feel your presence in the morning.

01:26:52Say goodbye early, quietly.

01:26:58Good night.

01:27:04Wasn't there a wool blanket? Wool, wool.

01:27:06Nylon brought it.

01:27:08Come on.

01:27:10Let's give dad a goodnight kiss.

01:27:12Come on.

01:27:14Dad, when are we going to see the house of the landlady?

01:27:16We'll go as soon as possible,

01:27:18but first I have to take a side.

01:27:20Oh, let me have some cream.

01:27:22It smells great.

01:27:24Come on, take a side then.

01:27:26Oh.

01:27:28Go now,

01:27:30pick one of your books,

01:27:32and I'll come with you, okay?

01:27:34Okay.

01:27:36What did you want?

01:27:38I was going to show you this.

01:27:40What is it?

01:27:42This is Kenan's funeral.

01:27:44Do you see Yeliz's hand?

01:27:46Wrapped, right hand.

01:27:48Is it a knife wound?

01:27:50Probably.

01:27:52There was no such thing.

01:27:54So it's a file from 20 years ago.

01:27:56Hmm, yes.

01:27:58There may not be such information.

01:28:00Or there was,

01:28:02but it slipped out of sight.

01:28:04Or it was a solid excuse.

01:28:06Let me see.

01:28:08Let me see it again.

01:28:16Then,

01:28:18Yeliz killed her brother and sister-in-law.

01:28:20Maybe.

01:28:22Maybe that's why

01:28:24there's no sign of a fight.

01:28:28Yes, what did you talk to Mertan Dede?

01:28:30I asked for a small favor.

01:28:32He will go home tomorrow with a metal detector.

01:28:34He will check whether the stolen

01:28:36belongings are in the garden or not.

01:28:38If he finds it,

01:28:40he will report it anonymously.

01:28:42He will report it to me directly.

01:28:44It's a great plan.

01:28:46I hope so.

01:28:48Let me put Mertan Dede to sleep.

01:28:52Let's go.

01:29:22Let's go.

01:29:52Let's go.

01:30:22Stop!

01:30:36Stop!

01:30:52Stop!

01:31:08Have a nice day, officer.

01:31:10I was going to report something.

01:31:14Sir, the report you've been waiting for has arrived.

01:31:16You say it's time, Furkan.

01:31:18Let's go.

01:31:22Let's go.

01:31:52Let's go.

01:31:58Good morning, Mr. Prosecutor.

01:32:00Good morning, Chief Inspector.

01:32:02We received a report about

01:32:04an old murder case, Mr. Prosecutor.

01:32:06We need to make a search.

01:32:08Please excuse us.

01:32:22How long are you going to keep this man in custody?

01:32:26It's not a legal period yet.

01:32:28I can keep him as long as I want.

01:32:30On what grounds, Chief Inspector?

01:32:32We understand that

01:32:34he did not identify this Ahmet,

01:32:36this Bülent.

01:32:38Admit it.

01:32:40Your plan didn't work.

01:32:42You put both my feet in a shoe.

01:32:48Look.

01:32:50Look.

01:32:52I want to catch this man, too.

01:32:54But that's not possible.

01:32:56We're swimming in very dangerous waters.

01:32:58Give me some time to figure it out.

01:33:00You've been so patient.

01:33:02What happened, Mr. Attorney?

01:33:04You said you weren't afraid of anything.

01:33:06You said you'd do it.

01:33:10Did he suddenly ring the alarm?

01:33:12There's no problem with that, Chief Inspector.

01:33:16If necessary, I'll shoot myself without fear.

01:33:18But not without reason.

01:33:20Especially with no reason at all.

01:33:24As you can see, he's smart.

01:33:26He has long arms and hands.

01:33:28We have to be one step ahead of him

01:33:30so that we can defeat him.

01:33:34Okay.

01:33:36As you say.

01:33:38I'll put an end to his imprisonment.

01:33:40That's the most logical thing.

01:33:42But know this.

01:33:44We got rid of him.

01:33:46We got so close.

01:33:48We kidnapped Bülent.

01:33:50It'll be your end.

01:33:52I'll destroy you.

01:33:54Just trust someone once.

01:33:56It's not hard.

01:33:58Believe me.

01:34:00You're that someone, aren't you?

01:34:02That's the peak of fate.

01:34:06What a shame.

01:34:16Let's go.

01:34:34Look at the house.

01:34:36It's so lonely.

01:34:38Come on, guys.

