MAHANATI - (Rare Photographs)
- 4 years ago
A LEGENDRY ACTRESS MAHANATI
THE GREATEST METHOD ACTRESS OF THE WORLD
Savitri acted in dance dramas as a child, including some work with a theatre company run by Kongara Jaggaiah. She made an unsuccessful speculative trip to find film work in Madras at the age of 12, when she was deemed to be too young to play heroine roles, but in 1950 was cast as the female lead in Samsaram. That role did not become actuality because she became too excited, necessitating numerous retakes and eventually her replacement in the part. She was given a minor speaking role in the film and in the next year had two more minor roles, in Roopavati and Patala Bhairavi, before getting her big break as second heroine in Pelli Chesi Choodu.
Savriti was known for her hospitality, philanthropic gestures, and her love of buying property and jewellery, but she kept little control of her spending. Ganesan continued to philander and she was susceptible to favouring hangers-on with her largesse. Her career took a downturn in the late 1960s. Her properties were seized by tax officials and she turned to acting in any film that would have her, while sycophants encouraged her to direct and produce films that were unsuccessful and financially draining. Among her few supporters during her financial difficulties was Dasari Narayana Rao, who used her in most of his films, such as Gorintaku (1979), and specifically made Devadasu Malli Puttadu (1978) as a movie for her
THE GREATEST METHOD ACTRESS OF THE WORLD
Savitri acted in dance dramas as a child, including some work with a theatre company run by Kongara Jaggaiah. She made an unsuccessful speculative trip to find film work in Madras at the age of 12, when she was deemed to be too young to play heroine roles, but in 1950 was cast as the female lead in Samsaram. That role did not become actuality because she became too excited, necessitating numerous retakes and eventually her replacement in the part. She was given a minor speaking role in the film and in the next year had two more minor roles, in Roopavati and Patala Bhairavi, before getting her big break as second heroine in Pelli Chesi Choodu.
Savriti was known for her hospitality, philanthropic gestures, and her love of buying property and jewellery, but she kept little control of her spending. Ganesan continued to philander and she was susceptible to favouring hangers-on with her largesse. Her career took a downturn in the late 1960s. Her properties were seized by tax officials and she turned to acting in any film that would have her, while sycophants encouraged her to direct and produce films that were unsuccessful and financially draining. Among her few supporters during her financial difficulties was Dasari Narayana Rao, who used her in most of his films, such as Gorintaku (1979), and specifically made Devadasu Malli Puttadu (1978) as a movie for her