24h avec Isabel Marant pendant la Fashion Week de Paris #VogueFollows
- il y a 8 ans
Des essayages au défilé avec Isabel Marant pendant la Fashion Week de Paris
#VogueFollows : A quoi ressemble la préparation d'un défilé parisien? Des coulisses des essayages dans ses bureaux à celles du show, Vogue a suivi Isabel Marant pendant la Fashion Week de Paris.
Directed by Linus Ricard @ Moon Management
Written by Maud Charmoy @ Vogue Paris
Edited by Tim Panduro @ Moon Productions
Produced by Anja Gildum @ Moon Productions
Executive production by Mariusz Skronski @ Moon Productions
Editor in chief Vogue.fr : Jennifer Neyt
Artistic director: Lysa Thieffry
Head of Vidéo: Nicolas Pellet
Vidéo Manager: Maxime Auburtin
En savoir plus sur http://www.vogue.fr/video/mode/videos/vogueparisfollows-des-essayages-au-defile-avec-isabel-marant-pendant-la-fashion-week-de-paris/23043#
1
00:00:04,670 --> 00:00:08,560
So, we're three days away
from the show, in my showroom.
2
00:00:09,260 --> 00:00:14,240
We're working on the
girls' looks
3
00:00:14,270 --> 00:00:16,740
with their hair and make-up.
4
00:00:17,330 --> 00:00:19,080
And we're casting
at the same time.
5
00:00:19,340 --> 00:00:21,880
This is the magical moment
when everything takes shape,
6
00:00:21,960 --> 00:00:24,720
the girls are ready, the make-up
is ready, the hairstyles are ready,
7
00:00:24,740 --> 00:00:26,040
and the clothes are ready.
8
00:00:26,260 --> 00:00:30,220
It's a fantastic time.
9
00:00:31,000 --> 00:00:36,820
It's true, in fact, that I've always taken
the word 'ready-to-wear' literally.
10
00:00:36,820 --> 00:00:39,800
What I'm interested in, is dressing
people for their everyday lives, watching,
11
00:00:39,800 --> 00:00:46,560
finding out why we choose one kind of clothing style
is chosen over another clothing style.
12
00:00:46,880 --> 00:00:49,720
I'm very much about real life.
13
00:00:49,760 --> 00:00:52,960
I've got kids, I take them
to school, and I drive a scooter.
14
00:00:53,000 --> 00:00:55,740
I don't have a driver who
picks me up and waits for me.
15
00:00:56,020 --> 00:01:02,140
I like to do my shopping,
and go to the market with my trolley.
16
00:01:02,510 --> 00:01:07,540
I can't always be perched up
on fifteen-centimetre high heels,
17
00:01:07,600 --> 00:01:13,960
dressed in a pencil skirt
with five-centimetre long nails.
18
00:01:14,010 --> 00:01:15,660
That's not who I am at all my look.
19
00:01:15,720 --> 00:01:20,300
What I am interested in is, how, bearing in mind that
20
00:01:20,320 --> 00:01:22,000
clothes are made
to be worn,
21
00:01:22,000 --> 00:01:26,280
that we can to feel good in them,
we want to look different,
22
00:01:26,300 --> 00:01:29,000
and sexy
without having to hide away feeling like we're in disguise,
23
00:01:29,060 --> 00:01:32,880
that's really my
challenge every season,
24
00:01:32,900 --> 00:01:35,760
by telling myself stories to myself
and travelling a little because
25
00:01:35,800 --> 00:01:38,510
that's what I like when I’m doing the collections.
26
00:01:39,000 --> 00:01:41,980
All the same, you've
always got to think about
27
00:01:42,140 --> 00:01:47,320
the real girl who will be wearing the clothes
and I myself will always opt
28
00:01:47,320 --> 00:01:50,460
for a relatively
simple and comfortable style,
29
00:01:50,480 --> 00:01:56,060
before settling on over
a look which says: here I am.
30
00:01:58,600 --> 00:02:01,480
I remember my first show
very, very well.
31
00:02:01,550 --> 00:02:05,520
It was crazy really
because I had spotted
32
00:02:05,540 --> 00:02:10,440
a place nearby which was
completely ruined and abandoned.
33
00:02:10,480 --> 00:02:13,280
The place was simply magical.
34
00:02:13,700 --> 00:02:16,220
I was allowed
to parade hold the show in it.
35
00:02:17,280 --> 00:02:21,280
One week before the show, once
the invitations had been sent out,
36
00:02:21,500 --> 00:02:24,840
They suddenly called me: "oh no,
it's not going to be possible".
37
00:02:24,840 --> 00:02:26,120
And, then, bang!
38
00:02:26,800 --> 00:02:31,500
You're twenty two, you've put
all your energy into this crazy show.
39
00:02:32,160 --> 00:02:35,700
Everything collapses all of a sudden,
one week before the show
40
00:02:35,720 --> 00:02:37,480
with the invitations
already sent out.
41
00:02:37,800 --> 00:02:44,620
So I said: "OK", and undeterred, "I'll do it anyway,
with or without permission or authorisation".
42
00:02:45,500 --> 00:02:50,540
We were absolutely terrified,
but as ever, right up until the last minute
43
00:02:50,540 --> 00:02:57,560
that the mayor should suddenly drop in
to see whether we'd done it anyway something or not,
44
00:02:57,610 --> 00:02:59,300
and the music was blaring, there were balloons,
45
00:02:59,300 --> 00:03:01,340
we had planned to have a party afterwards.