01:34:40Let's start from the garden.

01:34:42Come on.

01:34:44Come on.

01:34:56They did it quickly.

01:34:58There wasn't much.

01:35:00What a feeling.

01:35:02What's that?

01:35:04I wonder what it feels like

01:35:06to be right all the time.

01:35:08Let's find the murder weapon.

01:35:10I'll use it after that.

01:35:12I have to go to the office now.

01:35:14Because Parlayer will have his first real meeting.

01:35:16That's good.

01:35:18Congratulations.

01:35:20I'll tell him.

01:35:22He's his brother-in-law.

01:35:24Yes.

01:35:26And he's always right.

01:35:42Yes, guys.

01:35:44We're going to look here.

01:35:46It's like it's dug up.

01:35:48Those who have a digging shovel,

01:35:50call them.

01:35:52Jump.

01:35:54Come on, brother.

01:35:56This is it.

01:35:58Let's dig it up.

01:36:00Let's dig it up.

01:36:02Let's dig it up.

01:36:04Let's dig it up.

01:36:06Let's dig it up.

01:36:08Let's dig it up.

01:36:10Let's dig it up.

01:36:12Let's dig it up.

01:36:18Slow down.

01:36:20Slow down.

01:36:24Be careful.

01:36:26Sir.

01:36:30It's appropriate.

01:36:40Let's go.

01:36:46Did you stay at the door?

01:36:48Didn't they let you in?

01:36:50We don't like barbarians.

01:36:52That's why.

01:36:54It's okay. I didn't wait long.

01:36:56What's the matter?

01:36:58I'm a busy man.

01:37:00First of all, I refuse to pay that money.

01:37:02We can file a lawsuit whenever you want.

01:37:04Don't resist for nothing.

01:37:06It's a long job.

01:37:08These are things I've never thought of.

01:37:10You can talk about these details with my lawyer.

01:37:14Wow.

01:37:16You're so cool.

01:37:18Yes, I am.

01:37:20What's this joy?

01:37:22An explosion of confidence?

01:37:24An extremely happy state?

01:37:26Did poverty hit you?

01:37:28It's the happiness of revising my book.

01:37:30Writing is such a thing.

01:37:32I mean,

01:37:34people can always make a better version.

01:37:36What are you talking about?

01:37:38This is the book you've been collecting.

01:37:40I've changed it.

01:37:42The father is dead.

01:37:44The mother is a widow.

01:37:46You're dead.

01:37:48You can't do that.

01:37:50I did.

01:37:52We're going to print the new version.

01:37:54I looked at it.

01:37:56When you're not there,

01:37:58the story is stronger.

01:38:00I mean,

01:38:02it's better than the existence of poverty.

01:38:04It will be on the list of most sold books.

01:38:06How dare you do this without asking me?

01:38:08I'm in a hurry.

01:38:10I have to go to a meeting.

01:38:12My editor is pressing me to finish it as soon as possible.

01:38:14Everyone is so excited.

01:38:18By the way,

01:38:20the screenplay for the movie has started.

01:38:22Of course, you're not there.

01:38:24But I will definitely invite you to the party.

01:38:26I would be very happy if you come.

01:38:28Come on, honey.

01:38:30Bye.

01:38:34Bye.

01:38:58Mr. Prosecutor,

01:39:00I think that's all.

01:39:02Don't you have a murder weapon?

01:39:04No, Mr. Prosecutor.

01:39:06What do you mean, no?

01:39:08Look around the garden.

01:39:10If necessary, look for it with a detector.

01:39:12Okay, Chief Inspector.

01:39:14The murder was not caused by theft.

01:39:16It's confirmed.

01:39:18We need to take the statement again before we lose time.

01:39:20Let me guess.

01:39:22The first person we're going to take is Mrs. Yeliz, right?

01:39:24I had to take it with my own hands.

01:39:28I have to fly to the hospital from here.

01:39:30There is a possibility that she will not make it.

01:39:32Seriously?

01:39:34Seriously, brother.

01:39:36The real treatment will continue.

01:39:38But that's over.

01:39:40It's over, brother.

01:39:42There's nothing you can't solve.

01:39:44It started late,

01:39:46but your relationship is very strong.

01:39:48Thank you, brother.

01:39:50By the way, I'll let the teams know.

01:39:52I'm flying to the hospital.

01:39:54Okay, deal.

01:39:56See you.

01:40:00Did you look at that corner?

