Highlander: The Final Dimension (1994)
Highlander III: The Sorcerer (also known as Highlander: The Final Dimension or Highlander: The Final Conflict) is a 1994 British-Canadian-French action-adventure fantasy film and the third installment in the Highlander film series. Set as an alternate sequel to the original film, it is the final Highlander film to focus on Connor MacLeod as the protagonist. In the film, Connor MacLeod is forced to face a new, dangerous enemy, a powerful sorcerer known as Kane who threatens to win the fabled "Prize" in order to gain world domination by eliminating MacLeod. It grossed $36.7 million worldwide.
Category
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Short filmTranscript
00:00:00 [no audio]
00:00:07 [music]
00:00:14 [no audio]
00:00:17 [music]
00:00:27 [no audio]
00:00:39 From the dawn of time we came,
00:00:42 moving silently among you,
00:00:45 down through the centuries.
00:00:48 Immortals.
00:00:50 I'm Connor McCloud of the Clan MacLeod,
00:00:53 the Highlander.
00:00:55 After the death of my friend Ramirez...
00:00:58 [thunder]
00:01:03 and my beloved wife Heather,
00:01:06 I left my home in the highlands of Scotland
00:01:10 and began to wander the world searching for answers.
00:01:15 Finally I came to Japan,
00:01:17 to the mountains of Niri
00:01:19 and the cave of the sorcerer Nakano.
00:01:23 [music]
00:01:35 [music]
00:01:55 [music]
00:02:05 [music]
00:02:15 [music]
00:02:25 [music]
00:02:35 [music]
00:02:45 [music]
00:02:55 [music]
00:03:05 [music]
00:03:15 [music]
00:03:31 Great danger lies ahead, Highlander.
00:03:35 From a faraway land comes another,
00:03:38 the most feared and evil among us.
00:03:43 He keeps growing stronger every day,
00:03:47 feeding on the power of other immortals.
00:03:51 Soon there will be none left who can stop him.
00:03:56 If he wins, the world will suffer eternal damnation.
00:04:04 Who is he?
00:04:09 His name is Kane.
00:04:13 [music]
00:04:25 [music]
00:04:50 The mountain of Niri. Where is it?
00:04:54 Why do you want to know?
00:04:58 Tell me, where is the mountain of Niri?
00:05:03 Do you want the power of the sorcerer Nakano?
00:05:09 Maybe the old man still can't hear me.
00:05:13 Burn it down!
00:05:15 [music]
00:05:25 [music]
00:05:35 [music]
00:05:45 [music]
00:05:55 [music]
00:06:05 [music]
00:06:15 [music]
00:06:34 How do I kill him?
00:06:37 With heart, soul, and steel.
00:06:42 I've heard that before.
00:06:45 I know. Ramirez.
00:06:48 Like him, I've lived many lifetimes.
00:06:53 And like him, my gift to you is my knowledge.
00:06:58 [music]
00:07:19 The knowledge does not come easy, Highlander.
00:07:23 [music]
00:07:33 [music]
00:07:43 [music]
00:08:11 Nothing is what it seems, Highlander.
00:08:14 First, you must be aware and respect the power of illusion.
00:08:19 [music]
00:08:23 [music]
00:08:30 You have already lost.
00:08:32 [music]
00:08:39 Fight with your spirit, and the sword will follow.
00:08:43 [music]
00:08:53 [music]
00:09:13 [music]
00:09:16 [music]
00:09:17 [music]
00:09:24 [music]
00:09:46 Well done, Highlander.
00:09:48 The sword wields the spirit of its master.
00:09:52 It can be the gate to either heaven or hell.
00:09:56 Just strike at my head, and you will take all my knowledge.
00:10:01 I will not.
00:10:03 [music]
00:10:07 Not even for the power of illusion?
00:10:10 [music]
00:10:13 [music]
00:10:18 Not even.
00:10:20 [music]
00:10:44 Where to now, King?
00:10:46 [music]
00:10:59 [music]
00:11:06 [music]
00:11:26 Ah, yes.
00:11:28 [music]
00:11:30 This is the place.
00:11:33 [growls]
00:11:35 Shh. You have to go now.
00:11:39 What?
00:11:40 Shh. Trust me. You must leave.
00:11:44 [music]
00:11:53 I can't.
00:11:55 You have a long journey ahead of you.
00:11:59 Why do I have to go?
00:12:01 [music]
00:12:03 This is not your time, Highlander.
00:12:06 Remember, they're both mine.
00:12:10 [music]
00:12:16 Now go!
00:12:18 [music]
00:12:20 I won't forget you.
00:12:22 [music]
00:12:42 Ah, Nakano. So good to see you again.
00:12:47 The pleasure is always mine.
00:12:50 [music]
00:12:55 Actually, the pleasure is all mine.
00:12:58 Where's the Highlander?
00:13:02 [music]
00:13:08 You age badly, you old goat.
00:13:11 [music]
00:13:25 Say, this is the Highlander!
00:13:28 [music]
00:13:32 There can be only one.
00:13:35 Oh, isn't the way old man?
00:13:38 More than you know. When I tell you to go, just go!
00:13:42 [grunts]
00:13:43 Go after the Highlander.
00:13:45 [music]
00:13:46 Now!
00:13:47 [music]
00:13:48 [screams]
00:13:51 [music]
00:13:52 So...
00:13:54 [music]
00:13:55 Your magic has improved, Wizard.
00:13:58 Why don't you give it to me?
00:14:00 I didn't give it to you 200 years ago.
00:14:03 I'm not about to now.
00:14:05 Yes, but if I cut off your head, I get your magic anyway.
00:14:10 So, we could do this the easy way,
00:14:14 or we could do this the hard way.
00:14:18 [grunts]
00:14:20 My head doesn't come off that easy.
00:14:22 No, but it does come off, nonetheless.
00:14:26 [music]
00:14:30 [grunts]
00:14:31 [music]
00:14:45 You betrayed yourself, old man.
00:14:48 [music]
00:14:53 There can be only one.
00:14:57 [music]
00:15:00 [sighs]
00:15:01 [music]
00:15:04 [music]
00:15:07 [music]
00:15:15 [screams]
00:15:27 Yes, only one, but it will not be you.
