• 8 months ago
Mark Ronson chats with The Hollywood Reporter about his nomination for Best Song at the 96th Academy Awards for "I'm Just Ken" from 'Barbie.' He reveals where he keeps his current Oscar from his win for "Shallow," whether he prefers the Oscars or the Grammys more and who he's rooting for this award season.

Category

People
Transcript
00:00 Never play these emotions for laughs.
00:02 Like, you need to feel that these people are really going through these, like, true emotional things at that moment.
00:06 So, I loved writing that.
00:07 "I'm Just Ken" is like nothing we've ever written ever before, and probably nothing we'll ever write again.
00:13 Hi, I'm Mark Bronson, and I'm nominated for Best Song for "I'm Just Ken" from Barbie.
00:27 I keep my one statue, I keep it, I'm very, it's obnoxious.
00:33 I keep it on the living room mantel where everybody can see it.
00:36 Like, I'm sure there's some people who, you know, like, more like, "Yeah, it's in the study."
00:41 Mine's like, "No, it's right there."
00:43 I feel like maybe Lady Gaga kept the envelope.
00:51 It was fun, though, because the other night at the Grammys when I read Record of the Year,
00:56 I remember walking off stage and being like, "Wait, I'm still holding this.
00:59 I should give it to Miley or, you know, Tom, who wrote the song."
01:02 So, it was kind of like a sweet moment to, like, hand that to somebody to give an award to your friends.
01:07 I haven't prepared anything yet.
01:13 I think Andrew's more quiet.
01:15 Like, he's like the finniest of the bunch.
01:18 But I would love to hear Andrew say something.
01:20 Which one's more fun?
01:25 I mean, they're both amazing.
01:26 I mean, the Grammys was so great this year as well because the performances were so amazing.
01:31 But I think that, yeah, the Oscars has, like, a prestige on another level.
01:36 I mean, there's this piece of score that we wrote called "You Failed Me,"
01:45 and it's like when Ryan's on top of the Hummer and he's having his big meltdown,
01:49 and then it goes all the way through to when Margo kind of, like, has her thing,
01:53 and she kicks her shoes off and falls over.
01:56 We were just, like, so moved by all these performances.
02:00 And the whole thing that Greta always wanted us was to, like, never play these emotions for laughs.
02:04 Like, you need to feel that these people are really going through these, like, true emotional things at that moment.
02:08 So, I loved writing that.
02:10 So, I really am proud of that.
02:12 I'm just kind of like, nothing we've ever written ever before, and probably nothing we'll ever write again.
02:18 And it's a crazy song.
02:21 I remember every time that I went into the editing suite when we were working on "Barbie,"
02:24 there were always these giant bags of things to floss your teeth with.
02:29 Greta's really fervent about, I guess, flossing and all this stuff.
02:33 And I just thought that was just so cool, and I was like, "I need to floss more."
02:37 So, that would be, like, a topic of small talk, just to turn to John Williams and be like,
02:41 "What's your flossing kind of schedule?"
02:45 Ryan. Yeah, I think he's just so great in the film.
02:49 I think, you know, I mean, everybody, really.
02:53 But Ryan's the one that, like, lifted up this song.
02:56 He's the reason that we're sort of there, I feel like.
02:58 I mean, other than, obviously, Greta Noah's screenplay, which created the entire world of it.
03:03 But I really, like, of course I'm partial, but I love all the "Barbie" stuff.
03:09 America, you know, I found everybody did such good work.
03:15 America, you know, I found everybody did such good work.
03:19 [BLANK_AUDIO]

Recommended