01:40:04Your Honor.

01:40:06In light of the evidence we presented to your court,

01:40:08we have proven that the marriage bond is broken,

01:40:10and that unfaithfulness is harmful for both parties.

01:40:14The marriage certificate is irrevocably...

01:40:18Aunt, I'm going to beat you up.

01:40:20Of course, aunt.

01:40:22I'm dying of excitement.

01:40:24I was getting ready for the trial.

01:40:26What do you mean?

01:40:28You are a girl who created wonders in your father's trial.

01:40:30You will do it.

01:40:32But it's not the same thing.

01:40:34It was an arranged divorce.

01:40:36There was a procedure.

01:40:38They signed it.

01:40:40It didn't even take five minutes.

01:40:42I didn't even open my mouth.

01:40:44But this is not like that.

01:40:46The woman says she will never get divorced.

01:40:48I'm going to present a lot of evidence.

01:40:50Calm down.

01:40:52It's going to be great.

01:40:54Okay?

01:40:56What is this?

01:40:58Now I'm going to show you something

01:41:00that won't let you lose the case.

01:41:08In fact,

01:41:10I made your mother read it.

01:41:12The process is complete.

01:41:14Bring it to me.

01:41:18What are you talking about?

01:41:20Thank you so much.

01:41:22What do you mean?

01:41:24If you don't like it, I won't take it.

01:41:26I won't be offended.

01:41:28There is already a return card.

01:41:30As you wish.

01:41:32Are you crazy? I love it.

01:41:34Thank you so much.

01:41:36Good luck, dear.

01:41:40Hello.

01:41:42Mr. Canberk, you came early.

01:41:44I couldn't stand it.

01:41:46I found myself here.

01:41:48Tomorrow is a big day.

01:41:50We haven't met yet.

01:41:52I'm Leyla.

01:41:54I'm Tilben Okun.

01:41:56I'm Parla's aunt.

01:41:58I'm glad to hear that.

01:42:00Me too.

01:42:02Let's go out.

01:42:04We'll sit somewhere.

01:42:06Then we'll go over it quickly.

01:42:08Then we'll go to court.

01:42:10You're the boss, Ms. Parla.

01:42:12Whatever you say.

01:42:14Good day, Ms. Leyla.

01:42:16Good day.

01:42:22Ceylin.

01:42:24I was coming to you.

01:42:26What happened?

01:42:28I found something about Dilana.

01:42:30Great.

01:42:32Come on, let's talk in my room.

01:42:38Avocado.

01:42:40Okay, Ms. Yeliz.

01:42:42I'll make you a new avocado.

01:42:44No, all of them.

01:42:46But I prepared them.

01:42:48You can't eat them all.

01:42:50All of them.

01:42:52But I prepared them.

01:42:54So it's not over.

01:42:58Who is it?

01:43:00Where is Yeliz?

01:43:02Wait a minute.

01:43:04We're getting ready.

01:43:06Who is it?

01:43:08Police.

01:43:10Why?

01:43:12They want us to testify.

01:43:14That's enough.

01:43:16We told them everything.

01:43:18Can you mind your own business?

01:43:24They didn't come for Seraf.

01:43:26They came for your brother's murder.

01:43:28They searched the garden of the house.

01:43:30And they found everything.

01:43:38Dilan's brother died of high dose.

01:43:40Dilan's brother is a drug addict.

01:43:42So to take revenge on the bag man...

01:43:44...who caused his death...

01:43:46...Dilan took revenge on him.

01:43:48What a shame.

01:43:50He's only 15.

01:43:52He's a young man.

01:43:54That's right.

01:43:56But the real question here is...

01:43:58...what happened to the bag man?

01:44:00He disappeared.

01:44:02His family announced his disappearance.

01:44:04But there's nothing there.

01:44:06Most probably...

01:44:08...the association got rid of the bag man.

01:44:10In return, Dilan killed Mustafa.

01:44:12That's what I thought.

01:44:14Yes, but this information...

01:44:16...won't help us.

01:44:18So we can't find Dilan with this information.

01:44:22How many siblings does he have?

01:44:24I mean...

01:44:26...does he have any other siblings?

01:44:28He has two sisters.

01:44:30But they're very young.

01:44:32Dilan is the oldest.

01:44:34Do you know where they are?

01:44:36No, I couldn't find them.

01:44:38But I'm looking into it.

01:44:40If we find their siblings...

01:44:42...we'll know.