00:15:34 [laughs]
00:15:38 [music]
00:16:06 [screams]
00:16:09 [music]
00:16:25 [screams]
00:16:45 [helicopter]
00:17:06 [speaking Japanese]
00:17:11 The Archaeological Commission is waiting.
00:17:15 The owner of the corporation is threatening to shut us down
00:17:17 so he can continue his foundations.
00:17:19 They can't stop the excavation now.
00:17:21 Alexa, the Japanese government has enormous respect
00:17:23 for such a famous archaeologist as yourself,
00:17:25 but this is a delicate situation.
00:17:30 Well, from what you sent me to authenticate,
00:17:32 definitely 16th century.
00:17:34 But check the grid points.
00:17:36 Do you realize this spot is less than a mile
00:17:40 from the center of Nuri?
00:17:42 What are you suggesting?
00:17:44 The cave of the sorcerer Nakano?
00:17:46 Alexa, Nakano is a legend.
00:17:48 Oh, which reminds me.
00:17:52 So's Babe Ruth.
00:17:54 Based on fact.
00:17:55 Domo arigato.
00:17:57 Oh, Alex, the commission.
00:18:00 [music]
00:18:10 [music]
00:18:20 [music]
00:18:30 [music]
00:18:40 [music]
00:18:50 [music]
00:19:00 [music]
00:19:10 [music]
00:19:20 [music]
00:19:30 [music]
00:19:40 [music]
00:19:42 Highlander's out there somewhere.
00:19:46 And he owes me for all those years.
00:19:51 Find him.
00:19:55 Nothing more.
00:19:57 Just find him.
00:20:04 Where are we?
00:20:06 What's happening?
00:20:09 Nothing really left for you to worry about, my friend.
00:20:12 There can be only one--
00:20:14 [music]
00:20:24 [music]
00:20:34 [music]
00:20:44 [music]
00:20:54 [music]
00:21:04 [music]
00:21:14 [music]
00:21:24 [music]
00:21:34 [music]
00:21:44 [music]
00:21:54 Dad, is it okay?
00:21:57 Yeah.
00:22:01 No clouds?
00:22:05 Let's go.
00:22:14 How can this be happening?
00:22:16 They were all dead and the prize was mine.
00:22:20 So who is out there?
00:22:24 Where is he?
00:22:41 If anything happens to me, I want you to look after John.
00:22:45 What are you talking about?
00:22:50 I have to leave, Jack.
00:22:52 Everything is taken care of.
00:23:01 Does the boy know you're not his real father?
00:23:03 Oh, yeah.
00:23:05 He knew it was adopted before he could spell it.
00:23:08 I hope whatever's taking you is worth what you're leaving.
00:23:13 I hope so, too.
00:23:16 But I don't have a choice.
00:23:28 I know he's alive.
00:23:30 And I have to find him.
00:23:34 Going back to New York to the place of the gathering is not what I had in mind.
00:23:41 Once again, my life is about to change.
00:23:46 [music]
00:24:05 What are they doing?
00:24:06 I thought we got clearance last night.
00:24:07 You won't believe this, Alex.
00:24:08 Someone broke into the dig.
00:24:11 [speaking Japanese]
00:24:23 So what did they take?
00:24:24 We don't know.
00:24:25 What do you mean you don't know?
00:24:26 I couldn't pass a police line.
00:24:28 Are you okay?
00:24:57 Yeah.
00:24:59 So this must be the inner chamber.
00:25:02 But how did they know it was here?
00:25:14 Look at this.
00:25:16 What, 1500s?
00:25:18 Remarkable copy.
00:25:24 Alex, I just want a sample.
00:25:28 Why?
00:25:29 I don't think it's a copy.
00:25:40 John?
00:25:48 John?
00:25:58 Hey.
00:26:00 I'm not going to be away long.
00:26:03 Well, you better call me.
00:26:05 Hey, you better call me.
00:26:09 You take care of the place.
00:26:11 You're in charge now.
00:26:15 Come here.
00:26:18 I love you, John.
00:26:20 [music]
00:26:41 [speaking Spanish]
00:27:05 [speaking Spanish]
00:27:15 Nice plate.
00:27:44 Gang beating!
00:27:45 Malloy!
00:27:46 Down here.
00:27:47 Clear the way!
00:27:48 What's this?
00:27:49 Severe trauma.
00:27:50 Internal bleeding.
00:27:51 Two gunshot wounds.
00:27:52 38 caliber.
00:27:53 Vital signs?
00:27:54 Stable.
00:27:55 Lucky guy.
00:27:56 Notify the police?
00:27:57 Of course.
00:27:58 What the fuck are you talking about?
00:27:59 These aren't bullet wounds.
00:28:00 Impossible.
00:28:01 Stop wasting my time.
00:28:02 This guy was shot!
00:28:03 Kid stuff, you deal with it.
00:28:04 Doctors!
00:28:05 Malloy!
00:28:06 What is it?
00:28:07 Restrain him!
00:28:08 Grab hold of him!
00:28:09 Give me a sedative!
00:28:10 Let me go!
00:28:11 You don't understand!
00:28:12 Doctor!
00:28:13 Come on!
00:28:14 Come on!
00:28:15 [screaming]
00:28:18 Take him up to ward seven right away.
00:28:20 Ward seven?
00:28:21 You got a problem with that?
00:28:22 This guy's a lunatic.
00:28:23 A lunatic.
00:28:24 A lunatic.
00:28:25 [screaming]
00:28:51 [sirens]
00:29:20 It's definitely not a fake.
00:29:22 It doesn't make any sense.
00:29:30 Alexan, how do you explain this?
00:29:37 Where'd you find it?
00:29:39 In the chamber.
00:29:40 It's old, maybe 300, 400 years.
00:29:43 But look at the pattern, the weave.
00:29:45 Certainly not Japanese.
00:29:47 Looks like some sort of tartan.
00:29:49 Scotland?
00:29:50 That's a long way from Japan.
00:29:52 Especially 400 years ago.
00:29:54 Waterloo, my greatest battle.
00:30:17 If only I had used my left flank before dawn.
00:30:21 Well in time, you swine!
00:30:23 You are better prepared than me.
00:30:25 Me, the great Emperor Napoleon.
00:30:28 Keep it down.
00:30:29 Who are you?
00:30:34 Waterloo.
00:30:38 Remember?
00:30:39 Your favorite soldier.
