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One crime with eight different perspectives. Such is the Rashomon-like perspective applied to Pete Travis' Vantage Point. The president is shot at a crowded public address during a summit in Spain, the assassination followed by an explosion that leaves many dead and wounded. What follows is a retelling of the incident from the point of view of the secret service, the news reporters, a bystander and several others, each of whom adds another piece to the puzzle. We spoke to British director and former social worker Travis about the intricate balancing act of telling eight stories at once.
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