01:44:44Okay, I'll look into it.

01:44:46By the way...

01:44:48...Esra will be here soon.

01:44:50I know, I took my notes.

01:44:52Thank you.

01:44:54She's in the car.

01:44:56She's very close.

01:44:58But she's here.

01:45:04So my days in the hospital are over?

01:45:08I thought I couldn't get out.

01:45:10I'm going to kiss the bed.

01:45:12Thank God.

01:45:14You made me the happiest person in the world.

01:45:18Don't make me cry.

01:45:20What can I do?

01:45:22You don't know how parents are.

01:45:24Okay.

01:45:26If you don't want to cry...

01:45:28...let's go home.

01:45:30Let's go.

01:45:32But I wonder...

01:45:34...in the open air...

01:45:36...without permission...

01:45:38...without anyone's permission...

01:45:40...would we like to eat together?

01:45:42I thought about it.

01:45:44Are you crazy?

01:45:46I've never said no.

01:45:50What about the rest?

01:45:52It's up to you, Mr. Prosecutor.

01:45:56Okay.

01:45:58You can go.

01:46:00I have to go to the police station.

01:46:02My teeth are itching.

01:46:04You're going to the police station again.

01:46:06Your complaints to Mr. Prosecutor...

01:46:08...and your satisfaction to me at your father's house.

01:46:12My dear Tugce.

01:46:14My king father.

01:46:22And if he sees you walking...

01:46:24...then I'll be the happiest man in the world.

01:46:36I love you.

01:46:42I beg you.

01:46:44My beautiful daughter.

01:46:46I love you so much.

01:46:48I love you so much too.

01:46:52Come on.

01:46:54I think her parents are stubborn.

01:46:56Come on, sit down.

01:46:58Her parents are stubborn.

01:47:00Come on.

01:47:02I'll take you to your seat.

01:47:04Don't worry.

01:47:06I'll take care of it.

01:47:08Can you do it, Mr. Prosecutor?

01:47:10We'll do it.

01:47:12It's our job.

01:47:14Let's see.

01:47:18My beautiful daughter.

01:47:20I love you.

01:47:32Don't worry about us, Chief Inspector.

01:47:46Yes.

01:47:48Now let's go a little further.

01:47:50I'll take care of it.

01:47:54That's it.

01:48:18Let's go.

01:48:48Here you go.

01:48:52What's going on, Mr. Prosecutor?

01:48:54I don't understand anything about my brothers.

01:48:56Let me tell you.

01:48:58Please sit down.

01:49:02According to a report...

01:49:04...a search was made at your brothers' house.

01:49:08And in their gardens...

01:49:10...these were found.

01:49:12The file has been reopened.

01:49:14Because we can't call it a simple theft anymore.

01:49:16Hmm.

01:49:18Why?

01:49:20Contrary to the purpose of the thief...

01:49:22...contrary to the extraordinary flow of life...

01:49:24...even if he was afraid and hid it...

01:49:26...then he should have returned and taken it.

01:49:30So he's a murderer who doesn't need it...

01:49:32...or someone who wants to get rid of it.

01:49:34Or murderers.

01:49:38I told you the lawyers were on their way.

01:49:40That's right, Chief Inspector.

01:49:42Good. Let's start with Ms. Gelis.

01:49:44Let's start with Ms. Gelis, please.

01:49:54Here you go.

01:49:58Well, did he admit to his crime?

01:50:00Yes.

01:50:02He has nowhere to run anyway.

01:50:04The exit operation was also done from the school.

01:50:06He must have been informed of you.

01:50:08The director called, yes.

01:50:10Ms. Gelis, I can't tell you how comfortable I am.

01:50:12Thank you so much.

01:50:14If it weren't for you...

01:50:16...I don't know what would have happened to our children.

01:50:18You're welcome.

01:50:20I just did my job.

01:50:24I'll follow up and get back to you.

01:50:26Thank you very much.

01:50:34Come in.

01:50:36Are you available?

01:50:38Yes, come in.

01:50:42What's going on?

01:50:46You look a little tired.

01:50:48A little.

01:50:50But not much.

01:50:52Why?

01:50:54I'm tired of spring.

01:50:56There's nothing to exaggerate.

01:50:58You handled the school file.

01:51:00Well, I guess I did.

01:51:02I told the parents.

01:51:04They were relieved, too.

01:51:06From now on, the school should be more meticulous...

01:51:08...in handling business.

01:51:10I'm sorry to interrupt.