00:30:41 Waterloo.
00:30:42 Yeah.
00:30:43 Is it you?
00:30:44 Yeah.
00:30:45 My god, what are you doing here?
00:30:46 I had to warn you.
00:30:48 You're in great danger.
00:30:50 I know.
00:30:51 It's not safe here.
00:30:53 Please help me.
00:30:54 Oh, great one.
00:30:57 My mission is not over yet.
00:31:01 What mission?
00:31:06 Wellington.
00:31:08 Remember?
00:31:09 I have to kill him.
00:31:13 Waterloo, make him suffer.
00:31:15 Hey, how do I get out of here?
00:31:18 Leave it to me.
00:31:19 Soldiers, I am proud of you.
00:31:27 Finally, the time has come.
00:31:29 And the time is now.
00:31:31 We're going to be the Emperor!
00:31:34 Wait, wait, wait!
00:31:35 Wait!
00:31:38 No!
00:31:40 No!
00:31:42 No!
00:31:43 No!
00:31:44 No!
00:31:45 No!
00:31:47 No!
00:32:15 Shut up.
00:32:16 Shut up.
00:32:17 What did I ever do to you?
00:32:20 What did I ever do to you?
00:32:23 What did I ever do to you?
00:32:25 Shh.
00:32:26 Shh.
00:32:28 [distant sirens]
00:32:31 [door slams]
00:32:33 [car engine starts]
00:32:58 [indistinct chatter]
00:33:00 [explosion]
00:33:20 [sirens]
00:33:22 Highlander!
00:33:48 I am your shadow!
00:33:50 Where is Kane?
00:33:53 Don't worry about Kane!
00:33:56 Worry about me.
00:34:04 [chanting]
00:34:06 You've already lost.
00:34:26 There can be only one.
00:34:34 [sirens]
00:34:36 [sirens]
00:34:38 [screams]
00:34:50 [screams]
00:34:52 [screams]
00:35:11 [explosion]
00:35:39 So what do you got for a check?
00:35:41 We got a body here, and we got a head over there.
00:35:44 Now, I suspect foul play.
00:35:46 Maybe you should have taken over for Cosimo, Silverfoot.
00:35:49 Look, Lieutenant, we got a guy in a Halloween costume
00:35:52 gets his head sliced off.
00:35:54 It's not your usual humdrum assassination now.
00:35:56 Where's the sword?
00:35:57 How do you know about that?
00:35:58 I was saving that as a surprise.
00:36:00 I remember things.
00:36:01 You, you forget.
00:36:03 But I remember.
00:36:05 Hey, Lieutenant.
00:36:06 I know we checked for prints already.
00:36:08 Wasted your time.
00:36:09 You won't find nothing.
00:36:10 Yeah, well, somebody broke out of the psycho ward,
00:36:12 came down here, and did this hell of a mess.
00:36:14 Russell Nash.
00:36:16 You see?
00:36:17 He's a genius.
00:36:18 Yeah, so you know the victim.
00:36:20 I know the killer.
00:36:24 [horn honking]
00:36:29 [tires screeching]
00:36:31 Mr. Nash.
00:36:52 Lieutenant John Sten, NYPD.
00:36:55 What do you want?
00:36:56 Eight years ago, you got away with it.
00:36:58 But I'm not Detective Bedsoe.
00:37:00 I'm going to nail you, Nash.
00:37:01 That's a promise.
00:37:03 Have a good night, Lieutenant.
00:37:05 [music playing]
00:37:20 Oh, sorry, Charlie.
00:37:22 20 bucks a mile.
00:37:23 20 a mile.
00:37:24 All right.
00:37:25 Yo, yo, the brother, the brother.
00:37:27 My brother.
00:37:28 Come on in.
00:37:29 Come on in.
00:37:30 Come on in.
00:37:31 Tell you what.
00:37:32 You find the red card, I give you $20 right now, man.
00:37:34 Easy as that.
00:37:35 You do my magic, boom, you're on.
00:37:37 Motherfucker, I never seen that shit before.
00:37:50 Hey, yo, how do you do that?
00:37:54 Hey, yo.
00:37:55 Give me back my money.
00:37:58 Shit, my glasses.
00:38:00 Fuck it, man.
00:38:02 Keep the money, all right?
00:38:03 [music playing]
00:38:13 [music playing]
00:38:16 [music playing]
00:38:18 Welcome back, McCloud.
00:38:44 [music playing]
00:39:12 Get back in the car immediately, please.
00:39:15 My son.
00:39:16 I have with me American archaeologist Dr. Alex
00:39:19 Johnson, who's from the New York Museum of Ancient History.
00:39:23 Dr. Johnson, what can you tell us about the discovery
00:39:26 and why is it so exciting?
00:39:28 Well, the artifacts are clearly exceptional,
00:39:30 but only after a much more detailed analysis--
00:39:32 Sarah.
00:39:33 --will we be able to speculate as to the identity
00:39:35 of the--
00:39:36 [music playing]
00:39:38 Do I know you?
00:39:41 [music playing]
00:39:43 No.
00:39:47 No?
00:39:49 Hmm.
00:39:51 I thought not.
00:39:54 So what are you doing here?
00:39:58 Well, I may be mistaken, but I had the feeling that this
00:40:02 was the house of Monsieur de Frenet.
00:40:04 Well, you're, uh, obviously not mistaken.
00:40:07 Ah.
00:40:09 Connor McCloud, I see you've met my rather spirited niece,
00:40:13 Sarah.
00:40:14 She's come here from England.
00:40:16 It seems I'm in need of taming.
00:40:18 Besides, in the challenge, I would imagine.
00:40:22 I invited him for the weekend to join us at the car table.
00:40:26 Sarah Gambler, Mr. McCloud.
00:40:28 On occasion.
00:40:31 So am I. On occasion.
00:40:35 Any chance of a preview?
00:40:37 Not at this point, but some of the more unusual objects
00:40:41 will be lent to our existing exhibition.
00:40:44 However, is it not possible that you're standing on the site
00:40:47 of the legendary lost cave of the great Japanese sorcerer
00:40:51 Nakano?
00:40:52 As I've said to you before, any speculation at this point
00:40:55 would be a little premature.
00:40:57 Well, is it not true, Dr. Johnson,
00:40:59 that supported by your own controversial studies,
00:41:02 that legends can be used to identify archaeological sites?
