Cellar Sessions: Ike Reilly - Missile Site June 25th, 2018 The Loft at City Winery New York
- 5 years ago
Ike Reilly sits down for a One On One Session at The Loft at City Winery New York on June 25th, 2018. Watch the full session here: https://youtu.be/X5yzlBJ2E9Y For more info visit: http://www.ikereilly.net Audio & Video by: Ehud Lazin
Setlist:
Missile Site
Clean Blood Blues
Am I Still The One For You
Since his major label debut, the groundbreaking Salesmen and Racists, Ike Reilly has been making punk/folk/blues influenced rock ’n’ roll records that lean heavily on stories of outsiders with keen details and broad strokes that insinuate a crack in the American dream. Reilly’s band, The Assassination, has been called one of the best live bands in America, and the body of recorded work they’ve turned out has been poetic, rebellious, wholly original, and critically acclaimed.
Still, Reilly and co-producer Phil Karnats (Secret Machines, Tripping Daisy, Polyphonic Spree) felt that Reilly’s best takes had never been recorded. The lucidity and rhythm of Reilly’s performances that Karnats had witnessed in hotel rooms, backstage, and on tour buses had never been captured. “I wanted to create a setting where lil’ Ike could sing and play guitar at the same time, with the band in the same room... no headphones and minimal isolation,” says Karnats. “There's always been a freshness to playing the songs together that's hard to harness when recording in the more common, modern, sense where you do rhythm tracks first, then overdubs and vocals last. This time, Ike did his thing and we developed the arrangements based on his vocal approach, cadence, phrasing, intensity and all that. I think, in the end, we ended up with some killer songs that have a strangely unique, slightly off-center, vibe.” The resulting album, Crooked Love, is Reilly’s seventh studio album and comes out May 18, 2018 on Rock Ridge Music.
Indeed, this collection of succinct, tight-but-loose songs reflects the continuing evolution of Reilly’s ever-visceral wordsmithing, as married with a Murderer’s Row of backing tracks forged out of the intuitive interplay of his longstanding Assassination bandmates — guitarist Karnats, bassist Peter Cimbalo, drummer David Cottini, and guitarist/ keyboardist Adam Krier. Not to mention the input of a few special guests, too, including guitarist Tommy O’Donnell, pianist Ed Tinley, and saxophonists Mars Williams and Bill Overton, as well as family legacies Mickey Reilly on vocals and Peter John Cimbalo on drums.
One Crooked song that Reilly feels is the lynchpin to the record is “Been Let Down,” which moves from shuffle to backstab in the blip of a heartbeat. “We had a loose structure to ‘Been Let Down,’ but nothing written in stone, no exact measures to the instrumental parts,” Reilly says. “I had words but mostly images that I was gonna fit into spaces… no exact lengths to choruses. On the surface it’s got a John Lee Hooker vibe, but slightly tweaked. We were all in the same room no headphones or any of that shit, and really all I could hear was the rhythm section and myself. When we listened to the playback I was blown away. It was so off-kilter, really fucking fresh. The guitar and keyboard parts worked in and around my harp and vocal like we had charts. I was blown away by this take and the beauty of the recording.”
Walking that fine line between being topical and universal is another goal Reilly wanted to attain with this album. “I’m not sure if all the songs reflect what’s going on right now,” Reilly says. “You know, Trump’s insane behavior, racism and classism out in the open, a new nuclear threat, the planet’s demise. The songs were written under the shadow of all of that, but most people still just need and want love, affection, sex, and the simple pleasures of human contact. I have optimism for society and for its survival, though I am pretty fatalistic in the sense of, ‘This is what it is. It’s right here, it’s right now, and this is it.’ That can either drive you crazy or motivate you to squeeze every last drop out of it, you know?”
We know it well, in fact, for Crooked Love is as haunting and straight-shooting into the heart as anything you’ll hear this year. And that’s also how you know you’re living in the right time.
Setlist:
Missile Site
Clean Blood Blues
Am I Still The One For You
Since his major label debut, the groundbreaking Salesmen and Racists, Ike Reilly has been making punk/folk/blues influenced rock ’n’ roll records that lean heavily on stories of outsiders with keen details and broad strokes that insinuate a crack in the American dream. Reilly’s band, The Assassination, has been called one of the best live bands in America, and the body of recorded work they’ve turned out has been poetic, rebellious, wholly original, and critically acclaimed.
Still, Reilly and co-producer Phil Karnats (Secret Machines, Tripping Daisy, Polyphonic Spree) felt that Reilly’s best takes had never been recorded. The lucidity and rhythm of Reilly’s performances that Karnats had witnessed in hotel rooms, backstage, and on tour buses had never been captured. “I wanted to create a setting where lil’ Ike could sing and play guitar at the same time, with the band in the same room... no headphones and minimal isolation,” says Karnats. “There's always been a freshness to playing the songs together that's hard to harness when recording in the more common, modern, sense where you do rhythm tracks first, then overdubs and vocals last. This time, Ike did his thing and we developed the arrangements based on his vocal approach, cadence, phrasing, intensity and all that. I think, in the end, we ended up with some killer songs that have a strangely unique, slightly off-center, vibe.” The resulting album, Crooked Love, is Reilly’s seventh studio album and comes out May 18, 2018 on Rock Ridge Music.
Indeed, this collection of succinct, tight-but-loose songs reflects the continuing evolution of Reilly’s ever-visceral wordsmithing, as married with a Murderer’s Row of backing tracks forged out of the intuitive interplay of his longstanding Assassination bandmates — guitarist Karnats, bassist Peter Cimbalo, drummer David Cottini, and guitarist/ keyboardist Adam Krier. Not to mention the input of a few special guests, too, including guitarist Tommy O’Donnell, pianist Ed Tinley, and saxophonists Mars Williams and Bill Overton, as well as family legacies Mickey Reilly on vocals and Peter John Cimbalo on drums.
One Crooked song that Reilly feels is the lynchpin to the record is “Been Let Down,” which moves from shuffle to backstab in the blip of a heartbeat. “We had a loose structure to ‘Been Let Down,’ but nothing written in stone, no exact measures to the instrumental parts,” Reilly says. “I had words but mostly images that I was gonna fit into spaces… no exact lengths to choruses. On the surface it’s got a John Lee Hooker vibe, but slightly tweaked. We were all in the same room no headphones or any of that shit, and really all I could hear was the rhythm section and myself. When we listened to the playback I was blown away. It was so off-kilter, really fucking fresh. The guitar and keyboard parts worked in and around my harp and vocal like we had charts. I was blown away by this take and the beauty of the recording.”
Walking that fine line between being topical and universal is another goal Reilly wanted to attain with this album. “I’m not sure if all the songs reflect what’s going on right now,” Reilly says. “You know, Trump’s insane behavior, racism and classism out in the open, a new nuclear threat, the planet’s demise. The songs were written under the shadow of all of that, but most people still just need and want love, affection, sex, and the simple pleasures of human contact. I have optimism for society and for its survival, though I am pretty fatalistic in the sense of, ‘This is what it is. It’s right here, it’s right now, and this is it.’ That can either drive you crazy or motivate you to squeeze every last drop out of it, you know?”
We know it well, in fact, for Crooked Love is as haunting and straight-shooting into the heart as anything you’ll hear this year. And that’s also how you know you’re living in the right time.