Shikwa Tera Main Gaoon ..शिकवा तेरा मैं गांव दिल में सामने वाले, LATA MANGESHKAR TALAT MAHMOOD ..Dilip Kumar Madhubala
- 2 years ago
शिकवा तेरा मैं गांव दिल में
Shikwa Tera Main Gaaoon
Movie/album: Anmol Ratan (1950)
Singers: Lata Mangeshkar, Talat Mahmood
Song Lyricists: Deena Nath Madhok (D. N. Madhok)
Music Director: Vinod
ONE of the most talented music directors that Punjab has produced was Vinod. His real name was Eric Roberts but for the film industry he chose a more familiar name Vinod. he was very creative, who produced some of the most soul stirring tunes, but he never got what he deserved in life and in death. He had obtained lessons in composing film music from Late Pandit Amar Nath, had studied to the music of Master Inayat Hussain and learnt as to how Ghulam Haider was composing the preludes and interludes for his tunes.
Lata Mangeshkar was a new find, looking for work and Vinod gave her three songs to sing. Incidentally Lata's all three numbers became landmark songs not only for this film, but for other Punjabi films to follow. Those were the days of extreme communal tension on both sides of the Radcliffe line in Punjab , as a consequence after its release the film did not do well in Pakistani Punjab. But the selling of its music even in Pakistan did quite a decent business.
By 1946, he had started composing music for a number of films, including three Hindi films and a Punjabi film Chaman. However, Chaman could not be taken up due to communal tension in Lahore. It was made in India after 1947 for which Pushpa Hans and Shamshad Begum lent their voices. Vinod gave Lata Mangeshkar three songs to sing. All three numbers became landmark songs. Those were the days of tension on both sides of the Radcliffe line. While the film did not do well in Pakistan, the music of the film did a decent business.
The lovers of Punjab and Punjabi language, bow their heads before Vinod for all the great musical compositions he has given to his mother-tongue.
Vinod started composing songs for films in 1946. He composed music for the 1949 film Ek Thi Ladki, which, along with the song Larra Lappa Larra Lappa Layi Rakhda, Addi Tappa Addi Tappa Layi Rakhda became successful.[3] He moved to Bombay when Roop Kumar Shorey, a producer for whom Vinod had previously composed songs, brought his team there. Vinod composed music for 36 films, viz. 30 in Hindi and 6 in Punjabi language.
Shikwa tera main gaaoon
Dil mein samane wale
Bhule se yad kar le
O bhul jane wale
Shikwa tera
Ai aah mera bhed
Kahi khol na dena
Ai aah mera bhed
Kahi khol na dena
Ham ko hai unase
Pyar kahi bol na dena
Ham bhi hai zidd ke pure
Zidd ke nibhane wale
Pi jayenge aansu bhi
Sun le rulane wale
Shikwa tera
Shikwa tera main gaaoon
Dil mein samane wale
Bhule se yad kar le
O bhul jane wale
Shikwa tera
Mar jayenge hum aap
Hame yad karonge
Mar jayenge hum aap
Hame yad karonge
Rooge phut phut
Ke fariyad karoge
Dhundhege phir sahara
Aansu bahaane wale
Aayege nahi ja ke
Duniya se jane wale
Shikwa tera
Shikwa tera main gaaoon
Dil mein samane wale
Bhule se yad kar le
O bhul jane wale
Shikwa tera
MUKHTAR
LONDON 25 FEB 22
Shikwa Tera Main Gaaoon
Movie/album: Anmol Ratan (1950)
Singers: Lata Mangeshkar, Talat Mahmood
Song Lyricists: Deena Nath Madhok (D. N. Madhok)
Music Director: Vinod
ONE of the most talented music directors that Punjab has produced was Vinod. His real name was Eric Roberts but for the film industry he chose a more familiar name Vinod. he was very creative, who produced some of the most soul stirring tunes, but he never got what he deserved in life and in death. He had obtained lessons in composing film music from Late Pandit Amar Nath, had studied to the music of Master Inayat Hussain and learnt as to how Ghulam Haider was composing the preludes and interludes for his tunes.
Lata Mangeshkar was a new find, looking for work and Vinod gave her three songs to sing. Incidentally Lata's all three numbers became landmark songs not only for this film, but for other Punjabi films to follow. Those were the days of extreme communal tension on both sides of the Radcliffe line in Punjab , as a consequence after its release the film did not do well in Pakistani Punjab. But the selling of its music even in Pakistan did quite a decent business.
By 1946, he had started composing music for a number of films, including three Hindi films and a Punjabi film Chaman. However, Chaman could not be taken up due to communal tension in Lahore. It was made in India after 1947 for which Pushpa Hans and Shamshad Begum lent their voices. Vinod gave Lata Mangeshkar three songs to sing. All three numbers became landmark songs. Those were the days of tension on both sides of the Radcliffe line. While the film did not do well in Pakistan, the music of the film did a decent business.
The lovers of Punjab and Punjabi language, bow their heads before Vinod for all the great musical compositions he has given to his mother-tongue.
Vinod started composing songs for films in 1946. He composed music for the 1949 film Ek Thi Ladki, which, along with the song Larra Lappa Larra Lappa Layi Rakhda, Addi Tappa Addi Tappa Layi Rakhda became successful.[3] He moved to Bombay when Roop Kumar Shorey, a producer for whom Vinod had previously composed songs, brought his team there. Vinod composed music for 36 films, viz. 30 in Hindi and 6 in Punjabi language.
Shikwa tera main gaaoon
Dil mein samane wale
Bhule se yad kar le
O bhul jane wale
Shikwa tera
Ai aah mera bhed
Kahi khol na dena
Ai aah mera bhed
Kahi khol na dena
Ham ko hai unase
Pyar kahi bol na dena
Ham bhi hai zidd ke pure
Zidd ke nibhane wale
Pi jayenge aansu bhi
Sun le rulane wale
Shikwa tera
Shikwa tera main gaaoon
Dil mein samane wale
Bhule se yad kar le
O bhul jane wale
Shikwa tera
Mar jayenge hum aap
Hame yad karonge
Mar jayenge hum aap
Hame yad karonge
Rooge phut phut
Ke fariyad karoge
Dhundhege phir sahara
Aansu bahaane wale
Aayege nahi ja ke
Duniya se jane wale
Shikwa tera
Shikwa tera main gaaoon
Dil mein samane wale
Bhule se yad kar le
O bhul jane wale
Shikwa tera
MUKHTAR
LONDON 25 FEB 22