00:41:05 It is true that we have seen parallels
00:41:07 between missing sites before.
00:41:09 But what about the inscriptions?
00:41:11 Do they offer any clues, or is this just some sort
00:41:13 of cave-robbing graffiti?
00:41:15 It's probably just some ancient taggers.
00:41:17 Taggers.
00:41:18 Well, Ms. Johnson, so no idea what it means?
00:41:21 I know what it means.
00:41:22 [music playing]
00:41:25 [speaking russian]
00:41:27 That's for the caliphate.
00:41:28 How are they russian?
00:41:32 [speaking russian]
00:41:34 There can be only one.
00:41:36 [beeping]
00:41:39 Only one what?
00:41:41 Alexander.
00:41:42 Hm?
00:41:43 Another fax from Tommy.
00:41:45 A little something to read on the flight home.
00:41:48 I thought this might interest you.
00:41:51 Well, that's it for me.
00:41:57 I'm off to New York tonight.
00:41:58 Better document that last grade.
00:42:02 [music playing]
00:42:05 A man wants vinyl when he can have the real thing?
00:42:16 I don't think so.
00:42:19 Come on.
00:42:20 [music playing]
00:42:27 [beeping]
00:42:30 Why don't you come play a little bit?
00:42:36 Make yourself comfortable.
00:42:39 You're a nice big boy.
00:42:42 [groaning]
00:42:45 Come on, you little devil.
00:42:49 Silent type, huh?
00:42:51 It's fine by me, baby.
00:42:54 But I'm telling you, no grudge, no love.
00:43:02 What are you waiting for, honey?
00:43:11 [panting]
00:43:14 Come on, baby.
00:43:16 [panting]
00:43:23 [screaming]
00:43:26 So after three days, this better be good.
00:43:28 Well, it wasn't easy, but I finally
00:43:30 determined the cause of death.
00:43:32 All right, now that we've had our little joke,
00:43:34 what else have you got?
00:43:35 Nothing.
00:43:37 Besides having his head cut off, he's in perfect health.
00:43:40 No broken bones, no cavities, no organ deterioration,
00:43:45 like a newborn baby.
00:43:46 Find out who he is?
00:43:47 He's nobody.
00:43:48 No prints, no blood, no blood.
00:43:50 Find out who he is?
00:43:51 He's nobody.
00:43:52 No prints, no dental, no nothing.
00:43:55 It's like he never existed.
00:43:58 So what do you really think, Howard?
00:44:00 I think you better not smoke in here, Lieutenant.
00:44:03 What's this guy doing in New York City?
00:44:05 What's he doing on the planet?
00:44:11 Thanks, Howard.
00:44:18 [gunshot]
00:44:20 McCloud's.
00:44:28 But I checked it, same pattern, didn't match up.
00:44:30 Apparently, this alteration in the color
00:44:33 denotes a branch of the Klan that broke away in, I think,
00:44:35 1536.
00:44:37 Yeah.
00:44:38 Some incident occurred that year involving a Connor McCloud
00:44:40 who was driven from his home, accused of wielding powers
00:44:43 thought to have been unnatural.
00:44:45 So in defiance, the father altered this insignia
00:44:47 to honor the son's lineage.
00:44:49 But there's been no record of this branch ever since.
00:44:52 Except for a piece of cloth.
00:44:54 Which could now place one of them in a Japanese cave
00:44:56 a few years later.
00:44:58 Yeah, but what would a Scot be doing there?
00:45:01 What if he was one of these Gaelic mystics?
00:45:04 I mean, the Kannon's initiates were said to have been
00:45:06 great sorcerers, right?
00:45:07 Yeah.
00:45:08 None of the legends refer to where they came from.
00:45:12 Interesting theory.
00:45:13 But Alex, no records, no proof.
00:45:17 Once a year, the McClouds meet at Dunvigan Castle,
00:45:20 Isle of Scott.
00:45:22 According to the registrar, this entry was made in 1986.
00:45:25 Some antique dealer claiming to be a direct descendant
00:45:28 of this particular branch.
00:45:31 So where's this guy from?
00:45:33 New York.
00:45:35 They faxed me his address.
00:45:37 What, you're going to harass some poor guy
00:45:38 about his ancestors?
00:45:40 He's going to think you're crazy.
00:45:42 Perhaps.
00:45:44 And again, at this point,
00:45:47 he may be my only link to Nakano.
00:45:51 Well, I'm off.
00:45:54 Good, Tommy.
00:45:56 I'll tell security you're working late again.
00:45:58 Thanks.
00:46:01 [♪♪♪]
00:46:04 [♪♪♪]
00:46:08 [♪♪♪]
00:46:11 What do you call this place?
00:46:36 Excuse me?
00:46:38 This place here, what do you call it?
00:46:42 Uh, a museum.
00:46:44 Right where I'm called.
00:46:46 Museum.
00:46:47 Oh, no, please.
00:46:49 I'm your biggest fan, you see.
00:46:50 I saw you on television.
00:46:52 I'm a big historian myself, really.
00:46:54 Ah, this looks familiar.
00:46:58 Oh, isn't it amazing how the present
00:47:00 just can't seem to escape the past?
00:47:03 Can I help you with something?
00:47:06 No, no, no, I'm just, uh,
00:47:08 just doing a little research.
00:47:11 Ooh, look at this cave.
00:47:14 A little small, eh?
00:47:16 And what does your museum called?
00:47:19 A model.
00:47:21 A model.
00:47:22 And you?
00:47:24 Um, a vision of a past reality, I suppose.
00:47:29 Oh, reality.
00:47:31 Reality is so boring, I much prefer
00:47:36 illusion or fantasy,
00:47:38 a little hocus-pocus and maybe a little--
00:47:41 [thud]
00:47:44 Maybe a little bit of...
00:47:48 hanky-panky, huh?
00:47:50 Huh?
00:47:51 [♪♪♪]
00:47:54 [♪♪♪]
00:47:58 [♪♪♪]
00:48:01 "Conan MacLeod."
00:48:06 Don't worry, my prissy.
00:48:09 I'll find him.
00:48:12 I'm gonna find him.
00:48:15 [♪♪♪]
00:48:18 [♪♪♪]
00:48:21 [♪♪♪]
00:48:25 [♪♪♪]
00:48:28 Burn it down.