46
00:03:01,620 --> 00:03:02,560
We did everything.
#VogueFollows : A quoi ressemble la préparation d'un défilé parisien? Des coulisses des essayages dans ses bureaux à celles du show, Vogue a suivi Isabel Marant pendant la Fashion Week de Paris.
Directed by Linus Ricard @ Moon Management
Written by Maud Charmoy @ Vogue Paris
Edited by Tim Panduro @ Moon Productions
Produced by Anja Gildum @ Moon Productions
Executive production by Mariusz Skronski @ Moon Productions
Editor in chief Vogue.fr : Jennifer Neyt
Artistic director: Lysa Thieffry
Head of Vidéo: Nicolas Pellet
Vidéo Manager: Maxime Auburtin
En savoir plus sur http://www.vogue.fr/video/mode/videos/vogueparisfollows-des-essayages-au-defile-avec-isabel-marant-pendant-la-fashion-week-de-paris/23043#
1
00:00:04,670 --> 00:00:08,560
So, we're three days away
from the show, in my showroom.
2
00:00:09,260 --> 00:00:14,240
We're working on the
girls' looks
3
00:00:14,270 --> 00:00:16,740
with their hair and make-up.
4
00:00:17,330 --> 00:00:19,080
And we're casting
at the same time.
5
00:00:19,340 --> 00:00:21,880
This is the magical moment
when everything takes shape,
6
00:00:21,960 --> 00:00:24,720
the girls are ready, the make-up
is ready, the hairstyles are ready,
7
00:00:24,740 --> 00:00:26,040
and the clothes are ready.
8
00:00:26,260 --> 00:00:30,220
It's a fantastic time.
9
00:00:31,000 --> 00:00:36,820
It's true, in fact, that I've always taken
the word 'ready-to-wear' literally.
10
00:00:36,820 --> 00:00:39,800
What I'm interested in, is dressing
people for their everyday lives, watching,
11
00:00:39,800 --> 00:00:46,560
finding out why we choose one kind of clothing style
is chosen over another clothing style.
12
00:00:46,880 --> 00:00:49,720
I'm very much about real life.
13
00:00:49,760 --> 00:00:52,960
I've got kids, I take them
to school, and I drive a scooter.
14
00:00:53,000 --> 00:00:55,740
I don't have a driver who
picks me up and waits for me.
15
00:00:56,020 --> 00:01:02,140
I like to do my shopping,
and go to the market with my trolley.
16
00:01:02,510 --> 00:01:07,540
I can't always be perched up
on fifteen-centimetre high heels,
17
00:01:07,600 --> 00:01:13,960
dressed in a pencil skirt
with five-centimetre long nails.
18
00:01:14,010 --> 00:01:15,660
That's not who I am at all my look.
19
00:01:15,720 --> 00:01:20,300
What I am interested in is, how, bearing in mind that
20
00:01:20,320 --> 00:01:22,000
clothes are made
to be worn,
21
00:01:22,000 --> 00:01:26,280
that we can to feel good in them,
we want to look different,
22
00:01:26,300 --> 00:01:29,000
and sexy
without having to hide away feeling like we're in disguise,
23
00:01:29,060 --> 00:01:32,880
that's really my
challenge every season,
24
00:01:32,900 --> 00:01:35,760
by telling myself stories to myself
and travelling a little because
25
00:01:35,800 --> 00:01:38,510
that's what I like when I’m doing the collections.
26
00:01:39,000 --> 00:01:41,980
All the same, you've
always got to think about
27
00:01:42,140 --> 00:01:47,320
the real girl who will be wearing the clothes
and I myself will always opt
28
00:01:47,320 --> 00:01:50,460
for a relatively
simple and comfortable style,
29
00:01:50,480 --> 00:01:56,060
before settling on over
a look which says: here I am.
30
00:01:58,600 --> 00:02:01,480
I remember my first show
very, very well.
31
00:02:01,550 --> 00:02:05,520
It was crazy really
because I had spotted
32
00:02:05,540 --> 00:02:10,440
a place nearby which was
completely ruined and abandoned.
33
00:02:10,480 --> 00:02:13,280
The place was simply magical.
34
00:02:13,700 --> 00:02:16,220
I was allowed
to parade hold the show in it.
35
00:02:17,280 --> 00:02:21,280
One week before the show, once
the invitations had been sent out,
36
00:02:21,500 --> 00:02:24,840
They suddenly called me: "oh no,
it's not going to be possible".
37
00:02:24,840 --> 00:02:26,120
And, then, bang!
38
00:02:26,800 --> 00:02:31,500
You're twenty two, you've put
all your energy into this crazy show.
39
00:02:32,160 --> 00:02:35,700
Everything collapses all of a sudden,
one week before the show
40
00:02:35,720 --> 00:02:37,480
with the invitations
already sent out.
41
00:02:37,800 --> 00:02:44,620
So I said: "OK", and undeterred, "I'll do it anyway,
with or without permission or authorisation".
42
00:02:45,500 --> 00:02:50,540
We were absolutely terrified,
but as ever, right up until the last minute
43
00:02:50,540 --> 00:02:57,560
that the mayor should suddenly drop in
to see whether we'd done it anyway something or not,
44
00:02:57,610 --> 00:02:59,300
and the music was blaring, there were balloons,
45
00:02:59,300 --> 00:03:01,340
we had planned to have a party afterwards.
46
00:03:01,620 --> 00:03:02,560
We did everything.