01:51:12I learned something important...

01:51:14...about Dilan's brother.

01:51:16I thought you'd like to know.

01:51:18What is it?

01:51:20Dilan's brothers are staying with their aunt.

01:51:22That's great news. Address?

01:51:24Of course.

01:51:26You're one of a kind.

01:51:28If you need anything, I'm here.

01:51:30Okay, thank you.

01:51:32Come on, get up.

01:51:34We're going to save Çınar.

01:51:36Then I'll treat you to dinner.

01:51:38Don't torture me.

01:51:40Please.

01:51:42Okay.

01:51:44Do you want Japanese style duck or...

01:51:46...café de Paris?

01:51:48I'm not hungry.

01:51:50You're in the mood today.

01:51:52You're in the mood.

01:51:56Mr. Prosecutor, can I know what you mean?

01:51:58Well...

01:52:00...first you said you were at home...

01:52:02...and then you changed your expression.

01:52:04Why did you change your expression?

01:52:06Because I didn't want my relationship...

01:52:08...with my driver girlfriend to be revealed.

01:52:10Besides, it was proven that I was at the hotel.

01:52:12No, it wasn't proven.

01:52:14There are only two statements.

01:52:16If I had this file 20 years ago...

01:52:18...I would prove that the testimony...

01:52:20...was a lie.

01:52:24I watched the footage from the funeral.

01:52:26The press took it.

01:52:28Your hand is handcuffed. Why?

01:52:30What happened to your hand?

01:52:32I was sad.

01:52:34I was very sad.

01:52:36I wanted this to happen to us.

01:52:38I hit my hand on the wall.

01:52:40They handcuffed me.

01:52:42And you had to do it.

01:52:44You took your father's seat.

01:52:46Besides...

01:52:52...there was no trace...

01:52:54...of any quarrel.

01:52:56So there was someone they knew at home.

01:53:03He was my brother.

01:53:07For no reason...

01:53:10...a brother can't be enough to be killed.

01:53:12It's not something...

01:53:14...that hasn't been seen in human history.

01:53:29Here you go.

01:53:31Thank you, sister.

01:53:37You must be thirsty, master.

01:53:40I thought you'd have some tea.

01:53:43It'll warm you up.

01:53:45Warming up is important.

01:53:47Thank you, ma'am.

01:53:55The medicines are ready for now, Miss Zümrüt.

01:53:57She wanted to rest on the chair for a while.

01:53:59I'm okay for today.

01:54:01Okay, you can go.

01:54:03I'll be back tomorrow.

01:54:05Have a good day.

01:54:07Good luck, master.

01:54:09Thank you.

01:54:23Hüsnü.

01:54:25The weather is great again.

01:54:27Do you want to go for a walk?

01:54:29Come on.

01:54:31I'm just watching.

01:54:33The garden is the same as here.

01:54:35It's so clean.

01:54:37It's so nice here.

01:54:39It's good for both of us.

01:54:41It's good for you too.

01:54:43Let's open this.

01:54:45You know everything.

01:54:57Thank you.

01:55:13Thank you.

01:55:27I didn't want to bother the old man.

01:55:29Let me go in and see.

01:55:31I'll plan a few things.

01:55:33About the painting.

01:55:53Okay, it's okay here.

01:55:55It's a nice painting.

01:55:57We were close for a while.

01:55:59Then we became lovers.

01:56:01Relationship.

01:56:03We went to the hotel that day to stay.

01:56:05When we heard the bad news,

01:56:07we left immediately.

01:56:09Where was the new lady living then?

01:56:11In Bebek.

01:56:13Who was she living with?

01:56:15Alone.

01:56:17Where were you living?

01:56:19I had a small house in Istinye.

01:56:21Who were you staying with?

01:56:23Alone.

01:56:25Both of you have a house.

01:56:27But you're going to stay at the hotel.

01:56:29Not outside the city.

01:56:31Not outside Istanbul.

01:56:33I don't understand this part.

01:56:35I mean...

01:56:37It's been so long.

01:56:39I don't know what logic we went to the hotel with.

01:56:41I don't remember it either.

01:56:43Since you don't remember what logic it was,

01:56:45I guess it wasn't a special day.

01:56:47Did you go to the hotel?

01:56:49Yes.

01:56:51Did you enter the room?

01:56:53Yes.

01:56:55How many floors was the hotel?

01:56:57What was your room number?

01:57:01I don't remember.