00:48:36 [thunder rumbling]
00:48:39 [♪♪♪]
00:48:42 [♪♪♪]
00:48:50 [♪♪♪]
00:48:53 [dog barking]
00:48:56 [gunshots]
00:48:59 [♪♪♪]
00:49:02 [dog barking]
00:49:05 [♪♪♪]
00:49:08 [dog barking]
00:49:11 [♪♪♪]
00:49:14 [♪♪♪]
00:49:17 (dramatic music)
00:49:19 (dramatic music)
00:49:22 (dramatic music)
00:49:25 (dramatic music)
00:49:28 (dramatic music)
00:49:30 (dramatic music)
00:49:59 - I'm outside the Japanese spiritual center in Queens.
00:50:02 (laughing)
00:50:10 (grunting)
00:50:14 - Good to have you back, Nash.
00:50:20 - Good to see you, Charlie.
00:50:21 (dramatic music)
00:50:24 (dramatic music)
00:50:27 (dramatic music)
00:50:30 (water dripping)
00:50:32 (dramatic music)
00:50:36 - Yah!
00:50:58 Come on, come on!
00:51:00 - Come on.
00:51:02 (cheering)
00:51:10 Come on, come on.
00:51:11 - Yah!
00:51:14 (dramatic music)
00:51:20 (dramatic music)
00:51:48 - I wish we could go on like this for a thousand years.
00:51:51 What do you wish?
00:51:59 - McCloud?
00:52:02 - Daddy had better time me.
00:52:07 (laughing)
00:52:10 - What do you want, Pierre?
00:52:12 - I have bad news.
00:52:16 They need you in Paris.
00:52:19 - Why now?
00:52:20 - The revolution has started.
00:52:22 You must leave the girl.
00:52:24 Come now, my friend.
00:52:29 If not for you, then do it for her.
00:52:31 - You're not coming back, are you?
00:52:47 - You have to get back to England.
00:52:49 You won't be safe here.
00:52:52 - No one is safe now.
00:52:53 Come.
00:52:57 Take this.
00:53:00 (horses galloping)
00:53:17 (dramatic music)
00:53:20 - Russell Nash?
00:53:26 - Excuse me?
00:53:27 - Sorry, are you Russell Nash?
00:53:30 - What if I am?
00:53:31 - I'm looking for, I guess,
00:53:32 the previous owner of your shop, a Connor McCloud.
00:53:35 You wouldn't happen to know where I could find him,
00:53:37 would you?
00:53:38 - Did you follow me?
00:53:45 - Yes, but--
00:53:46 - I haven't seen him in eight years.
00:53:49 - Well, do you know if he's still in the area?
00:53:52 - I wish I could help you, Miss Johnson.
00:53:54 - How do you know my name?
00:53:57 - Well, your discovery in Japan has made you famous.
00:54:03 - You're obviously interested in Japan yourself, Mr. Nash.
00:54:09 - Strange food, good cars, tough deals.
00:54:15 Listen, it's getting late.
00:54:17 Good night, Miss Johnson.
00:54:19 - Look, Mr. Nash, I don't mean to bother you,
00:54:21 but you're my only link to this Connor McCloud.
00:54:25 - Try the phone book.
00:54:26 There's plenty of McClouds in New York.
00:54:30 - Well, thanks, but I'm only looking for one.
00:54:33 (dramatic music)
00:54:36 - Son of a bitch.
00:54:37 (dramatic music)
00:54:44 - 400 years is a long time to hate.
00:54:49 Oh, and you never wrote.
00:54:52 But hate feeds you, it focuses the mind,
00:54:59 keeps you warm, gives you hope.
00:55:02 Hey, McCloud.
00:55:03 Don't worry about the girl.
00:55:11 She's not really my type.
00:55:13 - Little too.
00:55:14 - Damn.
00:55:16 - Then again, this being the '90s,
00:55:19 I could make an exception.
00:55:21 After all, I've got so much catching up to do.
00:55:25 - This is a Buddhist shrine, Kane,
00:55:29 and we can't fight on holy ground.
00:55:32 - Oh, well, I guess I'll be the judge of that.
00:55:36 (dramatic music)
00:55:41 (fighters grunting)
00:55:44 (dramatic music)
00:55:50 (fighters grunting)
00:56:09 (dramatic music)
00:56:12 (laughing)
00:56:17 (dramatic music)
00:56:20 (screaming)
00:56:30 (dramatic music)
00:56:36 (grunting)
00:56:39 (screaming)
00:56:41 (dramatic music)
00:56:44 - Nothing.
00:56:55 (screaming)
00:57:02 (dramatic music)
00:57:04 (grunting)
00:57:07 - There can be only one.
00:57:19 (dramatic music)
00:57:24 (screaming)
00:57:27 - After 400 years, patience is a virtue.
00:57:38 (laughing)
00:57:42 - Jesus Christ.
00:57:51 I'm going in.
00:57:52 (dramatic music)
00:57:54 - Listen.
00:57:59 Whatever you saw, you saw nothing.
00:58:03 You don't know what you're getting yourself into.
00:58:08 Stay away.
00:58:09 (dramatic music)
00:58:14 (dramatic music)
00:58:17 - Police, police!
00:58:25 One more thing I think you should know about.
00:58:34 There was a woman who worked with us once in a while.
00:58:38 Brenda.
00:58:40 Brenda Wyatt.
00:58:43 (sighing)
00:58:44 - What about her?
00:58:45 - Well, she was fascinated by it.
00:58:48 The murders, the swords, the whole thing.
00:58:51 - Lieutenant?
00:58:53 It's what, five in the morning?
00:58:54 - Look, they scraped her off a highway
00:58:56 in Scotland seven years ago.
00:58:59 She was killed instantly,
00:59:02 but he walked away without a scratch.
00:59:11 - That's bad for her.
00:59:13 - So, are you sure you didn't see anything?
00:59:20 (sizzling)
00:59:24 Miss Johnson.
00:59:27 - Sorry.
00:59:28 No.
00:59:30 - Russell Nash is a dangerous man.
00:59:33 Now, I suggest you stay away from him.
00:59:40 - Exactly what he said.
00:59:42 (engine revving)
01:00:08 (tires screeching)
01:00:11 - Please, my friend, for the revolution.
