YA HUSSAIN ZINDABAD | या हुसैन ज़िंदाबाद | By Siddik Sabir | Music Zahir Ibrahim |

  • 5 years ago
Album: Ya Hussain Zindabaad (या हुसैन ज़िंदाबाद)
Presented By: Audio Curry Music
Lyrics & Singer : Siddik Sabir
Music: Zahir Ibrahim
Label: Audio Curry

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MUHARRAM

first month of the islamic lunar calendar, containing thirty days.

The events that took place on the tenth of Muharram in the year 680 changed forever the character of this month by making it a month of mourning, at least for the Shiʿa. On that date, Husayn—the grandson of the Prophet Muhammad and the third Imam of Shiʿite Islam—was brutally killed on the battlefield of Karbala. In this battle Husayn's sons, male relatives, and followers also perished. The women of his encampment were taken as captives to Caliph Yazid in Damascus. This tragic event overshadows any other event in that month. Husayn's ordeal started on the first of Muharram, when he and his party were intercepted by Yazid's troops, and continued even after his death, with the captivity of the Karbala survivors. Although the tenth of Muharram (known as Ashura ), is the actual date of Husayn's death, the mourning has been extended to cover the whole month.
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For the Shiʿa, the Muharram tragedy of Husayn is the greatest act of suffering and redemption in history. It acquired a timeless quality, and, therefore, apart from the yearly Muharram observances, the Shiʿa continually try to measure themselves against the principle of the paradigm of Husayn whenever they regard themselves as deprived, humiliated, or abused. In fact, one of the main slogans during the Islamic revolution in Iran (1978/79) chanted by the crowds or scribbled as graffiti on town and village walls was "Every day is Ashura; every place is Karbala; every month is Muharram." This same slogan was intoned on radio and television and was graphically depicted on posters and even postage stamps during Iran's eight-year (1980–1988) war against Iraq.
These rituals may be divided into two categories, the ambulatory and the stationary. They are primarily performed during the first ten days of Muharram, with the greatest discharge of emotions and the greatest number of rituals occurring on the day of Ashura. The most common ambulatory rite is a procession, and the participants are divided into different groups of self-mortifiers—those who beat their chests with the palms of their hands; those who beat their backs with chains; and those who wound their foreheads with swords or knives. Some mortify themselves with stones, and others carry the alam, which signify the standard of Husayn at Karbala. In Iran, in some processions, floats with live tableaux representing the scenes from the Karbala tragedy can be seen, as well as Husayn's symbolic bier, called nakhl (date palm). Nakhl is carried because, according to tradition, Husayn's beheaded corpse was carried on a stretcher made of date palm branches. Some nakhl are so large that they require more than 150 people to carry them. Processions are accompanied by bands of martial and mournful music. The most characteristic features of Muharram on the Indo-Pakistani subcontinent are the huge artistic interpretations of Husayn's mausoleum carried or wheeled in the procession. At the end of Ashura day, these structures, called taʿziya, are either cremated or buried at the local cemetery, called Karbala, or are immersed in water.

The Muharram observances were brought as far as the Caribbean basin in the years 1845 to 1917, when indentured laborers from India went there. Muharram is still, after carnival, the most important event in Trinidad. Although the Muharram rituals in Trinidad have more of a festive than a mourning character, the main features continue to be processions. In this case, the processions are parades of colorful cenotaphs for Husayn, called tadja. In India, the Sunni and even the Hindus actively participate in many Muharram rituals. In Trinidad as well, this is a true ecumenical event.

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