01:57:03No, I don't remember.

01:57:05Anything about the room?

01:57:07No.

01:57:09You received an important news that day.

01:57:11The name of a worker with colorful walls.

01:57:13I don't know.

01:57:15I really don't remember.

01:57:17Anything about the hotel?

01:57:19No.

01:57:21Could it be because you never stayed at the hotel?

01:57:23Mr. Oktay.

01:57:25Hasn't it been bothering you for years?

01:57:27Doesn't it bother your conscience

01:57:29that you hide these facts?

01:57:31Mr. Oktay.

01:57:35I don't know what you're talking about.

01:57:37Mrs. Yeliz killed her brother and sister-in-law, didn't she?

01:57:41Did you help her?

01:57:43No.

01:57:45I didn't kill anyone.

01:57:47Helping the murderer to cover up the case

01:57:49makes you the murderer of the truth.

01:57:51And the punishment is great.

01:58:03Her face is officially disfigured.

01:58:05We need to prove this, Eren.

01:58:07She has a wife who has the potential

01:58:09to commit crimes all the time.

01:58:11And it's obvious that she's used to covering up.

01:58:13She's used to it.

01:58:15It won't be easy to get rid of her.

01:58:27Thank you so much.

01:58:29Don't mention it.

01:58:31Enjoy your meal.

01:58:33Thank you.

01:58:35I was shocked when I heard it.

01:58:37Dilan is a little girl.

01:58:39What's the point of killing someone?

01:58:41I can't believe it.

01:58:43The police came to the news and asked.

01:58:45I'm telling them the same thing.

01:58:47The girl is not there, unfortunately.

01:58:49It's hard for you, too, of course.

01:58:51Isn't it?

01:58:53I'm all alone with these kids around here.

01:58:55They are my brother's heirlooms.

01:58:57I can't live without them.

01:58:59I can't live without them.

01:59:01I can't live without them.

01:59:03They are my brother's heirlooms.

01:59:05If his sister hadn't eaten these mints,

01:59:07she would have been with them.

01:59:09Anyway, there is no more than fate.

01:59:11Whatever Mevlam says.

01:59:13Well, if that's the case,

01:59:15let's ask for your permission.

01:59:17Do you have any tea left?

01:59:19We have a lot to do.

01:59:21Can I use the bathroom?

01:59:23At the end of the corridor, on the left.

01:59:25Wait a minute.

01:59:33Let's close the door.

01:59:35Let's not ring the doorbell.

01:59:37I'm going to step on the doorbell.

01:59:39And the door will fall.

01:59:41That's how it is.

01:59:47Hello girls.

01:59:59How are you?

02:00:01Who are you?

02:00:03I'm Ceylin.

02:00:05What are your names?

02:00:11This is my favorite cartoon.

02:00:19I know your sister.

02:00:23And I want to help your sister.

02:00:25I know she never comes here.

02:00:27You missed her very much.

02:00:29I can help her.

02:00:31You can always see your sister.

02:00:33She may not need to hide anymore.

02:00:41This is my card.

02:00:43If your sister comes,

02:00:45can you give this to her?

02:00:47No, she never comes here.

02:00:49Okay, I'm telling you if she comes.

02:00:51I know.

02:00:57Goodbye.

02:00:59I'm sorry.

02:01:01I don't want to see you anymore.

02:01:03Goodbye.

02:01:21I'm sure she'll come here.

02:01:23That's great.

02:01:25We took a great step to save Cinar.

02:01:27Someone has to wait here.

02:01:29To follow Dilan.

02:01:31Goodbye.

02:01:33Okay, I'll take care of it.

02:01:35Okay.

02:01:37You don't move at all today.

02:01:51Yes.

02:01:53The prosecutor is unaware of it.

02:01:55He doesn't want you to leave anywhere.

02:01:57For your information.

02:01:59Don't worry.

02:02:01We can't leave anywhere anyway.

02:02:03If we leave, you'll know.

02:02:05The police will let us know.

02:02:07Did you think we didn't notice?

02:02:09Of course, Chief Inspector.

02:02:11Let the prosecutor be free.

02:02:13The prosecutor is determined.

02:02:15He will find the killer.

02:02:17Thank you very much.

02:02:19What do you think?

02:02:21We are very happy.

02:02:23I don't know if 20 years later,

02:02:25justice will be justice.

02:02:27But my brother's bones won't hurt anymore.

02:02:45My love.