01:00:14 (laughing)
01:00:18 - McCloud, visit her!
01:00:19 - Calm down, McCloud.
01:00:28 If you die, we lose a great warrior against evil.
01:00:32 I'm here to take your place.
01:00:36 Go home and sleep it off.
01:00:39 Come on.
01:00:40 - I'm tired of this eternal life.
01:00:47 Death would release me from my pain.
01:00:50 - Come on, here, go home.
01:00:53 - I'm not going anywhere.
01:00:55 (grunting)
01:00:57 - It's time, Mr. McCloud.
01:01:06 (tires screeching)
01:01:09 - When he wakes up, throw him out.
01:01:15 (tires screeching)
01:01:20 - God be with you.
01:01:35 - For treason against the King of France,
01:01:38 Connor McCloud.
01:01:40 - Connor!
01:01:51 Connor!
01:01:53 Connor!
01:01:54 - Oh, sir.
01:02:01 (tires screeching)
01:02:04 - Yes?
01:02:17 - Well, it was a very interesting evening last night,
01:02:20 but I didn't exactly have time to check the phone book.
01:02:23 Mr. McCloud.
01:02:24 - You wanna come in?
01:02:30 Come in.
01:02:31 I'll fix you a drink.
01:02:44 Make yourself comfortable.
01:02:46 - Thanks.
01:02:49 - Thanks.
01:02:49 You've got quite a collection.
01:03:06 (somber music)
01:03:09 (phone ringing)
01:03:34 - Hello?
01:03:35 - Mr. McCloud?
01:03:36 This is Janet at Super Travel.
01:03:38 I'm calling to confirm your reservation
01:03:40 on the Newark-Glasgow flight.
01:03:42 Your ticket is prepaid and waiting at the counter.
01:03:46 - Thanks.
01:03:47 - Bye.
01:03:48 - Bye.
01:03:49 - A lot of Connors in the past.
01:03:59 - I know.
01:04:00 - I know.
01:04:01 - I know.
01:04:02 - I know.
01:04:03 - A lot of Connors in the family?
01:04:06 - Her name was Sarah.
01:04:13 (somber music)
01:04:16 (dramatic music)
01:04:19 (dog barking)
01:04:21 (dramatic music)
01:04:24 (dog barking)
01:04:27 (dramatic music)
01:04:29 (baby crying)
01:04:45 (speaking in foreign language)
01:04:52 (dramatic music)
01:05:22 - Look, I don't know what was going on last night,
01:05:24 but I think it's got something to do
01:05:26 with what I'm working on.
01:05:28 We found a piece of tartan in the cave
01:05:30 that was traced to an undocumented branch of the McClouds
01:05:32 of which you are apparently the only member on record.
01:05:37 That cave was sealed 400 years ago.
01:05:39 Have you ever heard of the legend of the sorcerer Nakano?
01:05:47 Don't you ever think about anything else but business?
01:05:51 - Do you have something better to offer?
01:05:57 - It seems I'm in need of taming.
01:06:00 - Pleasant challenge, I would imagine.
01:06:03 - Well, I'm sure you'll let me know
01:06:06 if something comes to mind, huh?
01:06:09 Hmm, what's this?
01:06:13 Looks familiar.
01:06:17 (dramatic music)
01:06:20 Death to the McClouds!
01:06:22 (crowd cheering)
01:06:25 (dramatic music)
01:06:31 (dramatic music)
01:06:34 (dramatic music)
01:06:37 - My bunny, Heather, my first wife.
01:07:05 My first love.
01:07:06 I came back here because this is where it all started.
01:07:13 And I need some strength.
01:07:15 (dramatic music)
01:07:18 (Heather grunts)
01:07:33 (metal clangs)
01:07:35 (dramatic music)
01:07:42 (metal clangs)
01:07:57 (dramatic music)
01:08:00 - Come on.
01:08:01 (metal clangs)
01:08:07 (metal clangs)
01:08:20 (dramatic music)
01:08:23 (metal clangs)
01:08:42 (metal clangs)
01:08:45 (dramatic music)
01:09:11 - Ah, the last 400 years have been a good deal, McCloud.
01:09:15 Oh.
01:09:28 (metal clangs)
01:09:29 Oops, there you say.
01:09:31 (phone rings)
01:09:35 - Hi, leave a message, I'll call you back.
01:09:38 (phone beeps)
01:09:40 Hi, it's me, John.
01:09:42 I miss you.
01:09:43 When are you coming home?
01:09:44 You said you were gonna call me, remember?
01:09:48 Well, in case you forgot, it's Marrakesh, 1442.
01:09:52 Love you, Daddy.
01:09:53 Bye.
01:09:54 (phone beeps)
01:09:59 - Daddy.
01:10:06 (sighs)
01:10:08 Daddy.
01:10:12 (dramatic music)
01:10:18 - Hey, McCloud.
01:10:34 (laughs)
01:10:35 I thought you'd find me.
01:10:36 Why did you come?
01:10:41 - A gun.
01:10:53 (metal clangs)
01:11:01 ♪ Oh, early morn ♪
01:11:06 ♪ I am sorry to see ♪
01:11:12 ♪ Such a horrible destruction ♪
01:11:17 ♪ Of your own country ♪
01:11:22 ♪ For it stood on your shore for ♪
01:11:28 ♪ That is the long day ♪
01:11:32 ♪ Till the lamberts from Antrim ♪
01:11:37 ♪ Came to float it away ♪
01:11:43 ♪ Oh, early morn ♪
01:11:51 ♪ You shined where you stood ♪
01:11:56 ♪ And the more I think on you ♪
01:12:01 ♪ The more I think long ♪
01:12:07 ♪ If I had you now, else ♪
01:12:12 ♪ I had once before ♪
01:12:16 ♪ All the lords in old England ♪
01:12:22 ♪ Would not purchase portmore ♪
01:12:27 ♪ All the lords in the forest ♪
01:12:35 ♪ They bitterly weep ♪
01:12:40 ♪ Sighing where shall we shelter ♪
01:12:45 ♪ Where shall we sleep ♪
01:12:50 ♪ For the oak and the ash ♪
01:12:54 ♪ They are all come to die ♪
01:12:59 ♪ And the walls of bonnie portmore ♪
01:13:05 ♪ Are all down to the line ♪
01:13:18 - You seem like you belong here.
