Baijnath Shiv temple view of Paradise highway, near Palampur
- 5 years ago
Vaidyanath Siva Temple, Baijnath is a famous 13th century temple dedicated to Lord Shiva as Vaidyanath, 'the Lord of physicians'. It is located in a small township called Baijnath in the Dhauladhar range of western Himalayas, 16 km from Palampur in the Kangra District of Himachal Pradesh. Originally known as Kiragrama, Baijnath town lies on Pathankot-Chakki-Manali highway almost midway between Kangra and Mandi. The present name Baijnath became popular after the name of the temple. The town is located on the left bank of the river Binwa, a corrupt form of ancient Binduka, a tributary of river Beas.
The Baijnath temple has been continuously under worship ever since its construction in 1204 A.D. by two local merchants named Ahuka and Manyuka. The two long inscriptions in the porch of the temple indicate that a temple of Siva existed on the spot even before the present one was constructed. What happened to the shrine in the centuries that followed is not exactly known but it appears to have continued under worship, as there is clear evidence of repairs and renovations from time to time. In the 18th century Sansara Chandra II, the Katoch king of Kangra, carried out extensive repairs and renovations of the temple. Alexander Cunningham noticed an inscription of 1786 in the temple referring to its renovations by Sansara Chandra. An inscription on the wooden doors of the sanctum of the temple provides the date as samvat 1840 (AD 1783) that is very near to Cunningham's date.The devastating earthquake that shook the entire region of Kangra on 4 th April 1905 also caused damage to the shrine, which has been reported by J. Ph. Vogel and has since been repaired. At present the temple is a protected monument under the Archaeological Survey of India but the performance of worship and rituals are under a local board at Baijnath with SDM as its chairman. The hereditary priests continue to get a share of the offerings.
The present temple is a beautiful example of the early medieval north Indian temple architecture known as Nagara style of temples. The Svayambhu form of Sivalinga is enshrined in the sanctum of the temple that has five projections on each side and is surmounted with a tall curvilinear Shikhara. The entrance to sanctum is through a vestibule that has a large square Mandapa in front with two massive balconies one each in north and south. There is a small porch in front of the mandapa hall that rests on four pillars in the front preceded by an idol of Nandi, the bull, in a small pillared shrine. The whole temple is enclosed by a high wall with entrances in the south and north. The outer walls of the temple have several niches with images of gods and goddesses. Numerous images are also fixed or carved in the walls. The outer doorway in the porch as also the inner doorway leading to the sanctum of the temple are also studded with a large number of images of great beauty and iconographic importance. Some of them are very rarely found elsewhere.
The temple attracts a large number of tourists and pilgrims from allover India and abroad throughout the year. Special prayers are offered in the morning and evening every day besides on special occasions and during festive seasons. Makara Sankranti, Maha Shivaratri, Vaisakha Sankranti, Shravana Mondays, etc. are celebrated with great zeal and splendor. A five day state level function is held here on Maha Shivratri every year.
Source: http://www.baijnathtemple.com/
This footage is part of the professionally-shot broadcast stock footage archive of Wilderness Films India Ltd., the largest collection of imagery from South Asia. The Wilderness Films India collection comprises of thousands of hours of high quality broadcast imagery, mostly shot on HDCAM 1080i High Definition, HDV and XDCAM. Write to us for licensing this footage on a broadcast format, for use in your production! We are happy to be commissioned to film for you or else provide you with broadcast crewing and production solutions across South Asia. We pride ourselves in bringing the best of India and South Asia to the world... Reach us at wfi @ vsnl.com and admin@wildfilmsindia.com
The Baijnath temple has been continuously under worship ever since its construction in 1204 A.D. by two local merchants named Ahuka and Manyuka. The two long inscriptions in the porch of the temple indicate that a temple of Siva existed on the spot even before the present one was constructed. What happened to the shrine in the centuries that followed is not exactly known but it appears to have continued under worship, as there is clear evidence of repairs and renovations from time to time. In the 18th century Sansara Chandra II, the Katoch king of Kangra, carried out extensive repairs and renovations of the temple. Alexander Cunningham noticed an inscription of 1786 in the temple referring to its renovations by Sansara Chandra. An inscription on the wooden doors of the sanctum of the temple provides the date as samvat 1840 (AD 1783) that is very near to Cunningham's date.The devastating earthquake that shook the entire region of Kangra on 4 th April 1905 also caused damage to the shrine, which has been reported by J. Ph. Vogel and has since been repaired. At present the temple is a protected monument under the Archaeological Survey of India but the performance of worship and rituals are under a local board at Baijnath with SDM as its chairman. The hereditary priests continue to get a share of the offerings.
The present temple is a beautiful example of the early medieval north Indian temple architecture known as Nagara style of temples. The Svayambhu form of Sivalinga is enshrined in the sanctum of the temple that has five projections on each side and is surmounted with a tall curvilinear Shikhara. The entrance to sanctum is through a vestibule that has a large square Mandapa in front with two massive balconies one each in north and south. There is a small porch in front of the mandapa hall that rests on four pillars in the front preceded by an idol of Nandi, the bull, in a small pillared shrine. The whole temple is enclosed by a high wall with entrances in the south and north. The outer walls of the temple have several niches with images of gods and goddesses. Numerous images are also fixed or carved in the walls. The outer doorway in the porch as also the inner doorway leading to the sanctum of the temple are also studded with a large number of images of great beauty and iconographic importance. Some of them are very rarely found elsewhere.
The temple attracts a large number of tourists and pilgrims from allover India and abroad throughout the year. Special prayers are offered in the morning and evening every day besides on special occasions and during festive seasons. Makara Sankranti, Maha Shivaratri, Vaisakha Sankranti, Shravana Mondays, etc. are celebrated with great zeal and splendor. A five day state level function is held here on Maha Shivratri every year.
Source: http://www.baijnathtemple.com/
This footage is part of the professionally-shot broadcast stock footage archive of Wilderness Films India Ltd., the largest collection of imagery from South Asia. The Wilderness Films India collection comprises of thousands of hours of high quality broadcast imagery, mostly shot on HDCAM 1080i High Definition, HDV and XDCAM. Write to us for licensing this footage on a broadcast format, for use in your production! We are happy to be commissioned to film for you or else provide you with broadcast crewing and production solutions across South Asia. We pride ourselves in bringing the best of India and South Asia to the world... Reach us at wfi @ vsnl.com and admin@wildfilmsindia.com