02:02:47Can I ask you something?

02:02:49Of course, go ahead.

02:02:51I have a lot to do today.

02:02:53Can you take Mercan to my place?

02:02:55I will, but you can take him tomorrow.

02:02:57Okay, thank you.

02:02:59You're welcome.

02:03:01I thank you for being my husband.

02:03:03I love you.

02:03:05See you at home.

02:03:07See you, my love.

02:03:09It's a long way to get permission from the queen.

02:03:11Where do we start?

02:03:13Let's take Mrs. Yeliz's mother and father to the expressway.

02:03:15They are old people.

02:03:17Let's go to their house.

02:03:19Of course.

02:03:21Let's go.

02:03:29I don't want you to feel sorry for us.

02:03:31My son and my daughter-in-law

02:03:33have been buried for 20 years.

02:03:35She hasn't spoken since that day.

02:03:37No one heard her voice.

02:03:39She is used to the pain of Kenan.

02:03:41Don't do it.

02:03:43It's a shame for us, too.

02:03:45Of course, our goal is not to remind you of your pain, Mr. Fahri.

02:03:47But as I said,

02:03:49there is an incident covered with theft

02:03:51and the murderer is still free.

02:03:55My son is gone.

02:03:57Nothing can bring him back now.

02:04:01Even if justice is a little bit,

02:04:03it pours water on your pain.

02:04:05Let's continue our investigation without tiring you

02:04:07and find the murderer.

02:04:09How is that going to happen?

02:04:11Old notebooks will be opened.

02:04:13Look, you found the stolen ones.

02:04:15You came to our door for the first time.

02:04:17We have no answer to ask, Mr. Prosecutor.

02:04:21We just came to ask

02:04:23if you remember anything.

02:04:27I'm sorry.

02:04:31Good evening.

02:04:33Good evening.

02:04:41Good evening.

02:05:01How are you? Are you having fun?

02:05:03Have fun.

02:05:11Come on, let's dance.

02:05:13We've been waiting all winter and spring.

02:05:15Come on.

02:05:17Have fun.

02:05:19Thank you.

02:05:37You're still not dressed.

02:05:39Everyone is waiting for you.

02:05:41The party has started.

02:05:43What is this?

02:05:45What?

02:05:47What is this thing down there?

02:05:49Welcome to the spring party.

02:05:53Come on.

02:05:55Yiliz, a few days ago

02:05:57someone died in this house.

02:06:01Someone.

02:06:05Someone insignificant.

02:06:09Someone insignificant.

02:06:21No, tell me.

02:06:23Tell me.

02:06:27Your pain is too great.

02:06:29Are you sick?

02:06:33It must be devastating for you

02:06:35to be burying the woman you love.

02:06:39I knew it.

02:06:41Of course you knew it.

02:06:43That's why I killed her.

02:07:09Come on.

02:07:39Did you want something?

02:07:41Where were you looking?

02:07:43Well, nothing.

02:07:45I mean, I'm not even aware of it.

02:07:47Why are you still here?

02:07:49Didn't I tell you to go?

02:07:51The cleaning is over now.

02:07:53I don't want to see your dirty face

02:07:55for another second, okay?

02:07:57What are you doing?

02:07:59What did you dream of?

02:08:01While setting the table?

02:08:03Did you think about

02:08:05being the lady of this house?

02:08:07What are you talking about?

02:08:09What are you talking about?

02:08:11Get out of my house,

02:08:13Mr. Servet.

02:08:25Why do you think

02:08:27I set up your husband?

02:08:29You don't realize

02:08:31that he might be in love with me.

02:08:33He's fed up with you

02:08:35and he's looking for love.

02:08:37I didn't confront him.

02:08:39He confronted me.

02:08:41He asked me for love for months.

02:08:45You're lying.

02:08:47You'd give anything for money.

02:08:49Don't confront me.

02:08:51Confront your husband.

02:08:53Even if I leave his life,

02:08:55he'll never love you.

02:08:57Never.

02:09:05Serap!

02:09:13What happened? Are you okay?

02:09:15He fell.

02:09:17Serap!

02:09:21Come on, get dressed.

02:09:23Everyone is waiting for us.

02:09:27You killed him.

02:09:29And this time,

02:09:31I won't let you cover your face.

02:09:33Either you go and confess

02:09:35that you killed Serap,

02:09:37or I go and tell myself

02:09:39that you killed my brother

02:09:41and my sister-in-law.