01:13:20 - Maybe I used to, but that was a long time ago.
01:13:26 - You spend a lot of time alone.
01:13:38 - I'm used to it.
01:13:41 - Nobody is.
01:13:46 You don't let people in, do you?
01:13:49 - I can't.
01:13:50 It hurts to love and--
01:13:53 - And see them die?
01:13:54 Like the woman in the painting.
01:13:58 - Yes.
01:13:59 I loved her very much.
01:14:02 - I know who you are.
01:14:10 You're Connor MacLeod.
01:14:15 Born into the clan MacLeod in Glenfinnan
01:14:19 on the shores of Lock Shield.
01:14:21 You were driven from your home in 1536.
01:14:27 - And I cannot die.
01:14:32 - And have wandered the world ever since.
01:14:35 (dramatic music)
01:14:38 (dramatic music)
01:14:41 (dramatic music)
01:14:44 (dramatic music)
01:14:46 (dramatic music)
01:14:49 (dramatic music)
01:14:52 (dramatic music)
01:14:55 (dramatic music)
01:14:57 (dramatic music)
01:15:00 (dramatic music)
01:15:03 (dramatic music)
01:15:06 (dramatic music)
01:15:08 (dramatic music)
01:15:11 (dramatic music)
01:15:14 (dramatic music)
01:15:17 (dramatic music)
01:15:19 (dramatic music)
01:15:22 (dramatic music)
01:15:25 (dramatic music)
01:15:28 (dramatic music)
01:15:30 (dramatic music)
01:15:33 (dramatic music)
01:15:36 (dramatic music)
01:15:39 (dramatic music)
01:15:42 (dramatic music)
01:15:47 (dramatic music)
01:15:51 (dramatic music)
01:15:56 (dramatic music)
01:16:01 (dramatic music)
01:16:07 (dramatic music)
01:16:10 (dramatic music)
01:16:15 (dramatic music)
01:16:20 (dramatic music)
01:16:25 (dramatic music)
01:16:30 (upbeat music)
01:16:38 (crowd cheering)
01:16:41 - Mr. McCloud? - Yeah?
01:16:52 - There's a Jack Donovan on the phone, returning a call.
01:16:54 - I'll be right back.
01:16:56 - Jack, what the hell are you doing in Scotland?
01:17:04 - What do you mean?
01:17:06 - John's on the flight from Marrakesh.
01:17:08 He's into Newark tomorrow afternoon as planned.
01:17:12 - What are you saying, Jack?
01:17:14 - Something wrong with your memory.
01:17:16 I've just dropped him at the airport.
01:17:18 - Is there a problem?
01:17:19 - No problem, Jack.
01:17:21 I'll pick him up.
01:17:23 Bye, Jack.
01:17:24 Thanks.
01:17:35 - Passport, please.
01:17:36 You're traveling alone?
01:17:40 - Um, yeah, but my dad's picking me up.
01:17:42 - Welcome to the United States, Mr. McCloud.
01:17:46 - Thanks.
01:17:47 (dramatic music)
01:17:52 (phone ringing)
01:18:05 (dramatic music)
01:18:08 - Yeah.
01:18:14 - What?
01:18:15 - They got Nash.
01:18:16 - Where?
01:18:17 - All right, we'll be right there.
01:18:19 Northwest Airlines, flight 49.
01:18:21 Just landed in Newark.
01:18:23 Come on, move.
01:18:24 Let's go.
01:18:25 - It's over there, the green bag.
01:18:28 Grab it.
01:18:29 (dramatic music)
01:18:33 (people chattering)
01:18:36 - I know he's here somewhere.
01:18:38 I can feel him.
01:18:39 (dramatic music)
01:18:42 Excuse me.
01:18:53 Excuse me.
01:18:57 - Did you see?
01:18:58 Did you see?
01:19:00 - Next.
01:19:01 (dramatic music)
01:19:04 (people chattering)
01:19:07 - Out, out, out, out.
01:19:09 (dramatic music)
01:19:12 - Dad!
01:19:24 - John.
01:19:25 (dramatic music)
01:19:29 - Come on.
01:19:30 (dramatic music)
01:19:33 (people chattering)
01:19:36 - That's it, go!
01:19:38 - Hold on, now.
01:19:39 - John!
01:19:40 (dramatic music)
01:19:43 - Where's the Porsche?
01:19:45 - The Porsche?
01:19:46 Get in the car.
01:19:47 Little punk.
01:19:50 (dramatic music)
01:19:53 (engine revving)
01:19:58 (dramatic music)
01:20:01 - Who are you?
01:20:06 - I'm a friend of your daddy.
01:20:10 (laughing)
01:20:12 (tires screeching)
01:20:14 - He's got my son.
01:20:15 - What son, Nash?
01:20:16 - There's nothing in your file about a son.
01:20:18 - You're a liar, Nash.
01:20:19 - You're a fucking liar.
01:20:20 - Nash, what son?
01:20:21 (tires screeching)
01:20:22 - Please stop the car, please!
01:20:24 Let me out of here!
01:20:25 - Let me out of here, please stop the car.
01:20:28 - Stop, please!
01:20:29 Look at the planes, there's a plane!
01:20:31 - Oh no!
01:20:32 (screaming)
01:20:34 (tires screeching)
01:20:37 - I ain't missing my plane!
01:20:40 (tires screeching)
01:20:43 (screaming)
01:20:51 You take the wheel.
01:20:53 You take the wheel.
01:20:55 Watch out!
01:20:56 Get back!
01:20:57 Oh, mother!
01:20:59 - Okay, guys, I'll take it from here.
01:21:03 - Okay, good luck, Lieutenant.
01:21:05 - So, Nash, talk to me.
01:21:10 We've got plenty of time.
01:21:12 (upbeat music)
01:21:15 (screaming)
01:21:18 - Oh, there's a truck!
01:21:20 - Stop!
01:21:21 (screaming)
01:21:24 - Fucking bullshit.
01:21:34 Without a confession, we got nothing on this guy.
01:21:37 - So if we can't charge him,
01:21:40 he's gonna have to release him.
01:21:42 - A little bit stuffy.
01:21:44 Need a little ventilation, eh?
01:21:46 - Who's there?
01:21:47 - What?
01:21:48 (laughing)
01:21:50 - Nah, first world's safety.