02:09:43Who would believe you?

02:09:45You have no proof

02:09:47between the two.

02:09:49Do you have any proof

02:09:51that I took Serap down the stairs?

02:09:53No.

02:09:55Do you have any proof

02:09:57that I stabbed my brother

02:09:59and my sister-in-law?

02:10:01No.

02:10:05Maybe I don't have

02:10:07just words.

02:10:09I have more.

02:10:11Yeliz.

02:10:27Let's not keep our guests waiting.

02:10:29Come on, get dressed.

02:10:55He'll go to Tenis early tomorrow.

02:10:57Don't make him suffer.

02:11:03So?

02:11:05Are you having fun?

02:11:07Yes.

02:11:21I think we should leave it like this.

02:11:23It will heal faster.

02:11:25I'm already bored of the bandage.

02:11:27But if I can kiss you,

02:11:29it will heal faster.

02:11:31Where are you going?

02:11:33What do you mean?

02:11:35Isn't it too late?

02:11:37Just one dose a day.

02:11:39It's not accepted.

02:11:41I'm asking for a dose.

02:11:43Mercan, we're going to be late.

02:11:45You said 10 minutes.

02:11:47Are you making fun of me?

02:11:49We're going to be late.

02:11:51I'm sorry.

02:11:53Come on, Mercan.

02:11:55If you get ready like this every day,

02:11:57how are we going to get out of the house?

02:11:59I'm here.

02:12:01How are you?

02:12:03You're beautiful.

02:12:05Come on, let's go.

02:12:07It's your turn to pick up Mercan today.

02:12:09With pleasure, ma'am.

02:12:11If it's for my dad,

02:12:13it's for the harmful things day.

02:12:15Oh, my God.

02:12:17Isn't this harmful things day new?

02:12:19I wish it was.

02:12:21Okay, then.

02:12:23Count to 30.

02:12:25If you can count, I'll let you go.

02:12:27Count, girl.

02:12:29Let the unbelieving ears hear.

02:12:311, 2, 3,

02:12:334, 5, 6,

02:12:357, 8,

02:12:379, 10, 11,

02:12:3912, 13, 14,

02:12:4115, 16, 17,

02:12:4318, 19,

02:12:4520, 21, 22,

02:12:4723, 24, 25,

02:12:4926, 27, 28,

02:12:5129, 30.

02:12:53Harmful things day.

02:12:55Harmful things day.

02:12:57I think I should come and pick you up after Mercan.

02:12:59So?

02:13:01Let's go look at the caravan.

02:13:03What are you talking about?

02:13:05I found a second-hand, clean one.

02:13:07Great.

02:13:09I can't wait for the evening.

02:13:11Come on, I'll show you on the computer in the room.

02:13:13Even if you don't like it, we won't go.

02:13:15Okay, but I'll definitely like it.

02:13:17We'll see.

02:13:21Why hasn't he called yet?

02:13:25Open it.

02:13:27Yes, Mr. Nevzat.

02:13:29He wants to talk to his wife.

02:13:31He wants to see you.

02:13:35What?

02:13:39Kill me.

02:13:41It won't do any good.

02:13:43You killed your brother and sister-in-law.

02:13:45The knife will go to the prosecutor today.

02:13:53Now?

02:14:05Leave Oktay.

02:14:11Kill the prosecutor.

02:14:13That knife should never reach the prosecutor.

02:14:25I love it.

02:14:33This corner is my corner.

02:14:35I stretch my legs here and read my book.

02:14:37It doesn't matter to me.

02:14:39My place is fixed.

02:14:41I'll use it sometimes.

02:14:45Mercan will go crazy.

02:14:47We'll have him take care of it until summer.

02:14:49Then a little run, a few hours away,

02:14:51by the lake or something.

02:14:53Great idea.

02:14:55We'll even do a couple of things.

02:14:57You liked it.

02:14:59I liked it, I loved it.

02:15:01But now we're going to do our own thing.

02:15:03Let's not touch it.

02:15:05To make it better.

02:15:07It's clear.

02:15:09Anyway, I have to go.

02:15:11I have three meetings today.

02:15:15You'll be here all day.

02:15:17Yes.

02:15:19I'll come to you as soon as I'm done.

02:15:21That's not possible.

02:15:25Have a nice day, darling.

02:15:27I love you.

02:15:29I love you too.

02:15:39Don't go.

02:16:09Don't go.

02:16:39Don't go.

02:17:09Don't go.

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