01:21:52 Keep your eye on the road!
01:21:54 (laughing)
01:21:56 Whoa, what's that?
01:21:59 It's a wall!
01:22:00 (screaming)
01:22:03 - Okay, Nash, you're free to go for now.
01:22:07 Oh yeah, one more thing.
01:22:09 - What?
01:22:10 - One day you'll make a mistake,
01:22:11 and when you do, I'll nail you.
01:22:13 - (laughs) I've heard that before.
01:22:15 - Let the fucker go.
01:22:18 - Your daddy can save you now, eh?
01:22:21 - McCloud, or Highlander,
01:22:23 whatever you're going by these days,
01:22:25 it's your boy.
01:22:27 - Dad!
01:22:28 - I hope I wasn't too hard on him.
01:22:31 I'm at the old mission,
01:22:33 Route 1, Jersey City.
01:22:36 Do come.
01:22:38 (clicking)
01:22:44 (somber music)
01:22:50 (sniffing)
01:22:53 (sniffing)
01:23:10 (sniffing)
01:23:13 (gasps)
01:23:28 (clicking)
01:23:32 (clicking)
01:23:35 (engine rumbling)
01:23:38 - Dad!
01:24:00 - (laughs)
01:24:02 Ah, the importance of teaching young people
01:24:04 family values.
01:24:05 (laughs)
01:24:06 Smoke.
01:24:07 - Don't touch him.
01:24:08 - (laughs)
01:24:09 Little punk.
01:24:10 - Come here, John.
01:24:11 - Go see your father.
01:24:13 (eerie music)
01:24:15 Oh, disappearance of the family.
01:24:18 It's funny, you know,
01:24:19 I thought immortals couldn't have children.
01:24:22 But it seems that while I'm the master of illusion,
01:24:25 you are turning out to be
01:24:26 the master of deception, Highlander.
01:24:30 How did you do it?
01:24:31 How did you convince all those
01:24:32 lovely women of yours that they were the ones
01:24:35 that couldn't bear children?
01:24:37 When all the while it was you and your little immortal pecker
01:24:41 that really didn't do the pecking.
01:24:43 Oh, I know.
01:24:46 You must have been very disappointed.
01:24:48 All those nice years thinking you were the only one left.
01:24:53 But you see, the prize was never yours.
01:24:57 And now, it never will be.
01:25:01 Amen.
01:25:02 Nice little speech, Cain.
01:25:04 But it's not gonna save your head.
01:25:07 Where's John?
01:25:10 Oh, well, come with me.
01:25:13 Come with Johnny.
01:25:18 (eerie music)
01:25:21 (thud)
01:25:23 (eerie music)
01:25:26 (thud)
01:25:28 (eerie music)
01:25:31 (sigh)
01:25:34 (eerie music)
01:25:38 (whisper) Here's Johnny.
01:25:42 (eerie music)
01:25:45 (thud)
01:25:47 (eerie music)
01:25:52 (thud)
01:25:54 (eerie music)
01:25:59 (thud)
01:26:01 (eerie music)
01:26:06 (thud)
01:26:08 (eerie music)
01:26:10 (thud)
01:26:12 (eerie music)
01:26:17 (thud)
01:26:19 (eerie music)
01:26:24 (thud)
01:26:26 (eerie music)
01:26:31 (thud)
01:26:33 (eerie music)
01:26:38 (thud)
01:26:40 (eerie music)
01:26:43 (laugh)
01:26:45 (eerie music)
01:26:52 McCloud?
01:26:57 What are you doing here?
01:26:59 I followed you.
01:27:01 I just thought I could help.
01:27:04 (eerie music)
01:27:09 (thud)
01:27:11 (eerie music)
01:27:14 (scream)
01:27:16 (thud)
01:27:17 (scream)
01:27:19 Here.
01:27:20 (thud)
01:27:21 (thud)
01:27:22 (thud)
01:27:23 (thud)
01:27:24 Oh shit.
01:27:26 (thud)
01:27:27 (scream)
01:27:29 Come on.
01:27:30 (thud)
01:27:31 (thud)
01:27:32 (thud)
01:27:33 (thud)
01:27:34 (thud)
01:27:35 Come on.
01:27:36 (thud)
01:27:37 (thud)
01:27:38 (scream)
01:27:39 (scream)
01:27:41 (thud)
01:27:42 Oh McCloud.
01:27:44 You're such a lady killer.
01:27:47 (growl)
01:27:49 (growl)
01:27:51 (growl)
01:27:53 (growl)
01:27:55 (growl)
01:27:57 (growl)
01:28:00 I can't kill an unarmed man.
01:28:03 Take it.
01:28:06 But then again, life isn't fair, is it?
01:28:09 [MUSIC]
01:28:19 [MUSIC]
01:28:29 [MUSIC]
01:28:39 [MUSIC]
01:29:04 [MUSIC]
01:29:14 [MUSIC]
01:29:39 [MUSIC]
01:30:04 [MUSIC]
01:30:14 I'll see you in hell.
01:30:28 I'll be the judge of that.
01:30:32 [MUSIC]
01:30:42 There can be only one.
01:30:55 [MUSIC]
01:31:20 [MUSIC]
01:31:45 [MUSIC]
01:32:10 [MUSIC]
01:32:20 Dad?
01:32:29 Dad?
01:32:36 [MUSIC]
01:32:41 John.
01:32:42 [MUSIC]
01:32:52 John.
01:32:59 [MUSIC]
01:33:09 Will you do something for me, Connor?
01:33:17 In the years to come, will you light a candle and remember me on my birthday?
01:33:22 I love you.
01:33:26 I will.
01:33:27 [MUSIC]
01:33:32 There's a fresh breeze blowing off the Loch.
01:33:34 [MUSIC]
01:33:37 The glen is snowy and cold.
01:33:40 It's the most glorious sight on earth.
01:33:42 [MUSIC]
01:33:46 I've found no place to match it in 400 years.
01:33:50 I'm back now, with a woman I love and a son I've taken as my own.
01:33:55 [MUSIC]
01:34:02 I'm at peace.
01:34:04 It's finally over.
01:34:06 [MUSIC]
01:34:09 [GUNSHOT]
01:34:11 [MUSIC]
01:34:22 [MUSIC]
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01:38:44 [MUSIC]